Antique Armor

The design features a pair of opposing mounted warriors in stylised armour, each riding a galloping horse within a richly worked landscape of palm trees, birds, and floral motifs.

This print is ideal for collectors of medieval armor, historical weaponry, or fine lithographic art.

In this dramatic image, two fully armored knights clash, each mounted on a horse outfitted in meticulously painted caparisons of vivid reds, golds, and whites.

Franz Kottenkamp, the plate exemplifies the craftsmanship of tournament armor and equestrian regalia. The knight is clad in articulated plate armor, intricately engraved and polis...

Four corners with battling knights in armor. High relief engraved and chased exterior.

Louis is depicted in similar armour and costume, astride his horse, similarly turned three-quarters to the left and his right arm outstretched.

He has since been honored as the protector of soldiers and blacksmiths, often depicted in armor with his shield and lion, emblems of his bravery and fidelity to Christ.

A handed pair, each roundel is superbly carved with depictions of Roman armour before weaponry including swords, axes, spears and a quiver of arrows.

His noble posture, along with his decorated armor, signifies his high status and leadership in the parade.

Plate 80 shows a kneeling knight in full armour, his visor raised in an attitude of humble prayer.

The vibrant hand-applied colours remain remarkably strong, highlighting the richness of the armour’s design and the authenticity of the historical portrayal.

Chairs feature scrolled and curved back with center hand-painted crest showing an armored hand and sword. Chairs have sturdy thick wooden seats supported by turned legs.

Henry was thus fittingly portrayed in armour and, given the similar likenesses of the brothers, the picture was later confused with his elder brother's until Grosvenor 2008 (SNPG).

A fascinating example from his early series of Orientalist works, this sculpture displays extraordinary attention to detail: the intricate armour, flowing robes, chainmail headdress,...

The black and gold Armour is well decorated; the helmet has a plume holder to the rear and the rest of the Armour consists of gorget, pauldron, breastplate, revebrace and ending at t...

In this particular scene, two fully armored knights charge towards each other, their lances crossing at the center.

Below her, trophies, including a shield adorned with a winged Victory holding a palm and crown leaning against the armour of Hercules, further emphasize the theme of triumph.

The upper register portrays imperial and aristocratic figures, including a seated ruler with shield and mace, clerical dignitaries in embroidered vestments, and military leaders clad...

In the center, we find the Macedonian king in splendid armor, riding his inseparable Bucephalus. At his feet, the wounded Indian king is supported and carried before Alexander, who,...

Crest: The family crest (an armored arm) is prominently displayed in a reserved panel at the top of the rim.

At the center of the domed shield is Constantine the Great, the Emperor of Rome from AD 306-337, and who is credited with elevating Christianity in the Roman state. He is depicted in...

The scene shows three standing figures, including a warrior in armor, alongside a central female figure, greeting a seated male holding a staff — an allegorical composition inspired ...

The exceptional cast sterling silver column has been modelled in the form of a gentleman in armour / knight. The character is attired in a complete suit of armour/panoply, accente...

This top quality Russian black lacquered papier mâché box has an extremely fine hand painted central panel to its lid with a medieval scene set amongst a landscape with a castle and ...

A number of his illustrations of armour are held in the Royal Academy of Arts collection in London.

A nobleman in a vibrant green costume adorned with sweeping feathers stands beside a knight in ornate armor decorated with heraldic motifs—an unmistakable nod to the chivalric tradit...

Each sheet offers a different aspect of Greek antiquity, from hairstyles and garments to social ceremonies, musical scenes, theatrical masks, and the weapons and armour of the classi...

The console features a high-quality solid wood frame adorned with finely sculpted male heads in classical armor on the legs, representing strength and nobility.

The attention to light in this painting is truly astonishing, albeit subtle - the reflections on the dragon’s scales and the Knight’s armour are masterful. A beautifully rendered sha...

Heads and hands carved of wood and covered in a fine white burnished gofun oyster shell lacquer, finely painted, well-carved and expressive features, and silk fiber hair worn long. w...

The rectangular setting is ornamented with a hand carved 2.30ct black opal cameo*, depicting a profile of a man in armour, bearing resemblance to centurions or the mythological hero ...

This was to indicate the slightly higher standard of silver from sterling silver standard of 925 (92.5% of fine silver). The armourial bearings are those of the Wyndham and Penrud...

Having trained at Stockholm’s School of Fine Arts and becoming a U.S. citizen in 1909, Youngquist quietly shaped the refined interiors of Chicago’s industrial elite, including famili...

Minton Parian model of clorinda modelled exhausted from the fight, with her armour on, helmet at her feet, signed to the reverse John Bell.

In his passion for historical authenticity he also assembled a vast collection of European and Oriental antiquities, jewellery, costume, arms and armour. His artistic lineage from Al...

Soldiers had to pay for their own weapons and body armours, excluding the poorer peasants and traders from the task of war.

. - Battle Scene with Knights and Castle (16th century, in the manner of Luca Cambiaso) A dynamic composition depicting an armored clash before a castle backdrop, characterized by st...

Today, this work holds outstanding appeal for collectors of Orientalist art, Islamic arms and armor, ethnographic studies, and 19th-century exploration imagery.

He is depicted in resplendent armor, holding his sword aloft while riding a richly adorned warhorse.

To his left stands the *Chef des Archers*, resplendent in armor and helmet, while a *Musicien* kneels in the foreground playing a stringed instrument, perhaps an erhu or pipa, adding...

Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbo...

The other depicts the Roman Mars (or the Greek Ares), god of war and agriculture, wearing armour and a helmet. Dimensions for each. Weight for the pair: 6kg approx.

Jaguar warriors, eagle warriors, officers, and elite fighters are shown with their distinctive feathered headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbo...

The raised border is embellished with an impressive bright cut engraved crest of an arm in armour embowed, holding in the hand a scythe in bend Dexter.

They're often elaborate, richly detailed, and dressed in miniature suits of armor or battle attire, sometimes complete with weapons and banners.

Côtes-du-Nord, now Côtes-d’Armor, is part of historic Brittany and known for its strong cultural identity, Celtic heritage, and rich agricultural landscape.

Dressed in full medieval armor Arthur is featured with a staff and flag, movable visors, and intricately engraved coat-of-arms displayed proudly on a square pedestal adorned with han...

Each figure is meticulously rendered, showcasing the intricate designs of their plate armour, feathered crests, and period-accurate weaponry, likely inspired by late Medieval or Rena...

He was a member of the Arc-en-Ciel Committee from 1917 to 1920, and of the Painters of Armor from 1919 to 1921. He held two solo exhibitions at the Manuel Gallery in 1920.

The print shows Evertsen on the deck of a warship, fully clad in richly detailed armor. He holds a command baton and rests one hand confidently on his sword.

At the center and right, the attention shifts to two Circassiens, noble and striking figures in traditional warrior attire. The first, armored and resolute, wears a short cuirass, hi...

Historical context of the illustration The artwork captures a moment in military history when cavalry was transitioning away from horses and into an armored corps. The Boy's Own Pa...

The precise detailing of armor, textiles, and horse tack reflects the technical mastery of lithographic printing during the period.

His finely crafted suit of armor gleams under the light, emphasizing both strength and nobility.

Very fine execution of the plastron armor, with visible missing parts, but very expressive.

Jenny and printed by Kümmerly and Wittmer, captures a breathtaking moment featuring three armored knights, each representing a distinguished lineage.

Dressed in ornate courtly attire with crimson robes edged in gold and a suit of gleaming armor partially visible beneath, he embodies the ideal of the soldier-scholar.