Antique Armor

in armor. High relief engraved and chased exterior.

armour before weaponry including swords, axes, spears and a quiver of arrows. Enhanced with paint, the

visors. The discarded pieces of armor and broken weaponry strewn across the ground evoke the intensity of

their own weapons and body armours, excluding the poorer peasants and traders from the task of war

, and who is credited with elevating Christianity in the Roman state. He is depicted in armor while

and armour. His artistic lineage from Allan was apparent in the many illustrations of Scottish history

modelled in the form of a gentleman in armour / knight. The character is attired in a complete suit of

a knight in armour on horseback. This fine pictorial panel has a delicate and intricate gilt foliate

head, symbolizing authority and status. To his left stands the *Chef des Archers*, resplendent in armor

headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec

headdresses, painted shields, quilted cotton armor (ichcahuipilli), and symbolic iconography referencing Aztec

shaped the refined interiors of Chicago’s industrial elite, including families like the Pullmans, Armours

grandeur of medieval European nobility. In this particular scene, two fully armored knights charge towards

composition depicting an armored clash before a castle backdrop, characterized by strong line work and

armored hand and sword. Chairs have sturdy thick wooden seats supported by turned legs.

classical armor on the legs, representing strength and nobility. A luxurious marble top crowns the base

two Circassiens, noble and striking figures in traditional warrior attire. The first, armored and

, and silk fiber hair worn long. wearing gold lacquer armor with silk lacing and sumptuous silk brocades

embellished with an impressive bright cut engraved crest of an arm in armour embowed, holding in the hand a

Wooden bust of a knight. A wonderful armored knight carved from lime wood. The knight is well

visual complexity. Knights and nobles appear in ornate armor, embroidered tunics, and ceremonial dress

- 49) Portfolio: A Critical Inquiry into Antient Armour Year: 1824 (First edition) Medium: Original

away from horses and into an armored corps. The Boy's Own Paper was a highly popular British weekly

Painters of Armor from 1919 to 1921. He held two solo exhibitions at the Manuel Gallery in 1920. In 1919

panel at center. Neoclassical ormolu appliques in floral motif armor the front corners, matching the

would be the legendary Nemean Lion, a beast with impenetrable fur and razor-sharp claws that no armour

depicted in resplendent armor, holding his sword aloft while riding a richly adorned warhorse. His heraldic

elegant 19th-century map of Côtes-du-Nord, the historic name for what is now known as Côtes-d’Armor in

of war and agriculture, wearing armour and a helmet. Dimensions for each. Weight for the pair: 6kg

. They're often elaborate, richly detailed, and dressed in miniature suits of armor or battle attire

over armour, the perfectly coiffed wig, the dazzling gold embellishments. Yet when you rest your gaze

down to fetch her a pretty little blue flower, but his heavy armor made him lose his balance and he

detailed armor. He holds a command baton and rests one hand confidently on his sword. A large cannon looms

Minton Parian model of clorinda modelled exhausted from the fight, with her armour on, helmet at

engravings are rich in detail, showing the sitters in formal armour with fine lace collars and sashes

portraits are finely detailed, showing military attire, armour, and insignia, along with precise facial

of gleaming armor partially visible beneath, he embodies the ideal of the soldier-scholar. His

procession led by Hans von Hallwyl, a renowned Swiss knight, in full armor. Hallwyl played a significant role

presents a lone knight, identified as a Waldmann, resplendent in full armor and mounted on a stately white

seriousness with which such events were treated. The victorious knight bears a red tunic over steel armor and

, "Chevalier du Noeud" (Knight of the Knot), introduces a richly armored figure bearing a shield with a red

Écrevisse-crabe). The anatomical rendering of claws, legs, and body armor demonstrates the engraver’s

armored confidence of its namesake. Bold red, white and black geometric designs sweep across the sharply

and Wittmer, captures a breathtaking moment featuring three armored knights, each representing a

their plate armour, feathered crests, and period-accurate weaponry, likely inspired by late Medieval or

the Tomb of Maximilian I: King Arthur completed in 1513. Dressed in full medieval armor Arthur is

bronze and palmette ornaments–transition into cabriole legs armored with even more intricate and three

with careful attention to facial detail, costume, and military regalia, including armour, sashes, and

, costume details, and armour with clarity and depth. Condition report: Very good condition with clean

formal attire, often with armour and lace collars typical of the period, emphasising both their martial

war, while the sides are decorated with suits of armor, helmets, banners, and military trophies. At

with a laurel wreath by cherubs. To the right, a female figure in classical armor—an embodiment of the

wood, in shades of gold, blue, white, and brown. It shows Mary in a flowing robe and possibly armor

version also features classical armour under the drapery, something which is not seen in the Nollekens or

elaborately patterned armor. The deep reds, blues, and golds—accentuated through hand-applied coloring—evoke

in ceremonial armor, the figure stands proudly, exuding the martial authority and dynastic pride

jasper representing the face and bust of a Roman soldier, his helmet, armor and shield, all finely chased