Antique Ball

eagle bird finial, ball and claw feet, ornate casting throughout, very nice antique item. Circa Early

spaced ball finials. The structure is supported by four splayed "birdcage" legs, each formed with wrapped

finely carved ball and claw feet (an idea that originated in China centuries before). For the delicate

molded base raised on cabriole legs with acanthus-carved knees and ball-and-claw feet. Drawer interior

punching bag and a chrome cylinder holding 6 ball-topped picks, all set on a figured wood base.

silhouettes curve with a kind of muscular rhythm, culminating in iron claws that clutch glass ball feet—an

compartment with a pie crust border and floating tortoiseshell lid finished with a silver ball handle. The

hand crafted, with brass spinner and ball slots. In working order though in need of lubrication. A

legs resting on ball feet, in the manner of Christopher Dresser. Christopher Dresser (4 July 1834 – 24

ball feet. The turning profile — ring detail near the top of each leg transitioning to a clean taper

scrolling foliate decoration, surmounted by a compressed ball finial with a brass hanging ring. Each lantern

, raised on ball feet. D. 1900

terminating in black half moon drip tray, all standing on three original ball feet. Cleaned and polished and

, set on triangular bases with recessed crosshatched panels and three small ball feet. The silver gilt

ropes knotted in their center. Top of the chandelier decorated with acanthus leaves, a stylized ball and

storage areas, displaying stick and ball decoration and elaborate curlycue designs above the hard wood

fabulous arrangement to acanthus leaves to each side, terminating on ceramic ball foot.

reeded decoration ending on a bulbus cast base. The table is supported by a heavy cast base with ball

& acanthus carved knees & returns ending in ball & claw feet. Drawer is full depth of the table. Butterfly

baluster stem rises up to crystal ball and then upwards an upturned crystal dish from which English crystal

elegantly turned and fluted legs ending in classic ball feet. A subtle arched apron adds a touch of

a carved apron at the bottom, it stands on its original hand-carved ball and claw feet. Great

Excellent quality Chippendale style mahogany sofa console, standing on heavy ball and claw carved

raised by an Ormolu bottom band with ball supports. Above is the fitted Crystal box with a square spike

backrest. The front two legs, however, are gilt bronze winged sphinxes, culminating in a paw on ball foot

A pair of wonderful and rare ball pendants from the transition period from Art Nouveau to Art Deco

(bronze patiné) and the radiant, fire-gilded mercury gilding (bronze doré) on the ball, the spouts, the

facet-cut ball finial and three down turned candle arms with corresponding shades, the arms interspersed

bobbin-turned uprights with ball finials, the upholstered seat with matching brass nailhead trim above a

, bobbin, and ball shapes — that were economical to produce and associated with rural craft traditions

monograms and each has a silver terminal cap on the ends. The Horns stand on Silver Ball Feet. Each horn is

is formed with six divisions, a scroll loop handle, and stands on four ball feet. It measures 4.25

with ball finials, the continuously curved arm rail sweeping forward above bobbin-turned arm supports

bench is raised by bottom ball feet below blocks. The legs have an elegant barley twist design. The six

and ending with impressive Ormolu sabots. The sabots have a square tapered design all above a ball

finely carved with geometric motifs and an unexpected detail on the ball head - see photo below. Here, in

with foliate motifs and terminating in classic claw and ball feet, showcasing the artistry of French

charming open box is raised by an Ormolu bottom band above ball supports. Above is the fitted Crystal box

and claw and ball feet, a feature often erroneously associated in the 19th century with Thomas

Sheraton style, which transition into ball feet. This piece exemplifies the refined craftsmanship and

-ball feet and are joined by Queen Anne-style stretchers. This settee is ready to place and presents

gathered to a central point from which a central terminal rock crystal ball hangs. All lit internally by a

decorated by richly chased Ormolu sabots with foliate palmettes and ball feet. At the top of each leg is a

supported by cabriole legs, carved at the knees with foliate details, terminating in classic claw-and-ball

substantial bronze casters, the plinth top runs on a ball bearing race, faded and worn brass studded red

applied pouch, and the lid includes a golf ball form finial with cork stopper. Dimensions: 6" x 3.5" x

ball and claw feet.

Thomas Ball, Lord Chancellor of Ireland. The cases are London hallmarked for 1832 and the casemake is PM

all terminating below the gilt pine cone with 2 rock crystals olives and a small ball. All delicately

ball. Professionally rewired for electricity. Designed by George Hoentschel in partnership with Mewes

ball. Professionally rewired for electricity. Designed by George Hoentschel in partnership with Mewes

and ball-and-claw feet.

Cruet Sand has individual spaces to place small Tea Spoons if desired. The Stand is raised on four ball

ball finials. One finial missing in the photo has been replaced.

drawers fitted with ebonized ball pulls. The seat, backrest, and two side bolster cushions have been newly

ball and chain, the piece stood as a provocative statement denouncing the oppression and confinement of

this incredible unit are the exceptional stick and ball exterior side decorations outside the shelves