Antique Bears

In the lower right corner of the Crèvecoeur pasture scene, the plate bears the artist's printed signature and date inscribed 'H.

Fitted tightly over the glass rims, the silver mounts bear London hallmarks dating the pair to 1905.

The settee has retained its original character, with no known alterations, and bears the Baumann manufacturer’s metal label beneath the seat.

The underside of the base bears the words “Modèle déposé” (registered design), together with a model number.

Genoa, Italy, early 19th century The bed bears a “WC” maker’s mark; the manufacturer has not been identified.

The underside of the belly bears the impressed four-digit model number 1689, alongside the impressed Vienna shield mark, a stamped 'MADE IN AUSTRIA' country designation, and a hand-p...

The underside of this example reveals concentric lathe marks from the finishing process but bears no impressed factory stamp. However, the quality of the unglazed body, the sharp pre...

Underneath, each base is stamped with the circular printed factory mark reading ""Of Etruria & Barlaston Wedgwood Made in England"" surrounding the designer's printed ""KM"" ciph...

With a diameter of 22.5 cm, the plate presents a balanced profile featuring a gently sunken centre and a slightly raised rim, designed primarily for presentation within a china cabin...

Underneath, the glazed white earthenware base bears the printed black factory backstamp reading 'Ricardia Ware' above 'MADE IN ENGLAND', alongside printed production codes.

The underside of each piece bears a 'lozenge mark' which certifies the patent of this piece on 20th August 1875 with the UK Patent Office.

Assayed in Edinburgh with date marks for 1921, the piece bears the maker's mark of Fraser, Ferguson and McBean.

The hinged lid opens to reveal a polished silver interior. The box bears the French boar's head hallmark, indicating silver of at least .800 fineness, together with the stamped numbe...

The handle is secured to the body by substantial riveted brackets, while visible soldering around the spout and various joints bears witness to traditional metalworking techniques.

They measure 4 1/2'' in height by 3'' in diameter, weigh 11.9 troy ounces, and bear hallmarks as shown. Please feel free to ask us any questions, and please see our other listings.

The surface retains an attractive aged dark brown and greenish patina. The base bears the molded signature “L. CARVIN,” associated with French sculptor Louis-Albert Carvin (1875–195...

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Its surface and joinery bear the honest, gradual wear of genuine age rather than a manufactured distress, evidence of a long working life already lived.

Provenance: Acquired through a private sale in the United Kingdom. The reverse bears a George Rowney & Co. supplier’s stamp. Condition: Very good overall antique condition, with age...

On the reverse, the backing paper bears a trade label from H. Wainwright & Sons, Picture Frame Makers and Fine Art Dealers of Tally Ho Corner, North Finchley, London N.12, noting...

The lower right-hand corner of the canvas bears the artist’s painted signature, 'W. WILLIAMS'.

The underside of the tankard bears the retailer's mark 'Elkington & Co', in addition to the registration number '21936'.

The quality of the chiselling and repoussé work bears witness to the exceptionally high technical standard of 19th-century Neapolitan silversmiths.

The dishes are raised upon circular domed bases, giving each piece a refined elevated profile and balanced appearance. Both pieces bear matching Sheffield hallmarks for 1897 and hav...

A refined antique silver bowl and matching salver, executed in the elegant Baroque style and dating to the early 19th century. The salver bears a Lisbon silversmith’s mark attribute...

The underside of the lid bears full London hallmarks, Corke’s maker's mark, and the incised T.

In the lower image a knight in mail with a rounded helmet charges across open country with his sword raised; his blue surcoat bears a red cross on the chest, he holds a dark shield, ...

The interior of the cover bears the retailer's mark 'By Appointment, Hamilton & Inches, 88 Princes Street, Edinburgh'.

The title page names Holbein, Vandyke, Hollar and others as the sources of the designs, and the book also bears a French title, Recueil des Habillements de Différentes Nations, match...

The creamer incorporates an elegant shaped pouring spout and an arched loop handle with raised thumb rests, finished in solid bright gilding. The undersides bear the green printed...

The underside of the base reveals the plain cast interior of the foot rim and bears a clearly struck numerical mark, 2653, stamped directly into the metal.

The exposed glass allows the decoration on the opposite side to remain visible, creating depth within the intricate silver design. An oval reserve bears an engraved ornamental monogr...

Both are in good condition, with minor wear consistent with age and use, and bear maker’s marks and stamped markings underneath.

Pair of Rustic Black Forest (19th Cent) carved walnut open Armchairs with leaf and grape design filigree back and bear heads on arms with etched seat

Made by the celebrated Onnaing pottery in northern France, known for its imaginative and colorful majolica during the late 19th century, this rare jardinière bears the impressed Onna...

The trophy was shot in 1878. The plaque bears a label with handwritten entries of date and place of the hunt on the back.

On the front a metal plaque reads "Fleur des champs - par Scotte"; the back of the base bears the signature "Scotte" and the side an oval stamp "Céramique d'art" with monogram and mo...

In Japanese culture, cranes are considered symbols of longevity and good fortune. Although it bears a signature attributed to the Tosa school (Tosa Mitsutaka), this work is a reprod...

The upper portion of the brooch bears two French cut diamonds and the lower portion bears three Old European cut diamonds, totalling 0.25ct, all claw set representing bud designs.

A student of Gustave Eiffel, he became the clockmaker to Louis-Philippe and Napoleon III, the latter who authorized him in 1851 to bear, as well as his descendants, the name of Henry...

This exceptional bowl was crafted by the renowned London silversmiths Goldsmiths & Silversmiths Co Ltd and bears the retailer's mark 'Goldsmiths & Silversmiths Ltd, 112, Rege...

While unmarked with a printed factory backstamp, the underside of the saucer bears the hand-painted pattern number 1078 in iron-red script.

The vase is distinguished by its substantial size, thick ceramic body, and finely painted decoration, giving it a particularly imposing presence. The interior bears the original fact...

The flask features a beautifully proportioned clear glass body with finely faceted sides, complemented by its original sterling silver mounts. The silver bears London hallmarks with ...

The design reflects the nineteenth-century French fascination with Renaissance objets d'art, combining precious materials, elaborate metalwork, classical symbolism, and richly orname...

The underside is unglazed around the foot and bears a blue handwritten number, apparently “936.”

The sconces retain an original manufacturer's label reading “Sterling Bronze Company, New York,” while the reverse of the jasperware bears an impressed “WEDGWOOD” mark, confirming th...

The juxtaposition of traditional Japanese lacquer artistry with refined French neoclassical bronze mounts reflects the sophisticated Japonisme aesthetic embraced by America's most pr...

The underside has been ground flat and smoothly polished to establish a clean, stable footing without rough pontil scars. While it bears no factory backstamps, etched signatures, or ...

Presented with its original self-framed dark border with a warm, worn patina and scattered surface losses, the piece bears visible foxing, scratches, and spots consistent with long-t...

Particularly interesting are the surviving traces of historic painted decoration. One side bears a faint depiction of a skull and crossbones, while the opposite side displays an anvi...

This particular Buddha is depicted in the Bhumisparsha mudra, a hand gesture that symbolizes the moment of enlightenment when the Buddha called upon the earth to bear witness to his ...

Distinctive coral-orange enamel outlines the spreading foot, the circular neck, and the perforations of the lid, while stylised orange tendrils, dots, and feathering highlight the co...