Antique Chemise

Antique French embroidered natural rustic linen, shift dress, slip dress, night dress. Hand woven rustic linen in a cream with slight bluish grey tones, and the natural irregularitie...

This 1920's filet lace dress was Made in France and it is a very beautiful and wearable dress. It has a square neckline with two small hand embroidered panels at the center front. Th...

Circa 1915/1925 France Interesting sac dress for the seashore in embroidered cotton chiffon dating from the years 1915/1925. Straight cut with Kimono sleeves and low waist, belt in ...

This antique Native American quilled brown chamois suede leather sleeveless chemise dress, which

Elegant Art Deco Tunic Dress of black silk chiffon with diamond and radiating patterns of iridescent purple beads throughout. Sheer dress slips over the head with sides open to hip w...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/4 inches (...

Art deco Chemise Slip Dress, 1920s overdyed by Studio Vintage Luxury in the 1990's. Of Black over

La Chemise Enlevée is an original artwork realized by the French artist Benjamin Damman in 1909

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Greece. Ready to go on a wall. Frame...

First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. Late 19th C. Greece. Ready to go on a wall. Frame...

This exquisite etching by Marc Chagall (1887–1985), titled Tchitchikov triomphe en chemise

chemise.  signed lower left: L Perrault oil on canvas canvas: 38.5 by 30 in  framed: 50" by 41.5" in 

but muted with age, opened at the bodice to reveal a white chemise edged with delicate lace. The

plainer chemise or high-neck top. A rare survivor from the period, it would look great paired with a

composition a dynamic sense of movement. She wears a blue bodice with crossed lacing over a white chemise, red

, willowy silhouette. She is posing elegantly in a flowing skirt and matching fur-lined chemise. The

an outfit aligned with the late medieval or early Renaissance period. Wearing a bodice and chemise

. Measuring 13-5/8" x 8-5/8". Each leaf housed in it’s own maroon cloth chemise, the four chemise’s housed in

minimalist yet intricate style was popular for collars, lapels, chemise dresses, and hat adornments during

; dynamically sculpted with an adorable upturned smile and glimmering eyes, in a chemise with an incredibly

. Original wrappers with intact glassine covers, red cloth chemise and slipcase seeded with small gold flower

fashion. She wears a lustrous pale satin gown cut with a broad oval neckline edged in fine linen chemise

Belgium. Her attire, consisting of a white chemise, striped apron, and fitted bodice tied with a pink

leave a hole to reveal the layer beneath. Attached black silk chemise underslip with nude chiffon straps

a custom green cloth chemise, one flap detached, and 1/2 green morocco slipcase with raised bands

white chemise beneath, enveloped in luminous blue silk that frames the shoulders and directs attention

in a cloth chemise and housed in a beautiful signed half crushed morocco solander box by Riviere

gold. The ring is set with a three quarter portrait of a gentleman wearing an elegant wig, chemise

slashed sleeves and a low, décolletage neckline revealing a white chemise or undergarment beneath. Her

hem, the bodice cut in deep folds revealing a white chemise. A wide golden sash emphasizes her

cheval et son cavalier habillé d'une chemise blanche avec des perles dorées, un jean, un foulard rose

sleepwear. The neckline is wide and low, softened by the suggestion of the chemise beneath, and the bodice

, fluid folds over a pale chemise, the neckline cut low across the shoulders in keeping with early

tropical foliage, her white chemise clinging to her form, crowned with a floral wreath. She shields her

wears a yellow-trimmed blue bodice over a green chemise, with wide white sleeves and a striped red-and

. Baltimore: F.D. Benteen, 1846. First edition. Folio. Presented in a new, archival cloth covered chemise and

coat with white chemise and black feathered hat. He is stood against a dark background. His curly

and arms extended. She is wearing a delicate sleeveless long white chemise adorned with ruffles, light

solid beaded waistband. Slip-on chemise style with no closure. Most likely French made. Size 6.

. Slip-on chemise style, no closure. Most likey French-made. US generous size 6.

) and richly dressed in a light white linen chemise, a luxurious fuchsia-pink tunic and a royal-blue

. She wears a white chemise that peeks out beneath a cross-wrapped pink tunic, adding to the elegance of

red straight grained morocco solinder slipcase with a folding cloth chemise, spine with gilt hunting

a naughty smile and wearing a delicate white chemise with pink bows and ribbons. Her hair is curly

up and wearing a delicate white chemise with pearly buttons and pink ribbons. Her hair is curly

eyes. She sits at a slight angle, in a pensive pose, wearing a frilled pinafore and white chemise, the

gentlemen classically dressed for the period, in white chemise and cravat, with piercing blue eyes and a

title Femme à la chemise, confirming its place within the sculptor’s body of work. This scholarly

gilt edges; t.e.g., rest uncut. Marbled paper chemise and marbled board slipcase. Copy 342 of 350

matching, cloth covered chemise, to hold and protect the magazine. Magazine Dimensions: 8 3/8" H x 5 3/16

is now protected in an archival cloth-covered chemise, held within an oversized ¼ leather and cloth

translucent chemise and a varicolored Kashmiri scarf. Her husband’s collection of red-figure pottery was

waist. Under the corset we can see her puffed layered chemise. A thick coat covers her left shoulder and

; housed in a red cloth chemise inside a custom red half morocco and canvas pull-off case (9 1/4 x 6 1/2

WRAPPERS, somewhat worn and with tears at head and tail, protected in a paper-lined red cloth chemise and

be a chemise. The sleeves are tight and white, contrasting with the blue of her dress. Her skirt is

comedia dell'arte Pierrot in a white chemise with large tufted buttons hanging loosely over white trousers