Antique Cope

An English majolica pitcher shaped as a country cottage, by Warrilow & Cope – Wellington Pottery Works, Longton, Stoke-on-Trent, circa 1880-1887.

A notable inset brass plaque commemorates Israel Cope (1770–1855), a significant historical figure from Philadelphia, rooting this piece in a rich American heritage.

18th century French cope / liturgical vestment cape - embroidered silk / metallic gold thread / linen.

Typical form with rectangular top with inset brown leather over two drawers flanked by rounded paneled ends, raised on lotus carved turned tapered legs and casters.

Signed lower right & dated 1888.

The plaque bears the monogram of J. H. Cope & Co., 'JC,' to the vignette.

Elegant ebony and embossed copper pareclose mirror from the beginning of the 19th century Very beautiful mirror which has a beautiful proportion decorated with embossed and fire-gil...

Every lock on every drawer is stamped “Cope & Collinson Royal Patent Lever”. The origins of Cope & Timmins can be tracked back to 1760, when Cope and Austin, manufacturers of builde...

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 3 1/2 x 5 inche...

Antique 19th century American floral botanical watercolor study of tulips and pansies signed Copely. Matted with a thin marbleized border mat in a gilt wood frame.

A pair of exhuberant altar flower decorations, palms,in gilt coper with branches and stylized flowers rendered in relief.

By 1841 the new firm of Cope and Collinson was advertising in defence of the old Cope and Austin patents and it is likely that the locks on this table were early examples of producti...

The front of the chest is also elegantly decorated with geometric brass studwork and coper cladding, with two panels containing large roundels to the center.

The cope is detailed with stylized flowers and leaves.

Among the most recognizable figures are a bishop holding a crozier and wearing a mitre, priests carrying chalices associated with the Eucharist, a celebrant elevating the sacred Host...

He was also a pupil of Charles West Cope R.A., a painter of historical and biblical subjects.

The lacquer decoration depicting a landscape with deer and geese among blossoming trees and rocks is within cartouches, in the lid and in the main body.The gilt coper fittings includ...

An exceptional Late 18th century Mahogany Carlton House desk attributed to Gillows of Lancaster, the curved superstructure with pierced brass gallery, fitted with two banks of three ...

Howard slipper chair in original condition standing on turned English walnut turned legs and cope castors. London Circa 1900 Mainland delivery FOC London weekly International POA ...

The figures are shown holding croziers, the pastoral staffs symbolic of episcopal authority, while wearing elaborate copes and vestments richly decorated with medieval geometric and ...

The carving, approximately 50 cm tall, shows the pontiff wearing an alb, cope, and papal mitre, in the act of blessing. The work retains some of its original polychromy in shades of ...

Beside him appears a cleric wearing an ornate ceremonial choir cope (koorkap), rendered in richly patterned floral fabric.

The figure, 63 cm tall, wears an alb and liturgical cope, and the characteristic tall mitre. It retains traces of original polychromy, with wear consistent with its age, which reinfo...

All castors sent from his manufactory upon the new principle are marked “Cope’s Patent”. 40, Fleet Street, Birmingham, Dec. 13, 1829′ It seems unlikely therefore that Cope’s castors...

Cope was a major influence on his work and inspired him to paint genre scenes which he became best known for.

This highly decorative ecclesiastical textile represents a vertical orphrey- an ornamental panel traditionally sewn onto liturgical vestments such as chasubles or copes. Panels of th...

He is rendered in full liturgical vestments, including a richly embroidered cope and mitre, flanked by adoring cherubim amidst ethereal clouds.

Raised on quality walnut turned front legs with splayed walnut legs to the rear and all with the original Cope & Collinson gilt brass casters. Probably by Holland & Sons Newly uphol...

Rare, highly collectable Victorian circa 1860-1880 Howard & Son's attributed library armchair which has been fully restored and comes with never seen before, Marquetry inlaid legs an...

A member of the Independent Presbyterian Church in Savannah, she found comfort in her strong Christian beliefs and managed to cope with adversity. Telfair found cultural and intelle...

Educated at Sir Arthur Cope’s school and the London School of Art, she exhibited at the Royal Academy, the Royal Institute of Oil Painters, and the Society of Women Artists.

Raised on finely worked walnut turned front legs and arm supports with out splayed chamfered legs to the rear, all on the original Cope & Collinson brass casters. Upholstered with a...

The lower register displays the height of ecclesiastical magnificence. A bishop wears a cope decorated with panels depicting saints, while the pontiff stands in the center in ceremon...

An impressive work of textile art, this French 19th century raised gold embroidery of the Madonna & Child resembles liturgical vestments such as a cope or chasuble that a member of t...

The saint is shown in full episcopal vestments, wearing a mitre and cope, the right hand raised in a blessing while the left loosely grasps a crozier with an openwork ring head enclo...

The fluted turned baluster supports with leaf-cast headers joined by a banded undertier on toupie feet with gadrooned mounts and Cope and Collinson stamped brass castors. Of the Fre...

Harvey of Philadelphia, PC Cope Master, Entering Marseilles, May 1st 1852".

The Dean of Westminster Bringing the Crown – Coronation of George IV, 1821 – Stipple and Mezzotint in Colours by Sir George Naylor A finely executed stipple and mezzotint engraving ...

The tripod base is a particular highlight, exceptionally carved and terminating in well-defined paw feet, each set on the original “Cope’s Patent” brass casters—an innovation valued ...

19th-century mahogany dressing table, the rectangular top with raised back and sides over an arrangement of nine graduated drawers, the locks stamped ‘Cope and Collinson’ and a singl...

In the foreground, local fishermen struggle to cope with the aftermath of a strong gust of wind that is blowing them towards the rocky shore, while larger merchant ships are either m...

A pair of highly elegant English regency daybeds, with an S shaped backrest, terminating in mahogany sabre legs and brass castors made by Cope and Collinson, each with a single arm r...

Central to the composition is the bishop, seated and adorned in a magnificent blue cope with intricate gold embroidery. His mitre, crozier, and gloves indicate his high ecclesiastica...

He trained at Manchester School of Art and in the studio of Nicol and Cope before entering the Royal Academy in London.

He wears a triple-tiered tiara and a voluminous blue and gold-embroidered cope over white ecclesiastical robes. Holding a cross aloft, the figure exemplifies supreme spiritual author...

The castors are stamped "Cope Collinson Patent Strong" they were the only company Howard trusted to make their castors, the inside left back legs are stamped with the serial numbers ...

The tool has nine different sized holes to cope with all the joint sizes that can be found on the sections of fishing rods.

A fine early 19th Century English Regency mahogany open cellarette attributed to Gillows of Lancaster, of open sarcophagus form with an overhung and carved top edge over panelled sid...

The image, from the Album ou Collection Complète et Historique des Costumes de la Cour de Rome, showcases the Pontiff in an ornate gold-embroidered cope, tiara, and pallium, gesturin...

The cardinal is dressed in the distinctive ceremonial attire: a richly embroidered white cope with gold detailing, a red cassock, and a mitre denoting his episcopal authority.

The mechanism is interesting in that the shutters are held in tension by leaf springs in the lower part of the body, which, when released, travel a distance of about 5 cm. In order t...

Titled and numbered "Coastal Ti Tree 30-100" in the left corner. Signed "G. Cope" in the right corner. Presented in a new black mat with foamcore backing.

Morel dissolved his old partnership and in 1827 went into business with George Seddon, whose established family firm was probably the only one large enough to cope with this immense ...

It even reproduces the detail of the cardinal's left hand pulling up his cope to reveal the white of his robe (a detail visible on a preparatory red chalk preserved at the BNF and in...

Binnacle is fitted with an interior gimballed compass that remains horizontal and level when the vessel pitches and rolls at sea. Signed by maker Cope, Southampton.

He was classically trained at The Royal Academy, London and was known mainly for prodigious landscapes, Roe had produced work influenced by Landseer, Turner, Herring & Copely. His mo...

In the late 19th century in the United States, two rival paleontologists, Othniel Charles Marsh and Edwin Drinker Cope, competed with each other to unearth new dinosaur fossils, in w...