Antique Cope

Earring Length: 1.60 Bin Code: E9 / P2 Step back in time with these elegant Vintage Hollycraft Rhinestone Earrings. Crafted with exquisite attention to detail, these earrings exud...

Oil on artist board; 24 x 18 inches Provenance: Estate of the artist Framed dimensions: 28 ½ x 22 ½ inches Silver leafed frame

A magnificent Antique Pillow Impressive large oversize example Featuring a rare and exquisite 16th Century Embroidery of Christ Worked in coloured silks and metallic threads French ...

This antique bookcase retains all its original hinges, bolts and Cope and Collins locks, original finish which has been revived and waxed, all in home ready condition.

Complete with original Cope Collinson brass castors, with stamp to the rear left leg.

Raised on turned walnut forelegs and splayed rear legs, complete with original Cope Collinson brass castors, with the firms number stamp to the rear left leg.

Raised on turned walnut forelegs and splayed rear legs, complete with original Cope Collinson brass castors, with the firms number stamp to the rear left leg.

This original Howard & Sons armchair is raised on stepped mahogany forelegs and splayed rear legs, complete with original paper label, cope brass casters and stamped to the rear leg.

Late George III mahogany and brass bound oval wine cooler, with a lead lined interior and brass carrying handles, raised on turned legs with brass Copes Patent castors and wheels, ci...

The whole drawer and rail comes forward as one and the brass locks are stamped 'C.C' for Cope & Collinson. The writing table is in very good condition with a replaced tooled leath...

William IV rosewood armchair of unusual form; the top-rail carved with acanthus leaves and the central splat with stylised plumes; the deep loose upholstered seat newly re-covered in...

Front legs with cup castors signed Cope & Collinson Patent. Late Regency early William IV, 1830-40.

They are complete with Copes patented casters. The gilt is worn in places commensurate with age.

The chair has the original Cope and Collinson castors, back legs are in beech.

The bold ogee shaped plinth with concealed original brass castors stamped 'Copes Patent' The interior being fully lead lined.

Late C19th walnut 'Pugin' design Gillows writing table, the rectangular top with a blue coloured leather with gilt tooling, with shaped corner brackets below and a freize drawer with...

An Edwards & Roberts mahogany serpentine front ladies desk with leather inset top and cast brass gallery (a/f), with single frieze drawer and six flanking short drawers featuring Cop...

A splendid Regency matched pair of maple etageres; the rectangular top of the three graduating tiers with ebony stringing and ornate brass carrying handles to either side, raised on ...

The size of the buffet is smaller than most but sits well on good turned columns and Cope’s The Adjustable castors. The edges are cut with a moulding but are very angular, as is the ...

The table stands on six square tapering fluted and moulded legs with original copes patented stamped castors. The table has walnut telescopic extending running rails which seats four...

This rare plate originates from a series of garden views: Ver Gesigten en Perspectiven soo 't leven als anders in 't coper gebracht. Sieuwert Van der Meulen Anno MDCCVII.

The name dinanderie designates works made of beaten metal – coper and brass – but also works made of cast metal – bronze and brass – produced by the same artisans.

The rectangular close-nailed suede seat above a floral-carved hardwood frieze with framed corner blocks, over ebony wrythen-turned legs, with pipped brass caster-caps stamped COPES P...

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Through divine example of guidance, the Bodhisattvas communicate with the people, helping them cope with the difficulties of life and attain some measure of spiritual cultivation.

Original hand-colored engraving by James Stephanoff published 1824 of "The Dean of Westminster in Rich Cope, Bringing the Crown from the Altar on a Cushion of Cloth of Gold" at the ...

Although he was primarily self-taught, Pope did receive some instruction from sculpturist William Copely. However just honing his technical skill was not enough.

Leander lost his way in the rough waves and overwhelmed by fatigue, he drowned at sea. Unable to cope with the loss of her beloved Leander, Hero took her own life by throwing her sel...

Circa 1915 - 1925 France for cutting Asia Manila for the textile Fuchsia pink embroidered satin evening cape attributed to Liberty of London, a famous British House Circa 1915/1925. ...

A late-18th century watercolour depicting Dudley Castle, a ruined fortification in the town of Dudley, West Midlands, England. Presented in a white mount and a fine 19th century gilt...

50 Original Cope's Golfers Cigarette Cards. A full set of fifty cigarette cards by Cope Bros. & Co., Ltd.

Dixon Copes was born in New South Wales in 1914 and studied at the Royal Art Society in Sydney.

In the style of George Cope, this Classic Trompe l'oeil oil on wood panel depicts a hunt scene of three doves and features much detail and subtle rich color.

Colors include Light blue tones, coper, soft orange, salmon and brown Measures: 4'6 x 8'7.

Antique print titled 'Doctor in Divinity, in the Ermined Robe, or Cope'. Portrait of Dean Milner, made after a drawing by Thomas Uwins.

Dimensions Length 36.5cm/14.4" Width 25.6cm/10.1" Length of surface 23cm/9.1" Width of surface 15.3cm/6" Height 10.2cm/4" Weight 42.9 troy ounces/1335g (excluding detachable...

Raised on tall walnut turned front legs splayed rear legs and all with the original gilt brass Cope & Collinson brass casters. Both chairs retain the original innards which are firm ...

Raised on finely worked walnut turned front legs and arm supports with out splayed chamfered legs to the rear, all on the original Cope & Collinson brass casters. Upholstered with a...

hand hamered coper vase

Raised on gilt brass cup and castor marked “Cope and Collinson”, early Howard seating used Cope castors, a firm which they later acquired, at this time not all of the factory’s outpu...

Perhaps here we have another Cope family who differenced their crest by placing it upon a chapeau with or without authority.

The socket castors stamped COPE & COLLINSON PATENT.

A FINE SATINWOOD AND SOLID EBONY ETAGERE BY GILLOWS WITH PIERCED FRIEZE AND ORIGINAL COPE’S CASTERS, STAMPED GILLOW & CO 9255, CIRCA 1875.

Mid-Victorian ebonized étagère trolley by Howard & Sons, the two tiers with bone balustrade three-quarter gallery, the frieze drawer with brass pulls, on turned tapered legs with cas...

Newly upholstered in Pierre Frey mohair velvet, with walnut barley twist frame and original gilt brass Cope & Collinson castors. Makers name and address “Hindley & Sons, Oxford Stree...

Raised on nicely turned walnut legs with the original brass Cope & Collinson casters. Newley upholstered by in in vintage Mulberry printed linen 37cm seat height

Constructed in ebonised wood, with arcaded brass galleries; of three tier rectangular form having radiused corners, supported by fluted columns with capitols, rising from toupie fitt...

With a rectangular top with new inset brown leather and cross banded edge over a frieze containing one long drawer , raised on circular tapered reeded legs ending on brass casters. P...

This Regency style writing desk with a tooled saddle leather top and beaded edge has three functioning drawers on one side and three false drawers on the other. Supported by turned, ...

19th Century mahogany two drawer writing table, the moulded edge top having a black leather writing surface with gold and blind tooling, two oak lined drawers below with engraved bra...

This exquisite writing desk is crafted of rich mahogany and features the straightforward design prevalent in England during the early 19th century. A luxurious leather-covered top pr...

Handcrafted for us by a small workshop in England, this writing table embodies the quality and appearance buyers of bespoke English furniture have come to expect over the last 300 ye...

With rectangular top with tooled green leather over two drawers and two opposing drawers with brass knobs, raised on circular tapered legs and casters.

Rectangular top with inset tooled red leather top and cross banded edge over three drawers front and back. Raised on circular tapered legs. Casters. Sold Bonhams , London, February 1...

With inset tooled brown leather top with cross banded edge over a frieze containing three drawers and on the reverse three working drawers. False drawers on ends. All with brass knob...

With a rectangular brown tooled leather top and banded border over three drawers with square bail handles and opposing working drawers so can work as a partners desk. Raised on circu...

With a rectangular with an inset green leather top and banded edge. The frieze with two drawers and two opposing false drawers all with Gillow style star form brass knobs. Trestle su...

A fine early 19th century mahogany writing table with 6 drawers, 3 to the back and 3 to the front, with Egyptian mask handles, green leather top, all supported on tapering, fluted le...

Rectangular top with maroon leather and banded edge over a drawer raised on a trestle base with turned stretcher and carved ends. Saber legs with casters.