Antique Cope

An English majolica pitcher shaped as a country cottage, by Warrilow & Cope – Wellington Pottery

Typical form with rectangular top with inset brown leather over two drawers flanked by rounded paneled ends, raised on lotus carved turned tapered legs and casters.

Signed lower right & dated 1888.

Victorian pate-sur-pate white and blue porcelain plaque by Cope English, c. 1880 Height 20cm, width

Elegant ebony and embossed copper pareclose mirror from the beginning of the 19th century Very beautiful mirror which has a beautiful proportion decorated with embossed and fire-gil...

lock on every drawer is stamped “Cope & Collinson Royal Patent Lever”. The origins of Cope & Timmins

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 3 1/2 x 5 inche...

liturgical vestments. The bishop with full beard and curly hair wears a distinctive mitre ha,t and a cope

detail, gilt brass Cope & Collinson socket castors. Stripped to show the form of the frames, upholstered

( Cope & Collinson ) brass caps. Historically, Cope & Collinson were recognized as one of the

the 17th century. The carving, approximately 50 cm tall, shows the pontiff wearing an alb, cope, and

Howard slipper chair in original condition standing on turned English walnut turned legs and cope

liturgical cope, and the characteristic tall mitre. It retains traces of original polychromy, with wear

painter Francis Stephen Cary (1808-1880). He was also a pupil of Charles West Cope RA (1811-1890) and

vestments, including a richly embroidered cope and mitre, flanked by adoring cherubim amidst ethereal clouds

cope with the boredom, Denner began to draw and copy paintings by Berchem and Bloemaert. His teacher

sepia toned engravings after famous artists including Benjamin West, John Singleton, Copely van Dyck and

splayed rear legs and all with the original gilt brass Cope & Collinson brass casters. Both chairs retain

panelled and the chair retains its original Cope’s Patent castors. Although unsigned, there is no doubt

proportions. Raised on 4 thick turned legs with Cope & Collinson brass casters. Structurally in good order

restored and comes with never seen before, Marquetry inlaid legs and Cope And Collinson castors Please

front legs with the original large Copes brass casters. The seat retains its original webbings and

artist, studying first at the 'Copernicus', a Kensington school run by Sir Arthur Cope and Erskine

. Trained as an artist, studying first at the 'Copernicus', a Kensington school run by Sir Arthur Cope and

has Copes & Collinson's castors which were of course favored by the world famous Howard & Son's during

original brass Cope & Collinson casters. Newley upholstered by in in vintage Mulberry printed linen 37cm

walnut turned front legs with splayed walnut legs to the rear and all with the original Cope & Collinson

. Raised on nice turned and fluted front legs with splayed rear legs and all with the original Cope

unfinished. All 4 legs retaining the original Copes casters with inset front casters. Structurally in good

, portraits, and still lifes. Educated at Sir Arthur Cope’s school and the London School of Art, she exhibited

18th century French chasuble ( cope / liturgical vestment ) hand embroidered silk / metallic gold

the height of ecclesiastical magnificence. A bishop wears a cope decorated with panels depicting

, wearing a mitre and cope, the right hand raised in a blessing while the left loosely grasps a crozier with

& Child resembles liturgical vestments such as a cope or chasuble that a member of the clergy would wear

original Cope & Collinson gilt brass casters. Probably by Holland & Sons although unstamped. Upholstered

, depicting the Dean of Westminster in a sumptuous cope carrying the Imperial State Crown upon a gold

by a banded undertier on toupie feet with gadrooned mounts and Cope and Collinson stamped brass

Philadelphia, PC Cope Master, Entering Marseilles, May 1st 1852". Extant label en verso reads "Hre Pellegrin

turned front legs and arm supports with out splayed chamfered legs to the rear, all on the original Cope

highlight, exceptionally carved and terminating in well-defined paw feet, each set on the original “Cope

misty harbor waters. In the foreground, local fishermen struggle to cope with the aftermath of a strong

Tennis' and have very tight strings to cope with the heavy cloth balls. The 'Real Tennis' court is

the period. Central to the composition is the bishop, seated and adorned in a magnificent blue cope

arrangement of nine graduated drawers, the locks stamped ‘Cope and Collinson’ and a single recessed cupboard

mahogany sabre legs and brass castors made by Cope and Collinson, each with a single arm rest and the

geometric flowers in conforming choice specimen woods. The legs having brass castors stamped ‘Cope

full pontifical regalia. He wears a triple-tiered tiara and a voluminous blue and gold-embroidered cope

the original Copes castors Please note the delivery fee listed is just a guide, it covers within the

studio of Nicol and Cope before entering the Royal Academy in London. Copley took up lithography in 1906

and gilt turned front legs with out splayed to the rear, all with the original Cope & Collinson brass

distance of about 5 cm. In order to cope with the significantly longer travel of the roller shutters, the

Costumes de la Cour de Rome, showcases the Pontiff in an ornate gold-embroidered cope, tiara, and pallium

jointing system. The tool has nine different sized holes to cope with all the joint sizes that can be found

attire: a richly embroidered white cope with gold detailing, a red cassock, and a mitre denoting his

scrolling corners raised on Cope's patent brass castors having its original lead lined interior. Circa

mahogany front legs with out splayed to the rear and all on the original cope & Collinson brass casters

reproduces the detail of the cardinal's left hand pulling up his cope to reveal the white of his robe (a