Antique Cope

An English majolica pitcher shaped as a country cottage, by Warrilow & Cope – Wellington Pottery

18th century French cope / liturgical vestment cape - embroidered silk / metallic gold thread

Typical form with rectangular top with inset brown leather over two drawers flanked by rounded paneled ends, raised on lotus carved turned tapered legs and casters.

Signed lower right & dated 1888.

Victorian pate-sur-pate white and blue porcelain plaque by Cope English, c. 1880 Height 20cm, width

Elegant ebony and embossed copper pareclose mirror from the beginning of the 19th century Very beautiful mirror which has a beautiful proportion decorated with embossed and fire-gil...

lock on every drawer is stamped “Cope & Collinson Royal Patent Lever”. The origins of Cope & Timmins

Medium: original etching. This impression on laid paper was printed in London in 1868 for the rare first volume of P. G. Hamerton's "Etching and Etchers". Image size: 3 1/2 x 5 inche...

A pair of exhuberant altar flower decorations, palms,in gilt coper with branches and stylized

, have locks marked C&C for Cope and Collinson. These are crucial to the dating of the table as many

Royal Academy Schools. He was also a pupil of Charles West Cope R.A., a painter of historical and

, in the lid and in the main body.The gilt coper fittings include two carrying handles, three hinges

liturgical vestments. The bishop with full beard and curly hair wears a distinctive mitre ha,t and a cope

( Cope & Collinson ) brass caps. Historically, Cope & Collinson were recognized as one of the

joined in prayer. Beside him appears a cleric wearing an ornate ceremonial choir cope (koorkap), rendered

the 17th century. The carving, approximately 50 cm tall, shows the pontiff wearing an alb, cope, and

Howard slipper chair in original condition standing on turned English walnut turned legs and cope

liturgical cope, and the characteristic tall mitre. It retains traces of original polychromy, with wear

liturgical vestments such as chasubles or copes. Panels of this sophistication were reserved for the most

painter Francis Stephen Cary (1808-1880). He was also a pupil of Charles West Cope RA (1811-1890) and

vestments, including a richly embroidered cope and mitre, flanked by adoring cherubim amidst ethereal clouds

sepia toned engravings after famous artists including Benjamin West, John Singleton, Copely van Dyck and

splayed rear legs and all with the original gilt brass Cope & Collinson brass casters. Both chairs retain

panelled and the chair retains its original Cope’s Patent castors. Although unsigned, there is no doubt

proportions. Raised on 4 thick turned legs with Cope & Collinson brass casters. Structurally in good order

cope with the boredom, Denner began to draw and copy paintings by Berchem and Bloemaert. His teacher

strong Christian beliefs and managed to cope with adversity. Telfair found cultural and intellectual

restored and comes with never seen before, Marquetry inlaid legs and Cope And Collinson castors Please

. Trained as an artist, studying first at the 'Copernicus', a Kensington school run by Sir Arthur Cope and

artist, studying first at the 'Copernicus', a Kensington school run by Sir Arthur Cope and Erskine

walnut turned front legs with splayed walnut legs to the rear and all with the original Cope & Collinson

. Raised on nice turned and fluted front legs with splayed rear legs and all with the original Cope

has Copes & Collinson's castors which were of course favored by the world famous Howard & Son's during

unfinished. All 4 legs retaining the original Copes casters with inset front casters. Structurally in good

, portraits, and still lifes. Educated at Sir Arthur Cope’s school and the London School of Art, she exhibited

the height of ecclesiastical magnificence. A bishop wears a cope decorated with panels depicting

, wearing a mitre and cope, the right hand raised in a blessing while the left loosely grasps a crozier with

& Child resembles liturgical vestments such as a cope or chasuble that a member of the clergy would wear

, depicting the Dean of Westminster in a sumptuous cope carrying the Imperial State Crown upon a gold

turned front legs and arm supports with out splayed chamfered legs to the rear, all on the original Cope

by a banded undertier on toupie feet with gadrooned mounts and Cope and Collinson stamped brass

Philadelphia, PC Cope Master, Entering Marseilles, May 1st 1852". Extant label en verso reads "Hre Pellegrin

highlight, exceptionally carved and terminating in well-defined paw feet, each set on the original “Cope

misty harbor waters. In the foreground, local fishermen struggle to cope with the aftermath of a strong

Tennis' and have very tight strings to cope with the heavy cloth balls. The 'Real Tennis' court is

arrangement of nine graduated drawers, the locks stamped ‘Cope and Collinson’ and a single recessed cupboard

the period. Central to the composition is the bishop, seated and adorned in a magnificent blue cope

mahogany sabre legs and brass castors made by Cope and Collinson, each with a single arm rest and the

geometric flowers in conforming choice specimen woods. The legs having brass castors stamped ‘Cope

full pontifical regalia. He wears a triple-tiered tiara and a voluminous blue and gold-embroidered cope

studio of Nicol and Cope before entering the Royal Academy in London. Copley took up lithography in 1906

the original Copes castors Please note the delivery fee listed is just a guide, it covers within the

distance of about 5 cm. In order to cope with the significantly longer travel of the roller shutters, the

Costumes de la Cour de Rome, showcases the Pontiff in an ornate gold-embroidered cope, tiara, and pallium

jointing system. The tool has nine different sized holes to cope with all the joint sizes that can be found

attire: a richly embroidered white cope with gold detailing, a red cassock, and a mitre denoting his

scrolling corners raised on Cope's patent brass castors having its original lead lined interior. Circa