Antique Cravat

A fine Victorian 18ct yellow gold scarf or cravat clip dating to 1862, displaying elegant mid-19th-century English jewellery craftsmanship.

The elongated form and original pin fitting suggest that it may have been worn as a cravat pin, tie pin or other gentleman’s dress accessory, although pieces of this type could also ...

The white of the gentleman's cravat and the warm flesh tones of his hand and face bring depth and detail to the sitter's complexion and attire.

An exceptional 0.58 carat diamond and 0.80 carat ruby, 18 karat yellow gold scarf / cravat clip; part of our diverse antique jewelry and estate jewelry collections.

For sale is this stunning Victorian leaf pin. This lovely antique 18k gold pin is very detailed and set with a little seed pearl in its center. On top of that is this stickpin marked...

A fine George V 18ct yellow gold bar brooch or cravat pin, dating to circa 1910–1920s and displaying the refined geometric elegance associated with the **Art Deco period**.

He wears a brown coat over a pale waistcoat, with a white cravat tied high at the throat. The painting is set into a limed pine frame with ogee molding and a linen filet.

Wearing a black frock coat and black cravat with a diamond stick pin, on a dark maroon draped ground, bearing a "W.

The double-breasted coat, high collar, and carefully tied white cravat are characteristic features of men’s fashion during the Empire period and the early Restoration, supporting a d...

The sitter is shown in a dark coat with a high white collar and cravat, rendered with the fine stippled brushwork typical of ivory miniature painting from this period.

A skilfully rendered portrait of a gentleman, formally attired in a black coat and white cravat. Unsigned. On board. Image size: 59 x 47.5cm.

He wears a soft, wide-brimmed grey felt hat, a neat moustache, a turned-down white collar and a full black cravat tied in a loose bow. Against a plain brown ground, the light models ...

The lady is adorned in a vibrant, finely detailed red shawl that beautifully contrasts with her dark dress, while the gentleman is captured in a tailored black frock coat and cravat,...

The gold pin itself is slender and unobtrusive, allowing the sculpted coral head to remain the clear focal point when worn in a lapel, cravat, or scarf. Please note that coral is reg...

Excellent quality and condition circa 1770 portrait of a young mixed race gentleman wearing a powdered wig, blue jacket with gold lapels and a cravat. The portrait is a rare depictio...

This brooch can be worn in many ways and is an attractive and versatile piece, it would look great adorning a lapel or cravat or even securing your favourite antique long chain.

Weighing 8.9 grams, this substantial stick pin makes an elegant statement on a lapel, cravat, or scarf, and would be a distinguished addition to any collection of fine period-inspire...

— Caroline, will you tie my cravat? — Monsieur Théodore, would you kindly leave!")

This portrait depicts a gentleman with a slightly pale complexion, dressed in a dark green coat with a prominent black fur collar and white cravat. Rendered in a soft, atmospheric st...

Excellent quality portrait of an amiable gentleman wearing a black jacket, white cravat and high collar, typical of periods fashion.

The sitter — a young man rendered in three-quarter view — wears his hair in the dense, sculptural mass of curls fashionable among young men of the late 1820s and early 1830s, paired ...

Can be worn in many ways, a lapel pin, a hat pin or even to hold a cravat, the possibilities are endless. Marks and era: Unmarked, Edwardian era c1900s, tests as 9ct gold and Silver...

This sapphire and diamond stick pin would make a distinctive groom or husband gift, whether worn on a lapel or cravat for a wedding day or given as a meaningful anniversary present.

He is fashionably attired in a black coat and white cravat, and holds a scroll of paper in his lap. Well presented in a wooden frame with a gilt inner edge.

Captured in expressive, confident brushwork and intense psychological depth, this antique late 19th-century oil portrait depicts a distinguished gentleman with a sharp mustache and p...

Cooper is captured seated, holding a document in his left hand, dressed in a black suit and white shirt with turned-down collar and cravat. His strong sideburn and chin-beard combina...

A fine pastel portrait depicting a gentleman in formal attire, wearing a black coat, white cravat, and wig. He returns the viewer's gaze with a serious expression, whilst a bookshelf...

He wears a high white collar, a dark jacket or waistcoat worked in heavy black strokes, and a loosely knotted cravat whose ends fall in long vertical hatchings.

A Gentleman, wearing dark blue coat, white waistcoat, frilled shirt and white, tied cravat. gold frame, the reverse with copper. Circular, 57mm diam.

He wears the fashionable attire of an affluent gentleman of the 1830s: a dark black coat with broad collar, a high black stock or cravat, crisp white shirt, and fitted white waistcoat.

That is not decoration: the twist grips the fabric and stops the pin turning in a cravat. Dimensions Length: 6.6 cm Width: 1.5 cm Weight: 2 g Specifications - Metal: 9KT gold Peri...

Motoring was new, expensive and conspicuous when this was made, and a pin like this was worn in the cravat by a man who wanted that known. Early automobilia of this kind is collected...

Crook is shown seated in an elegant Regency interior, dressed in a finely tailored black coat and white cravat. Spindler captures the sitter with remarkable sensitivity, combining re...

The pin head measures 0.4 inches by 0.4 inches wide, with the entire stickpin measuring 2.7 inches in length and weighing 1.77 grams, offering a delicate yet distinctive accent when ...

He wears a gray silk coat with long tails and matching breeches, a gray top hat set at an angle over a tuft of dark fuzzed material standing in for his hair, and a white bobbin-lace ...

The sitter is portrayed wearing a dark overcoat with a white cravat, his silvery hair and direct gaze conveying both authority and approachability.

There are several official portraits—notably those by Godfrey Kneller and Stephen Slaughter—in which the scientist wears the same majestic gray “allonge” wig, brown jacket, and white...

Joseph Wright uses a strong contrast between light and shadow creating a dramatic effect. The face and cravat are brightly illuminated accompanied by the rich red of the armchair eme...

The sitter’s swept, loosely articulated hair, pronounced sideburn, high collar, and elaborately wrapped cravat place the work within the fashionable portrait culture of the early nin...

The sitter is represented with remarkable presence, dressed according to the elegant conventions of the period in a dark waistcoat and coat, crisp white shirt and black cravat. His c...

The ovoid shaped shield crowned with a large bow tie within a ring centered with the relief bust of Lavoisier gazing slightly to the left and wearing a jacket and cravat. The bottom ...

Rare portrait of Ferdinand Berthoud, the celebrated King Louis XVI watchmaker Shown in three-quarter view, wearing formal attire, a lace jabot cravat, and a curly ponytail wig. ...

Dimensions: 5.6cm in length Stick pins, sometimes known as tie pins were first seen at the beginning of the 19th Century as a functional item which secured the slippery folds and fa...

Drawing by JOHN DOWNMAN, A.R.A. (1750–1824) Portrait of a Young British Gentleman said to be William Henry Prise of Bedale, half-length, in a blue coat, white waistcoat and cravat, i...

His long, luxuriant curls cascade over his shoulders, while the delicate white lace cravat and deep red velvet shoulder pieces provide a sumptuous contrast to the intense blue sash o...

He wears a full-bottomed curled wig, still fashionable at the turn of the century but already softened from the rigid, architectural wigs of the 1670s and 1680s. The narrow white cra...

The pin head measures approximately 0.5 inches by 0.65 inches wide, with the entire pin measuring 2.6 inches long, offering a refined yet visually engaging scale suitable for lapels,...

Highlights Beautiful amethyst-purple faceted glass Intricate hand-style filigree Versatile accessory for coats, hats, scarves, cravats Classic early 20th-century revival styling Eleg...

This figure is portrayed with softly modeled features, flowing shoulder-length hair, and a gracefully draped cravat and coat, all rendered with exceptional attention to texture and m...

Using oils, the artist captures the presence of King William III depicted as he is often in portraits wearing regal attire: a lavish wig, lace cravat and and red sash. Skilfully pai...

He wears a fine white linen cravat edged with lace and set high at the throat, entirely characteristic of elite male dress in the final decade of the seventeenth century.

He wears a black tricorn edged in gilt over a powdered wig, a white cravat, a blue coat lined in puce with wide turned-back cuffs, a striped waistcoat bordered in yellow, an embroide...

This seated portrait depicts our third president in his coat, suit, and cravat, with a quill in his hand. A table at his side holds volumes of books, an ink pot, and papers, all visu...

There’s the shapely dark coat over a distinctive tartan waistcoat and a white shirt with a black pinned cravat. A gold watch chain is visible, and a small flower is pinned to his lap...

The aim was to convey the sitter's integrity and standing. His lace cravat softens the severity of the steel breastplate, while the warm red ribbon tied at the elbow introduces a sub...

In this quiet portrayal, the artist has focused almost entirely upon Bedford himself, the pale intelligence of the face and the heavy dark curls of the fashionable periwig falling ar...

The subject's clothing—a high-collared white shirt, black cravat, and dark coat—is consistent with the attire of the 1850s, around the time of his marriage to Katherine "Kate" Valent...

The figure wears a high Victorian top hat, a cobalt-glazed frock coat, a lavender cravat, and white trousers—an intentionally exaggerated rendition of the prosperous city gentleman f...

Ginkell is shown wearing polished armor and an elaborate lace cravat, while the lower vignette depicts a cavalry battle scene, reinforcing the military character of the portrait.

Stick pins of this quality were traditionally worn on lapels, ties, hats, or cravats, and today are highly collectible as fine estate jewelry.