Antique Cravat

A charming antique Staffordshire pottery figure group depicting a country couple, the woman carrying a sheaf of wheat upon her head and holding a basket of fruit, her companion in ru...

His attire reflects the height of late Empire/early Restoration fashion: a dark frock coat with a high collar, a golden-ochre waistcoat, a towering white linen stock (cravat) tied in...

He wears a tall silk top hat, tailored frock coat, waistcoat with watch chain, and neatly tied cravat. In one hand he holds a slender walking stick and a cigar, subtle accessories th...

Portrait of a handsome, young French officer wearing a black cravat and a dark blue Surtout topcoat with silver buttons and embroidery, in a landscape background.

They were often used to fasten scarves, ties, or cravats, and their designs frequently reflected personal interests or social status.

He played a crucial role in the Anglo-Dutch Wars and various Mediterranean expeditions, continuing the family’s proud maritime tradition. His armor, ruffled cravat, and composed gaze...

He wears a dark, richly braided coat with gold lace, distinctive button arrangement, and decorative collar—set off by a fine frilled white cravat. The sitter’s smoothly powdered hair...

This jewel can be enjoyed in its original form as a classic stick pin — perfect for a lapel, tie, or cravat — or, upon request, it may be professionally converted into a charm for a ...

Dressed in a dark frock coat with carefully tied cravat and striped trousers, he meets the viewer with a direct, composed gaze.

He wears a fine white linen cravat edged with lace and set high at the throat, entirely characteristic of elite male dress in the final decade of the seventeenth century.

Frederick Frith (1819-1871) The Reverend James Metze, bust length, turned to the right, wearing coat and cravat Inscribed to the reverse with sitter's details watercolour on paper 2¾...

Dressed in formal attire complete with a cravat, gloves, and a book in hand, the subject exudes an air of youthful intelligence and classical charm.

He wears a white stock and cravat underneath a pale yellow waistcoat, alongside a dark double-breasted jacket trimmed with brass buttons, with broad lapels and a velvet collar.

He wears a long, collarless coat known as a justaucorps, worn open over a richly embroidered vest and breeches, accompanied by a white shirt with lace cravat, leather gloves, and a b...

Impeccably attired in a distinguished dark frock coat with a pristine white cravat, he embodies refined elegance. This oval portrait, by an unidentified hand, exemplifies the virtuos...

This early 18th-century English School portrait depicts Thomas Stanley wearing a striking red velvet suit, white cravat and powdered periwig. Fashionable, yet elegantly refined.

The sitter is dressed in formal attire with a dark cravat, suggesting upper-middle-class or diplomatic status.

Rush produced his likeness of Washington shortly after the president’s death, portraying him not in the Roman neoclassical toga of Jean-Antoine Houdon’s famous model, but as the Amer...

Under this vest, he seems to be wearing a simple white cravat. The blue sash with gold trim around the man’s waist can mark (high) military rank.

The fashionably dressed young man sports a frock coat with a high collar and charcoal silk cravat. He wears his auburn hair a windswept cherubim style with burnsides.

These portraits are meticulously detailed, showing the men in formal attire with 18th-century wigs and cravats, emphasizing their status and dignity. Such engravings were often part ...

He is shown wearing a navy wool double-breasted tailcoat fastened with six bright gilt buttons, a golden waistcoat, and a crisply knotted white cravat—all hallmarks of early Federal-...

An exquisite circa 1820 Regency period portrait in the manner of Scottish royal portraitist Sir Henry Raeburn (4 March 1756 – 8 July 1823) of a handsome young gentleman with piercing...

His composed expression and refined lace cravat reflect his statesmanlike composure. In the center is Mr.

The precision of the engraver’s hand is evident in the textures of the lace cravats, brocaded sashes, and ornamental frames.

His brown curly wig cascades down his chest either side of a lacy cravat. One hand is on his left hip, the other holds a parchment or map.

He wears his military uniform, a dark coat with epaulets, light waistcoat, and a white shirt with ruffled cravat. This print is based on a 1790 painting by James Wright, engraved by T.

Rush produced his likeness of Washington shortly after the president’s death, portraying him not in the Roman neoclassical toga of Jean-Antoine Houdon’s famous model, but as the Amer...

He wears a sumptuous double-breasted jacket with a white waistcoat and cravat a la Beau Brummell, his hair brushed forward in the neo-Roman style made fashionable by the French Revol...

The composition highlights Toots’s lanky figure and unfashionable elegance: white trousers, double-breasted vest, brown tailcoat, and a cravat—all rendered in soft but vibrant chromo...

The Dodger, or Jack Dawkins, is depicted with classic Victorian flair: his checkered waistcoat, striped trousers, red cravat, and slouching top hat all suggest his street-smart perso...

The bust of Bianca shows her adorned in formal blouse decorated with a large collar, foliate patterns on the chest, Ormolu tassels on the shoulders, and a ruffled cravat. She proudly...

The portrait is a side profile with excellent detail and very well executed of a gentleman wearing a cravat and jacket. The portrait is set against a cream-colored paper background a...

Showing a young gentlemen classically dressed for the period, in white chemise and cravat, with piercing blue eyes and a Fine head of hair.

Encircling the rim are eight oval medallions, each with a hand-painted portrait of an American president: Abraham Lincoln, shown with a beard and bowtie; Andrew Jackson, with curled ...

Dressed in a formal overcoat with cravat, he is portrayed in a moment of quiet reflection, emphasizing both his intellectual and artistic identity.

This truly magnificent piece features a crisply cut central baluster stem, from which twelve delicately curved bronze candle arms radiate outwards, each one terminating in a brass dr...

These radiate outwards from the base, terminating in narrow candle holders, a profusion of pencil, teardrop and cravat-shaped crystals cascading from below each one.

His distinguished appearance is complemented by a ruffled cravat and a wide-brimmed hat, evoking the elegance of 18th-century aristocracy.

Of Carrara marble, this fine bust depicts the MP and free trade activist Richard Cobden wearing a cravat, double breasted waistcoat and suit coat. The trademark whiskers and wispy ha...

He displays exceptional details in his fur and is wearing a jacket with finely carved foliate designs, a cravat around his neck, and a hat. He also displays a wonderful facial expres...

His tall top hat and cravat complete the look, emphasizing the dandyish aesthetic popular in early 19th-century France.

The gentleman’s attire is the epitome of elegance, meticulously composed of a double-breasted tailcoat in a deep, rich brown hue, subtly contrasting with a crisply starched white cra...

Under this vest, he seems to be wearing a simple white cravat. The blue sash with gold trim around the man's waist can mark (high) military rank.

A bright red scarf or cravat adds a pop of color at the neckline, enhancing the overall look.

Exquisite detailing in miniature with a ruby headlight, and platinum steering wheel as well. This novelty cravat pin was created for the well to do motoring class of the late 19th Ce...

The sitter is dressed formally in a dark jacket with a white cravat, his composed expression suggesting status and confidence.

In the form of a French officer with loops-pigtail, black ribbon with cravat formal dress, this bust would have been created for an important Naval officer.

A finely detailed silhouette a Victorian gentleman Peter Skeolan (1815-1871) Portrait of a gentleman, profile turned to the left, wearing coat and cravat Watercolour with gold highl...

He has a long dark brown wig, and a lace cravat. In the background to the left of the sitter is a glimpse of a cloudy sky whilst the nobleman emerges from a dark background.

This amazing glimpse into John Taylor’s life includes his detailed and colorful clothing - his collar, cravat, waistcoat, and blue tailcoat with yellow trousers and high leather boots.

This gorgeous piece likely served as a gentleman’s lapel or cravat pin, a fashionable accessory among sportsmen and dog lovers of the Victorian period.

The Dean is shown in an impressive uniform featuring a long black cloak, a white cravat, and a towering ceremonial hat, symbolizing his position of authority.

He wears a dark coat and vest and a white shirt and ruffled cravat. The father of our country, George Washington was the commander in chief of the Continental Army during the Americ...

This brooch can be worn in many ways and is an attractive and versatile piece, it would look great adorning a lapel or cravat or even securing your favourite antique long chain.

Set into 9ct yellow gold and mounted onto a 9ct gold bar brooch, this is a versatile piece and would also make a great tie or cravat pin.. The Victorian's began somewhat of an obses...

He wears a dark coat and vest and a white shirt and ruffled cravat. The father of our country, George Washington was the commander in chief of the Continental Army during the Americ...