Antique Edger

edge. The top is supported with a tall turned baluster column on a symmetrical triform base

bronze edge with a decor of gadroons, flowers and foliage. Chinese style red lacquer tray decorated with

features dainty scalloped edges amongst lovely millegrain detail. A 1.65 carat total of old mine cut

Suttley & Silverlock. Good condition, restored tears, restored paper loss on bottom edge, pinholes

Dynamic Live-Edge Keyaki (Japanese Zelkova) Coffee Table This commanding coffee table is defined

lacquer - one minor edge chip - over-all cracks in the lacquer - no loss - no damage - no restoration

and bottom spine, corners, minor chipping to page edges, bindings strong, books square.

behind the head, "Marie, Mater Dei, Regina Celi" latin sentence written on the edge, meaning "Mary

, "Jesus Dei Fillius Rex Regnum" latin sentence written on the edge, meaning "Jesus Son of God, King of

A smart Regency mahogany fixed top drum table. The crossbanded edge with and intricately embossed

rockwork base and supported on a faux marble platform base with a moulded edge.   In Roman mythology, the

a finely moulded edge which continues around the sides of the piece. In combination with the bombe

tan leather and cross-banded edge. Above, an arrangement of two long and two short opposing drawers

by Francois Pycke. Excellent quality and condition study of a flowering tree at the rivers edge

18th century mahogany serving or console table, the single plank top with shaped edge over apron

manner. The curved blade of the sword features a bright edge down its whole length, with a double cutting

, worn edges, and surface traces from daily life — give the piece a strong presence and authentic rustic

A pair of console tables in fruitwood. With a carved edge to the tops above a molded frieze. The

-stone in this style. Modelled in 18k gold and platinum with a knife-edge band, it dates to circa 1910

, carved around the internal edge. The frieze has an intricately carved floral arrangement supporting a

the edges, adding depth and character to the overall appearance. This fine set of dining chairs will

ties to the front edge of the mantle. An ornately carved wooden frieze incorporates scrolling foliage

. The wide drip pans with serrated edges and the overall monumental presence strongly suggest church or

character. The tapered form is finished with rolled edges and retains its original pale green painted

cracks. The gently eased edges and straightforward construction embody a quiet mingei sensibility rooted

. The irregularity of the woven fibers, subtle asymmetry, and naturally frayed edges reveal the traces

, and texture that speak to its long life. These imperfections — softened edges, surface marks, and

before an outer mottled edge accented with palmettes at each corner. Leading outward is an additional

-banded oak veneer along the edges. All drawers show dovetail joints and work well. The sides of the table

veining and minor edge wear; veneer and finish consistent with age.

modern decorative edge. The animal print fabric brings texture, contrast, and visual energy, making these

with a thumb moulded edge Presented in good condition, this is a practical and attractive addition to

, French‑inflected styling characteristic of early American Deco vanity pieces. The molded edges, scalloped

losses along the edges. Two small areas of old restoration visible on the canvas. The paint layer is

shelf with square edge sits above an unadorned central frieze, flanked by sturdy jambs. Each jamb in

a grooved beaded trim around the facing top edge, over a frieze of three beaded long drawers, the

1886’, some very near to the edge of the frame. This is in reference to French sculptor, John-Baptiste

1886’, some very near to the edge of the frame. This is in reference to French sculptor, John-Baptiste

1886’, some very near to the edge of the frame. This is in reference to French sculptor, John-Baptiste

19th century Scottish Highland landscape with a Stag at the edge of the Loch, oil on canvas by Clarence

underneath the top. The top rests on four scrolling supports of cabriole shape and the outer edges of each of

softly rendered against a hazy sky. Unsigned. Well presented in an ornate gilt frame with swept edges and

molded edge. The primary material is mahogany throughout. The bead boss border to the upper tier, the

. The vanity box is of rectangular form extensively veneered in exotic coromandel and edged throughout

light edge wear, some fine & light surface scratches thoughout, and other signs of expected light

side edges, the burr walnut grain patterns are gorgeous throughout. There is beautiful carving under

serrated edge of the tabletop. The table is in very good condition with light signs of use consistent with

fitted within an Ormolu mottled and beaded edge guard. All original gilt throughout.

the outer edge. Three elongated gold drops then hang from each earring, adding movement and elegance

had full-length repairs to the inner edges, visible as lighter strips to the top. As such, this is

. Condition Details: There is wear to the engraved decoration throughout, and a small spot of loss to one edge

veneered in rosewood and edged in boxwood. The base has been decorated with a Van Dyke pattern featuring

presented in a dark frame with a gold outer edge. Unsigned. On canvas laid to panel. Image size: 17 x 26cm.

right. Well presented in a black frame with a gilt inner edge. On canvas on stretchers. Image size: 33.5

top with an inlay around the edge, atop four splayed, tapered legs with an exquisitely curved x-form

A fine early Italian square flower box or planter from the 19th c., featuring a moulded frame edge

, and with the right sheet edge creased.