Antique Edger

serrated edge of the tabletop. The table is in very good condition with light signs of use consistent with

fitted within an Ormolu mottled and beaded edge guard. All original gilt throughout.

the outer edge. Three elongated gold drops then hang from each earring, adding movement and elegance

. Condition Details: There is wear to the engraved decoration throughout, and a small spot of loss to one edge

veneered in rosewood and edged in boxwood. The base has been decorated with a Van Dyke pattern featuring

presented in a dark frame with a gold outer edge. Unsigned. On canvas laid to panel. Image size: 17 x 26cm.

right. Well presented in a black frame with a gilt inner edge. On canvas on stretchers. Image size: 33.5

top with an inlay around the edge, atop four splayed, tapered legs with an exquisitely curved x-form

A fine early Italian square flower box or planter from the 19th c., featuring a moulded frame edge

, and with the right sheet edge creased.

with light grey veining, and has a lovely upgraded ogee finished edge. The drawers are fixated and easy

plaque with a gold gilt finish. The leather has a decorative tooling design around the edges. I do not

spine, corners, wear to edges, boards, light browning to pages, few sporadic foxing spots. small splits

-piece top with crisp pie-crust edge above a finely turned baluster column raised on elegant cabriole

“barber pole” outer edge that adds a crisp, graphic frame to the ornate interior.

base of the bowl). Otherwise, there is some fritting & light edge wear, some fine & light surface

drift quietly at the water’s edge. Figures move through their evening routines almost silently - tending

profiled edge — Base: Turned pedestal with four legs — Dimensions: H: 74 cm, W: 62 cm, D: 48 cm — Condition

drawer handles appear to have been added during the Showa era. The geometric patterns on the edges are

left edge. Curtis' original Los Angeles Times obituary from October 20, 1952 (Curtis died on October

century, (1930s - 1940s), America. Each bench features a concave, waterfall‑form top with softened edges

top section is fitted with three graduated shelves lined with small metal hooks along the front edges

bouquets of intertwined flowers and foliage. Upholstery tacks, placed along the edges, hold the fabric in

moulded edge above a selection of two short over three graduated long drawers with brass engraved ring

terminating with a wreath bordered cartouche. The fruit knife is fitted with a double edged hallmarked blade

beautifully hand-formed ruffled floral edges characteristic of Tiffany Studios’ celebrated Art Nouveau

piece features a organic seat with naturally irregular edges and three tapered legs. The weathered

-glass edged panels in the form of an upside-down dome. Stamped: Baccarat, France and other stamps with

interesting object of British social history. The inkstand is of rectangular form with tapered edges, and

pulling around the edges, and an impression running horizontally along the lower edge. The canvas will

includes a scalloped apron above twin barley twist legs flanking the lower beveled edge shaped shelf

is very heavy, the scraper is set on a large 8 sided tray which has a decorative edge, it is in well

(254 x 162 mm), full margins with a deckle edge. Signed in pencil in the lower margin. In excellent

, featuring a circular top with a profiled coved edge, central pedestal column and three curved legs finished

molded edges. Each smooth running drawer has wonderful recessed turned mahogany handles. The generous

with moulded edge with three drawers under. The drawer fronts have lovely moulded panels with turned

around the edges. The top and lower tiers are veneered, and have veneers on the outside of the legs

a curved front, delicate pulls and a little risen edge at the back with two stylish medaillons at

marquetry on the edges. The thinly ripped slats enclosing the two tiers create visual intrigue from every

base joined by a central finial detail. The table features a rectangular top with molded edge and inset

. Bronze sabots & lower tier edge mounts. 28" h. at surface. 20 5/8" dia., 28.5" h. overall. We are a

blown glass shelves with rounded bullnose edges that are height adjustable. For security, the doors come

features distinctive features. The top has a distinctive shape with a contoured edge, under which sits a

scalloped edge (or pie-crust) around the circumference of the round or circular top, mounted upon a turned

1886’, some very near to the edge of the frame. This is in reference to French sculptor, John-Baptiste

. Titled and "Etched by George Bohde" printed, lower edge. Signed in plate GW Bohde, lower right. Published

. The sides are each flanked with an S scroll holding floral-carved drapes and the lower edge holds a

Elaborately shaped Baroque frame with blue patinated surface and gilt edges. Sight size: 48 × 29.7

displays a plain, highly polished finish and is fitted with a tapered dark handle. The edge of the silver

-1912). The dish features a petite design with wavy, contoured edges against a light gray background

cracks, wormholes, and naturally worn edges. The reverse side reveals visible saw marks and further

bold gadrooned edge, adding further depth and architectural presence to the composition. With each

the bezel, case edge, and bow. The cream dial is signed Elgin and has stylized Arabic numerals, blue

joints consistent with age. Mirror plate original, minor chip to mirror glass edge. Please message for a

corners, wear around edges, loose binding vol. 9.

edges and corners, stains to pages, foxing, minor pen/ink marks and notes. Pages are firmly adhered to

base with squared legs joined by stretchers for stability. The rounded edges of the back and seat