Antique Emblems

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French em...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

Gilded beautifully with rich golden tones. Center emblem is reminiscent of Rene Prou designed coffee tables of the late Art Deco period.

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The surface of the twelve vertical plates was etched with motifs of "Three Friends in Winter": Pine, Bamboo and Plum Blossom, the emblems of longevity and resilience. Deers, peonies,...

Beautifully decorated with the RAF emblem & RAF coloured enamel. In great condition for their age, would make a lovey gift!

The black habit symbolizes mourning for the suffering of Christ, and the emblem serves as a constant reminder of the Passion.

The surface of the twelve vertical plates was etched with motifs of "Three Friends in Winter": Pine, Bamboo and Plum Blossom, the emblems of longevity and resilience. Deers, peonies,...

Stephen framed by a golden chain and crowned emblems, representing the honor bestowed upon the knights of the Grand Cross.

Superb lithography of Nottinghamshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set wi...

Superb lithography of Leicestershire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set wit...

Superb lithography of Oxfordshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set within...

Chiparus, this captivating piece, a true emblem of the Art Deco movement The woman appears to be wearing traditional clothing and jewelry, which evoke elegance and allure of the Art ...

Both riders and their horses are lavishly outfitted in heraldic trappings, each piece carefully painted with distinctive patterns, vivid blocks of color, and emblems that hint at nob...

The motifs unfurl with both intention and spontaneity, arranged in a meandering vertical design that evokes the vines of a pomegranate tree—an ancient Persian and Anatolian emblem of...

Host a memorable gathering with this delightful tea set Displays a desirable aged patina and in good order throughout Quality, delicate ceramic hosts a beautifully handpainted finish...

One of the "Three Friends of Winter". Emblem of beauty, purity and longevity, for it is believed that Laozi was born under its branches.

Surrounding the central emblems are angular vine forms, rosettes, latch-hook devices, and geometric blossoms rendered with remarkable clarity.

Although the image does not clearly show the cap badge, historical context and visual style suggest a flaming grenade emblem may be present. This type of badge was used by both the H...

The knight is elegantly dressed in a flowing black cloak adorned with intricate embroidered emblems and the signature white Maltese cross on the shoulder.

The knight is portrayed in his ceremonial attire, a long white robe accented with vibrant pink sashes and a prominent red cross emblem symbolizing the order's religious devotion and ...

The figure is depicted in a traditional black and white monastic robe, accentuated with a red cross emblem over the chest. His posture, with an outstretched hand, evokes a sense of g...

The knight is presented holding a sword in one hand and a shield adorned with the emblem of the Order—a golden star on a blue field.

Andrew crucified. Surrounding the emblem are intricate floral motifs and additional heraldic symbols, underscoring the grandeur of this historic order.

Superb lithography of Norfolk and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set within a q...