Antique Emblems

A regal yet refined tribute to Edward VII and an enduring emblem of Britain’s civic artistic legacy, this signed bronze by William Silver Frith offers collectors, historians, and des...

Peony - Mu-Dan - Queen of Flowers, the peony is a emblem of wealth and distinction Additional information: Material: Porcelain & Pottery Region of Origin: China Period: 18th century...

The scene is to be read as an emblem of strength tamed by love. This striking Neoclassical tile has been in use for over 150 years and as such has a characterful, timeworn look.

Superb lithography of Cambridgeshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set wit...

Leyendecker reinforces the message of readiness by including the Boy Scouts' First Class eagle pin emblem and the motto "Be Prepared" at right. The image became a hallmark of Boy Sc...

Superb lithography of Monmouthshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set with...

Superb lithography of Derbyshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set within ...

Superb lithography of Staffordshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set with...

Superb lithography of Huntingdonshire and its county detail, perfect for display Displaying a desirable aged patina and in very good order Fascinating cartography, appealingly set wi...

Mercury is adorned with the classic emblems of his identity: a winged hat and winged sandals.

During the 19th century, velvet tapestries were often used to showcase heraldic emblems, signaling nobility, lineage, or allegiance.

What makes this piece particularly interesting is the verse on a printed label under the inset glass in the lid which states Provenance Removed from Windsor Castle in 1825 as part ...

To the left, a marquetry emblem of Geometry is balanced by an emblem of Astronomy on the right.

This important unique Wellhead from the Tuscan region from the 15th century Renaissance period with the emblems family crest and motifs. Attaching pictures of the ones you can find i...

The headrest is topped with a scene of three delicate peonies, emblems of love and symbols of feminine beauty. Drawing on Tang-dynasty sancai, or three color ware, the Qing-dynasty h...

Impressive 19th century Italian hand fan, remarkably preserved with silvered metal sticks and guards depicting ancient gods, palm trees and classical emblemes. The paper leaves are h...

Musical Jade Stone Gong (磬, Qìng): Esteemed as a ministerial emblem, it denotes a just and upright life. Often used in decoration for its homophonic quality with 'festivity' or 'cele...

The bottom row continues with a woman from Florence, shown from behind with her dark hair intricately braided and adorned with a long pink and white ribbon that drapes down her back—...

Worn with the face obscured, this penitential garment features a small red cross emblem, likely representing affiliation with a religious brotherhood or spiritual order.

An elaborate allegorical cartouche graces the lower right corner, depicting two classical figures symbolizing wisdom and governance, with heraldic emblems and decorative elements add...

Stevens’s painting was grounded in the tradition of the animalier paintings of earlier decades, but his approach was defined by contemporary realism that eschewed idealized depiction...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The front of the rectangular base is boldly adorned with the inscription "בצלאל ירושלים" (Bezalel Jerusalem), flanked by repoussé and chased emblems of Israel's seven species and reg...

The royal arms (and motto) appear on many British government official documents (e.g. the front of current British passports); on packaging and stationery of companies operating unde...

By 1823, the Lukutin firm employed over fifty artists and included a school for training apprentices and in 1828, Lukutin received a royal edict, the highest honor, which allowed him...

The chair has been impeccably re-upholstered in a refined short pile velvet with an outstanding design filled with Swags and Regal emblem type decoration in subtle Red, Tan, Olive an...

Clad in polished plate armor and vibrant orange tunics bearing emblems of the lion and crossed keys, the men march under banners in striking coordination.

Draped in a deep pink ceremonial robe adorned with gold embroidery and overlaid with a light blue cloak, the king is depicted as an emblem of power, ritual, and divine right. The op...

The mountains, in mythology are imbued with sacred power, are the manifestations of the vital energy of nature. The horse, emblem of nobility, elegance, speed, and power, has been en...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...

The artwork belongs to the French edition with Hoogh's illustrations; the coppers were used for the first time in La Vigne's "Miroir de la bonne mort" (Antwerp 1673). Ref. French emb...