Antique Florence

and the Grosvenor Gallery. His portrait sitters included Florence Leyland (1859-1921), later Mrs

depicting birds & incised with artist\'s marks for Florence Barlow & Frank Butler.

(Florence, 1555-Rome, August 5, 1630), Italian painter and engraver, active during the early Baroque period

Attributed to Vincenzo DE’ ROSSI (Fiesole 1525 - 1587 Florence) Study after Michelangelo’s David

the great Italian artist Odoardo Borrani (Pisa 1833 – Florence 1905). This artist, who specialised in

. Aristodemo Costoli (1803–1871) was an Italian sculptor who spent his entire career in the city of Florence

-1885), active in Florence from the mid-19th century. Dimensions: H x W x D overall 136 x 107 x 5cm; H

Salvator Mundi. Jacopo Giorgi (Florence 1623–1665), circle of Cesare Dandini Not signed. Oil on

century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with

textile centers like Florence and Venice during the period. Overall, this textile balances opulence with

studio near Florence. In very good condition with attractive age related wear. The shrine can be hung or

at opposite ends of Piazza Santa Maria Novella in Florence, Italy. These tapering four-sided obelisks

perfected in Florence and admired for centuries for its remarkable craftsmanship and artistic precision

architectural elements. The front door and sides with bevelled glass panels, Florence, circa 1880. Note: This

(Douai, 1529 – Florence, 1608) for the Grimaldi Chapel in the church of San Francesco di Castelletto in

Florence. Here he discovered the Macchiaioli movement, some of whose stylistic traits he would later

firm 'Henry Alcock & Co'. On reverse side is company stamp with the words "Florence" and "Parisian

The Piazza of St Mary in Florence, Italy is rendered in magnificent detail in this eighteenth

. Trained at the Accademia di Belle Arti in Florence, Nonni developed a distinctive style influenced by Art

inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble

Springs home. Label on back " Guido Andreini & C. Antiquari-Via de Rossi, 15 Florence.

, Florence, Italy A pair of French ormolu candelabra by Henry Dasson, dated 1880. Each candelabrum is cast

intensity of the original marble and bronze statues in Florence. The hallmark "Eneret" stamped on the base

veneered marquetry had its inspiration in 16th-century Florence. Marquetry elaborated upon Florentine

of veneered marquetry had its inspiration in 16th-century Florence. Marquetry elaborated upon

leading artistic figures, making Florence one of the most influential centres for painting at the time

centuries in Florence, where the figurative tradition has always devoted considerable space to this subject

(Natural History of Birds), published in Florence between 1767 and 1776, was a monumental achievement

Francesco Zuccarelli (Pitigliano 1702 - Florence 1788) - River landscape with knights and medieval

had its inspiration in 16th-century Florence. Marquetry elaborated upon Florentine techniques of

of Sanit Apostoli in Florence, Italy. Built in the 11th century, it is one of the oldest church

her as Diana the Huntress, or the French painting in the Pitti Palace in Florence, which also shows

drawing room. The painting is now kept at the Palatine Gallery of the Uffizi in Florence **. Considered

veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine

Florence Warden. These attractive salts come with a pair of plated spade shape spoons. The silver weight

in Florence, but moved to Paris in the late 19th century, where he exhibited extensively

ancient Greece, once in the collection of the prestigious family now at the Uffizi in Florence. The iconic

villas on the hills between Florence and Rome. Our artist must necessarily have taken his cue for the

This antique Italian porcelain plate was made at the Ginori Doccia manufactory near Florence in the

Manciola such as, for example, in the Triumph of Caesar (Rome, Babuino, 23-03-2010; formerly Florence

Antonio Domenico Gabbiani (Florence 1652 – 1726) Portrait of a Nobleman Oil on canvas
 89 × 52.5 cm

Agnolo di Cosimo, known as 'il Bronzino' (Monticelli of Florence, 1503 – Florence, 1572) The Holy

is present with some small areas of repaint. The putti came from a grand palazzo in Florence dating

de la Haute Couture by Florence Muller. Fond Mercator, Brussels Editions. Copyright 2006. An

artistic circles in Florence. The artwork is signed lower right, "F. Soulacroix” Provenance: Collection

verso. Third line reads “Original sketch from life by Leopoldo Dumini”. Dumini & Son, Florence

. Signed top right by the artist along with “Florence” where the artist visited in the early 1880’s with

family to Europe. After briefly staying in Paris and Florence, the Chapmans settled in Rome, where their

wood base. Purchased in Florence circa 1980. Provenance: Antichità Sandro Morelli

workshop of Giacomo Battista Gatti. G.B. Gatti was born in Florence where he became apprentice to the

American-born master, Thomas Ridgeway Gould (1818-1881), sculpted in Florence in 1870. Signed and dated on

scrolls or flowers. The technique of veneered marquetry had its inspiration in 16th century Florence

visited the city during their “Voyage d'Italie” (Venice, Florence, Rome, Naples), and those who, although

: Florence, Italy Date: 19th Century Material: Ash wood, water-gilded Style: Renaissance Revival, with

the wall in either direction) Tuscany (Florence) Louis XIV style Carved and gilded wood

Florence, known for producing high-quality decorative marble sculptures intended for an international

meet Merisi himself, which spurred him to dedicate himself to painting. His stays in Florence (1605