Antique Florence

Signed Portrait of Giuseppe Garibaldi is an albumen print realized by Lugi Montabone, Florence 1870 circa. The portrait is signed with a dedication handwritten by Garibaldi on the l...

Italian sculptor, painter, caricaturist, and author Adriano Cecioni died on 23 May 1886 in Florence. He was 49. Born in the Tuscan town of Fontebuona, Cecioni trained at the Accademi...

Powers spent much of his career in Italy, particularly in Florence, where American and European patrons came to his studio to commission portraits, ideal busts and allegorical figures.

Signed C.Lapini on the base Origin: Italian, Florence Date: 19th C Dimensions: 34"x13"

This career would encompass the Santa Maria Novella railway station in Florence (1935) and the Church of San Giovanni Battista on the Autostrada del Sole (1964).

Salvator Mundi. Jacopo Giorgi (Florence 1623–1665), circle of Cesare Dandini Not signed.

On reverse side is company stamp with the words "Florence" and "Parisian Porcelain" - the Florence pattern name referring to a romantic or classical design, while Parisian Porcelain ...

Aristodemo Costoli (1803–1871) was an Italian sculptor who spent his entire career in the city of Florence. His students included Girolamo Masini, Augusto Rivalta and his son Leopold...

Attributed to Vincenzo DE’ ROSSI (Fiesole 1525 - 1587 Florence) Study after Michelangelo’s David Pen and brown ink on paper 15 3/4 x 6 1/4 in 40 x 16 cm Bears an inscription lower ...

This antique vessel bears all the hallmarks of revivalist workshops such as Cantagalli in Florence, known for reinterpreting Renaissance forms with painterly precision and symbolic r...

Florentine painter, 17th-18th century Equestrian portrait of Pietro Strozzi (Florence, 1511 - Thionville, 1558) Oil on canvas 79 x 115 cm. - Framed cm. 92 x 127 A valiant knight, p...

Upon returning to Italy, he settled in Florence, where he helped found the Scuola di Staggia, a school of Romantic landscape painters.

. , framed 75 x 63 cm. Provenance: Florence, Pandolfini, 5.10.2021, lot 209 The proposed canvas, the work of a Lombard painter active in the seventeenth century, shows the image of...

A finely cast Italian Grand Tour bronze model of the celebrated Dancing Faun of Florence, after the celebrated Hellenistic antique in the Uffizi Gallery, where the marble has remaine...

Today, the obelisks remain as enduring monuments to Florence’s Renaissance tradition of public festivities and its deliberate revival of classical Roman pageantry.

The church of San Gallo, which housed the altarpiece, stood outside the city walls and was destroyed during the Siege of Florence (1529–1530), in the context of the operations linked...

Life-size marble sculpture of Spring by Antonio Frilli Italian, late 19th century Height 159cm, width 47cm, depth 40cm This superb sculpture is the work of Antonio Frilli, a ren...

Affortunato Gory (also known as Fortunato Gory) studied under the sculptor, Augustor Rivalta, at the Accademia di Belle Arti in Florence. At the turn of the century, he moved to Pari...

Oil on canvas artwork depicting a contemporary copy of the famous painting by Gino Piccioni, Nude on the Beach (Florence, Frascione Collection). Painting missing additional documenta...

The work is presented within a contemporary 17th-century setting. Antonio Tempesta (Florence, 1555-Rome, August 5, 1630), Italian painter and engraver, active during the early Baroq...

Museum and Gallery Holdings Florence (Uffizi): Self-portrait Rome (Gal. Nazionale d'Arte Moderna): Portrait of a Woman; My Daughter Trieste (Civico Mus.

The edition was published in 1766 and 1767 in Naples and Florence, and is considered one of the most beautiful books ever made.

The Piazza of St Mary in Florence, Italy is rendered in magnificent detail in this eighteenth-century "vue d'optique" engraving with hand colouring.

Originally from Antwerp, he arrived in Venice around 1582, with short stays also in Florence and Rome. The pictorial value of him is well highlighted by the critical and commercial f...

During this period, prominent workshops in Florence and Milan competed to create palatial furniture for wealthy European nobility.

The front door and sides with bevelled glass panels, Florence, circa 1880. Note: This vitrine cabinet is part of a 16-piece dining suite, however it may be sold separately.

In 1861 he successfully exhibited historical themes at the Florence Exhibition alongside others inspired by his outdoor painting experiments.

It has even been reproduced in artwork, as seen in the refectory of Santa Apollinare in Florence, where Andrea del Castagno’s Last Supper (1421-1457) features reflections imitating a...

It has even been reproduced in artwork, as seen in the refectory of Santa Apollinare in Florence, where Andrea del Castagno’s Last Supper (1421-1457) features reflections imitating a...

He is Niccolò III Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola and son of Aldobrandino Orsini, famous leader and captain (or capitano di ventura) who lived ...

This technique originated in Florence during the Renaissance under the patronage of the Medici family and remained a hallmark of Italian luxury decorative arts well into the 19th and...

His work also demonstrates affinities with the broader development of Italian still-life painting associated with centres such as Naples, Rome, and Florence. Although details of his ...

Making marquetry pictures in hardstone is an Italian technique perfected in Florence at the Opificio delle pietre dure, literally meaning "Workshop of semi-precious stones", establis...

It was a common practice for prestigious shops like Casa Bellas Artes to purchase pieces from European workshops (such as the Galleria Lapini in Florence) and place their own metal s...

Finally, the painting also bears the artist's signature, visible on the canvas at the bottom left: "Enrico Fanfani," a famous Florentine painter (1824-1885), active in Florence from ...

Werner dedicated himself fully to painting and, in 1832, exhibited in Dresden where he was the recipient of a generous travel scholarship which allowed the artist to study in Venice,...

In the papal capital he worked for many noble families and for important cardinals such as Alessandro Farnese and Scipione Borghese.He returned to Florence for a short stay, where he...

His portrait sitters included Florence Leyland (1859-1921), later Mrs Prinsep. He was invited to exhibit at the International Society of Sculptors, Painters and Gravers when JW was P...

Moreover, Zuccarelli himself (Pitigliano, 1702-Florence, 1788) had yielded to the seduction of Belluno, creating the Hunt for the bull (fig. 3) now at the Gallerie dell 'Accademia in...

After a formative journey through Venice, Florence and Rome, he settled in Treviso in 1582, where he remained until his death.

Though distinctly Ottoman in craftsmanship, the design carries a clear Italian Renaissance influence, particularly in its scrolling vegetal lattice and ornamental symmetry—reflecting...

Jean-de-La-Fontaine): View of Château-Thierry Chicago (AI): Sheafing the Hay Florence (Uffizi): Portrait of the Artist Montreal (Learmont): Ruins of Château-Thierry Moscow (State Tre...

A somewhat distracted and highly ambitious spirit, Jean-Baptiste moved around from Switzerland to Florence and in 1845 settled in Paris. He was aggressive in making connections and a...

Francesco Zuccarelli (Pitigliano 1702 - Florence 1788) was one of the foremost landscape painters of 18th-century Italy.

Hallmarked for Chester and dating to 1897.The Maker was Florence Warden. These attractive salts come with a pair of plated spade shape spoons.

However, the inspiration and closeness of this figure to the allegory of Hope created between 1582 and 1584 by Giambologna (Douai, 1529 – Florence, 1608) for the Grimaldi Chapel in t...

His works are found in the most important museums: the Prado in Madrid, the Academy Galleries in Vienna, the Catalan Museum in Barcelona, ​​Troja Castle near Prague, the Walters Art ...

This is likely a real-life location, one of the many gardens that adorned the grand villas situated on the hills near Rome, although the type of vegetation and the setting might evok...

., from San Domenico in Bologna, as well as no. 125, p. 201 from the Bargello in Florence and no. 126, p. 202 from the Louvre in Paris) and for the latter the two angels carved in oa...

He spent time London, Florence, and Rome, where he had an extended stay, and in Paris, he studied for about a year and a half with Thomas Couture.

Trained at the Accademia di Belle Arti in Florence, Nonni developed a distinctive style influenced by Art Nouveau and Symbolism, characterized by flowing lines, refined color palette...

FREE WORLDWIDE SHIPPING Provenance Private Estate Vienna, Austria supplied by Galleria Camiciotti, Florence, Italy A pair of French ormolu candelabra by Henry Dasson, dated 1880.

The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed o...

The figure is portrayed as a noble warrior saint, meticulously capturing the pride and focused intensity of the original marble and bronze statues in Florence. The hallmark "Eneret" ...

He left for Italy in 1875 to study painting with Antonio Ciseri at the Cooperative Society of Students in Florence. Here he discovered the Macchiaioli movement, some of whose stylist...

This antique Italian porcelain plate was made at the Ginori Doccia manufactory near Florence in the mid-eighteenth century and represents one of the factory’s most admired decorative...

Some other limestone monuments with only the reclining woman are preserved in Brussels (E. 2591), Florence (2142), or Dublin (E. 72:77). With these stylistic and morphological eleme...