Antique Font

spun metal font has been replaced.

des fleurs, lisent des rouleaux, regardent un combat de coqs, font tourner des toupies, pêchent ou

Pair of old Sheffield silver plated candlesticks converted into table lamps with cut glass fonts

For sale is this 19th Century antique brass oil lamp, with glass chimney, Lovely shaped brass font

font and a silvered spelter base with baskets of flowers, ribbons and leaves.

metals (gold, silver, platinum). In this case, the ratio zolotnik/font was meant, so one zolotnik meant 1

, tapering font, supported by a wide, circular connector and base. A rectangular handle mounted on the side

their many models of pocket watches, with matching sans serif fonts rounding out the design.

decorative brass font supported by a brass column and standing on a decorative stepped circular base. Lovely

expounded. In the centre of this magnificent court, which is open to the sky, is placed the principal font

plated base with the original yellow coloured satin glass font, a single burner, a glass chimney and

opening at the top, suggesting it may have originally functioned as a holy water font or small devotional

, liturgical liturgy objects, baptismal font, sanctuary vessel, chalice, to primitive folk art, Bible box

; the other side is simply engraved with the name Marion in Old English font. Both sides of the case

fonts, illustrations, typos, and advertisements as the original. It was also the first facsimile first

drawer fonts. As typical with the style the chest is decorated throughout with the placement of hand

engraved glass shade and chimney, double brass burner, glass font supported by an ornate brass fitting

rim, a glass chimney, above a brass burner and clear glass font, supported by a wooden column above a

removable font raised on three supports cold riveted to a lily pad base. Converted to electricity.

stem and globular font, hanging by a chain. It has a narrow cylindrical glass shade and candelabra

oil lamp font. This oil lamp has been wired for electricity and fitted with a later molded glass

chimney, a single brass burner with a quality cut glass font, supported on a brass reeded column standing

fonts with truncated spouts were converted into four wide rectangular pans with eight tapering spouts

missionaries. The upper scene is titled *Sacrifice que les Floridiens font au Soleil, de leurs Premiers nés

in gilt shadowed serif font, and Horse Shoeing in plain block font. A wonderful piece of folk art.

glass font above a corinthian capital column with base metal standing on an ornate stepped square base

replicas, above a sash font. Very rare and decorative shape

burner, unusual hand painted porcelain font with a wonderful floral decoration in green, purple and red

Spain, originally used as a baptismal font, features a rustically carved stone body with rounded basin

Holy wall font. Bronze. Spain, 17th Century. Small font for holy water designed to be placed on a

initials of the original owner are finely engraved in an elegant, brushstroke-style font, adding a personal

. Above, a finely cut clear glass font houses the original Hinks Duplex mechanism, engineered to provide a

font is supported by an adjustable sliding knob and covered with a sliding urn form cover and wick

). Here it is described as a ‘Rich Gothic Font, designed from Henry VII’s Chapel’ of Westminster Abbey

Patterned gilt lacquered brass columnar astral lamp with pear shaped font mounted on a square

plainer more traditional style; while the fourth set is in a smaller font. There are two sets of numbers

engraved letter S in an Old English font. The bowl has ridges in the center that curve out to complement

construction of baptisteries to accommodate the baptismal font. However, from the 12th century, the very high

still shows almost all of its original paint. Every font has been converted and wired for light bulbs

font a Rome & de quelques autres qu'on voit encore en Italie & ailleurs. Le tout revu, deffine

continuous ring. The lamp still shows almost all of its original paint. Every font has been converted and

font supporting green glass shades Not electrified, kerosene or ornamental use only.

préservé en font une addition précieuse à toute collection.

, vents, and locking interior oil font. Stamped Perko Brooklyn, New York. Early 20th Century.  

English Adam style (19th Century) silver plate Corinthian column table lamp with crystal font.

original interior fonts and can be electrified if desired at no additional cost. Perko company Brooklyn, NY

, outside Stockholm. His work in Sweden included baptismal fonts, church sculptures, and public artworks

elements, church architecture model, apprentice prototype, baptismal font, sacristy liturgical items

mirror encapsulated by black-backed glass reveals a reflective, eye-catching font advertising Jaques

adjustable. Cut crystal oil font. Shade is included. In good antique condition.

'. Illustrated - Val d'Osne Catalogue Nº2 1900 Fontes d'art, Pl. 372 -Nº172; Pl. 595- Nº257 & 258. This

executed in an ornate, shaded serif font, further reinforcing the brand’s heritage and sophistication. The

New York. The polished and lacquered case has a metal cage. The copper oil font has been retrofitted

New York. The polished and lacquered case has a metal cage. The copper oil font has been retrofitted

Originally an oil lamp with decorated font over a Corinthian capitol and fluted columnar support

from Meiji era, a piece of old newspaper printed in old-school font, remains of washi paper labels

center, titled *Les Isles de Garnezy Ierzay et Aurigny Font Partie de la Normandie mais elles sont sous