Antique Glass Negative

Edition print of Paris circa 1900, printed from a glass plate negative, unframed edition of 10

Glass plate negative slide circa 1910 of a Norwegian Fjord, printed oversized and mounted on Poplar

"Snowflakes" by Wilson Bentley (1865-1931). Three microphotographs from glass plate negatives

' original glass-plate negative, signed in the negative at lower right, from the proposed edition of 200

nitrate form light-sensitive silver salts on the paper. When a glass negative is placed directly on the

nitrate form light-sensitive silver salts on the paper. When a glass negative is placed directly on the

Congress in a studio on the Exposition grounds with an 8 x 10 glass-negative camera with a German lens

from the original glass plate negatives, framed behind glass in, nautical themed frames with a carved

the earliest use of photographic enlarging. Printed from giant glass plate negatives measuring 14" x

subsequently established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career

Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of which were

established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of

subsequently established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career

Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of which were

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

subsequently established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

subsequently established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career

subsequently established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

established in Tehran. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of

. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of which were destroyed in

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

. Sevruguin made over 7,000 glass plate negatives in the course of his career, most of which were destroyed in

stock for the studio they subsequently established in Tehran. Sevruguin made over 7,000 glass plate

glass plate negatives in the course of his career, most of which were destroyed in the early twentieth

surface of a metal sheet, called a tintype. Secondly, they could develop the collodion on a sheet of glass

has later hand coloring. Mounted at bottom is a print of the glass plate negative of the McLean House

ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of

photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of

ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of

ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of

from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size

Albumen silver print from glass negative, from the Atget's series on sculptures on the grounds of

(1300 glass plate negatives and 7000 prints assembled in albums) and brought the collection to NY in

-sensitive silver salts on the paper. When a glass negative is placed directly on the paper and exposed to

their accompanying glass-plate negatives) was found stored at the farm near Oxford, Connecticut, where

photographer Berenice Abbott and is from Atget’s original glass plate negative. Atget documented Paris at the

glass plates (film negatives) due to their sheer weight and normally only have one chance to photograph

glass plate negative by Dan Leyrer in the early 1960s; purchased from Harmanson's Art and Book Store at

text illustrated with high quality photo engravings taken from his glass plate negatives. Each of these

glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images

covering of glass." This unique vase was made by Max Laeuger for Tonwerk Kandern in 1906. Impressed mark

glass negatives rather than have them become the property of his now ex-wife. Clara went on to manage

and most iconic views of Mt. Hood; Gifford would claim he was offered $1000 for the glass plate

and most iconic views of Mt. Hood; Gifford would claim he was offered $1000 for the glass plate

him. 11"x14" brown toned silver print from the original glass plate negative for inclusion in the

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