Antique Helmet

obverse is decorated with a seated youth wearing a tunic, pilos helmet and high laced boots. He is seen

trophy of musical instruments. The bust of Mars/Ares displays him in his armor wearing his helmet

Athena, the Greek goddess of wisdom and patron deity of Athens. Seated beside her shield and helmet, the

achievement is surmounted by two facing, closed visored helmets, each topped with a rampant fox-like animal. A

marching soldiers, their legs apart, wearing the distinctive helmet of a World War II infantry regiment, a

Whelk Seashell 12”W, 7”D, 6”H Half Clam Shell 10”W. 7”D, 4”H Horned Helmet Conch9”L, 7”H, 7”W

craftsmanship includes distinct features such as the soldiers’ helmets and shields, symbolising their readiness

depicts a determined American aviator or pilot in a cockpit, wearing goggles and a fur-lined helmet

spurs and helmet. The exceptional male character grasps the horse's reigns in one hand and a riding

Corinthian helmet adorned with classical reliefs of mythological scenes, a hallmark of the neoclassical

Rhinoceros beetle. 'Kabutomushi' is the Japanese term for the Rhinoceros Beetle, 'kabuto' meaning helmet (in

scene is decorated with an armored hoplite wearing greaves and a Corinthian helmet. He is carrying a

-ho birds, to central armorial heraldry motif depicting a dragoon helmet before a series of rising

figure, shown wearing a draped robe and helmet, evokes the image of an ancient warrior or nobleman. The

a swing handle, and the cream jug is of a helmet shape. The set has a combined weight of 55 troy

. The rich iconography includes a collapsed column, a warrior’s helmet, a horse’s head, and a finely

classical revival style. The warrior’s attire, including helmet, armor, belt, and sandals, is richly

animal motifs throughout including stags, greyhounds and griffins. Two knights helmets face inwards in

a helmet. Bonnard derived this figure from military representations of the 14th–15th centuries

in full armor, with helmets. The painting is surrounded by traditional fabric brocade borders and a

riding helmet, evoking themes of aristocratic sport and ceremonial identity. The restrained pose and

crested Attica helmet adorned with olive leaves and an upwardly turned palmette. On the reverse side, an

" uniforms and Adrian helmets, introduced in 1915 to replace the outdated and highly visible red trousers

crest sits a knight’s helmet adorned with a pearl necklace and plume, all rendered in subtle tones of

, bows, armor elements, ceremonial helmets, and portable artillery or mechanical devices. The imagery

completed by a long cloak and a crested bell-shaped helmet, while holding two long spears, raised from a

intaglio depicting a Roman warrior in profile, finely detailed with helmet and armour. The ancient stone is

spirit of patriotic allegory in full heroic stride. A winged warrior, helmet crested and gaze fixed

This is an early Siebe Gorman & Co. Ltd. smoke mask. These full face helmets are very rare and

helmet when heavy protection was not necessary. They were also sometimes worn during travel, especially

wearing his helmet is raised on a square base with a mottled edge. He wears a coat displaying detailed

helmet, books, a violin, and other items. This canvas is at the Palace of Fontainebleau which also has

lacquered iron work; the cuirass with dragonfly decoration and blue lacing, a Kaga school helmet having 32

and the gemstones displayed. The design show an ancient Greek warrior wearing a Corinthian helmet

bowing soldier dressed in grey wearing the his distinctive helmet. Archivally mounted and framed in a

and armor, or historic illustration. The upper section of the plate features an array of helmets

the cuirass and helmet in the 5th-6th centuries BC. Taken from the battlefield by the victor to a

helmet is a finely made European bascinet, the classic combat helmet of the era. It features a gracefully

monumental allegorical female figures dressed in classical drapery and wearing antique helmets. These figures

of a character topped with a helmet and whose departure of the dress is set with a line of 4 rose

hand. A crested Corinthian helmet with a frontal Medusa head and laurel band covers the head, while

dressed in a bright red riding coat and helmet, seated casually upon a fence while holding a cigarette

forward, their plumed helmets, rearing horses, and sweeping gestures embodying the momentum of Napoleonic

Amazing and unique Samuraï armor. Early XXth century. Composed of an iron helmet mounted with large

decorative clarity. The knight wears articulated armor with a crested helmet and a flowing red cloak, while

-length against a lightly sketched landscape, allowing close visual study of helmets, weapons, shields

surmounted by a plumed helmet with two arms holding a victor’s wreath and flanked by two heraldic beasts, all

the helmet, lamellar armor, and reins are rendered with exceptional precision characteristic of high

rests on crushing the head of a fallen horse. A scattered and empty helmet rests at his feet. The base

surmounted by a helmet. This central medallion is framed by an architectural motif in black and ochre

dressed in shining armour, a crested helmet, while his iridescent red cloak appears puffed by the wind

his Bronze helmet adorned with two Gilt rams heads and sphinx.

Napoleonic aesthetics. The lid is adorned with a crested helmet, a lictor's fasces, and a quiver of arrows

high crested helmet and carrying a circular shield and spear, the other standing behind him wearing an

warrior in a helmet, in a carved foliate mounting with a wide shank decorated with ribbed and foliate

in Greek Mythology), goddess of wisdom and warfare, with a battle helmet atop her head, armed with a

a knights helmet over a shield with star of davids besides a sword like shape set between beautiful