Antique Iron Glaze

The amber glaze, likely iron-based, gives the upper body depth and warmth, while the paler lower section leaves the piece feeling lighter and more rustic.

1930s Ceramic Jar with Iron Foot & Remains of Flaze on Top

Blue and white, purple and iron red foliate umbrella stand. Antique painted Italian majolica umbrella stand with scrolling vines in blue and terracotta with eggplant flowers and rim ...

Wonderful Art Nouveau iron stone ceramic glaze designed by Christopher Dressner for S.C.I.

each hand painted ginger jar with domed lid above a bulbous tapering body raised on a stained wooden base; painted with various figures in a landscape setting divided by cloud scroll...

An exceptional original Art Deco Crittall entranceway, reclaimed from a property in Swiss Cottage, London. This striking architectural piece comprises a central glazed Crittall door...

Intriguing antique French table with eight leaf decorated tiles under glaze on a hand wrought iron base with the original paint.

The small iron spots visible in the glaze are a natural result of the early production process, attesting to the authenticity of the porcelain.

A pair of wrought iron candlesticks featuring talon claw bases, glazed ceramic baluster shaped centrepieces and detailed Gothic handles.

Made of pine with a shaped cornice over a gracefully arched glazed door retaining the original iron "H" hinges and brass hardware.

A highly uncommon, full set of high style Aesthetic Movement brass fireplace tools in their original stand. This stand features a Kensington Tile in its base which points towards Ame...

Perfected over centuries, celadon glaze ranges in color from blue-grey to olive green, owing to the amount of iron oxide added to the glaze.

Rare, late 1920s Reuben Haley for Muncie Pottery "Rombic" lamp model 220-10. The lamp is shape 220 and it's the 10" version of this design. Reuben Haley's Rombic line for Muncie Pott...

The decoration is executed in traditional Imari palette, combining underglaze blue with iron red and glazed accents, characteristic of the period.

Extremely Rare French "Directoire" Style Bibliothque (Bookcase). Made of extraordinary "Burled Yew Wood" with a rich golden color and lustrous patina. A simple cornice over two glaze...

A pair of large antique Victorian lamp posts salvaged from a country house in Yorkshire. These decorative wrought and cast iron English lamp posts are beautifully styled with weather...

Japanese Abura-zara (oil plate), Seto ceramic plate used to catch oil drippings from lanterns, simple flat, round dish with slightly raised edge, one half covered in an Oribe-style g...

Fine crackle patterns (crazing), occasional iron spots, and glaze bubbles add to the visual depth and character of the piece.

It was decorated with iron-oxide brushed strokes under the glaze. The iron paint on this bowl was minimal, deft and quite enigmatic, appearing like a ghost face on a crouched figure.

Antique ceramic covered box from the Sawankhalok kilns, Thailand of paneled globular form with a brown glazed flat top having incised bands around a raised lotus bud shaped finial, t...

This unique color comes from the iron oxide in the glaze, which, when fired in a reducing kiln atmosphere, produces the green hue.

Irabo is characterized by its coarse and sandy clay that is rich in iron and ocher-color ash glaze that shows intentional irregularity.

A sculptural 19th-century French provincial walnut oil jar, hand-thrown in terracotta and finished with a deep iron-rich brown glaze. The vessel features a classic two-handled form...

The vase has a harmonious baluster form and is finished in a vivid pale blue crystalline glaze. The surface is scattered with fine white speckles and organic runs, while warm brown i...

A remarkable large Chinese export blue and white punchbowl painted with a floral and brocade design, and featuring a stunning staple repair, 18th century, China. While of large siz...

On offer is a large Korean ceramic storage jar (hangari) with white glaze and iron red underglaze dragon design. The globular shaped jar derived its form from the Moon Jar of the ear...

Irabo is characterized by its coarse and sandy clay that is rich in iron and ocher-color ash glaze that shows intentional irregularity.

This unique color comes from the iron oxide in the glaze, which, when fired in a reducing kiln atmosphere, produces the green hue.

The charger is very finely decorated with underglaze blue, red iron oxide glazes and heightened with gilded decoration.

The bowl with a short ring base is nearly entirely covered in a white slip except the base (known as sougusuri in Japanese, total glaze). Iron-colored scrolling vines were painted on...

Plants are drawn with iron painting, and white glaze is applied from above.

An exceptional late 18th-century French Provincial "Buffet Deux Corps" handcrafted in Normandy, circa 1790. This finely constructed buffet is fashioned from solid fruitwood and featu...

Beneath the transparent glaze, the iron-painted motifs create a strong visual contrast, while bands of lotus-petal and geometric patterns encircle the shoulder, bringing structural b...

The greatest charm of this piece lies in its glaze. Over the soft white glaze, an amber to dark iron-colored glaze runs down from around the rim, creating a dripping landscape-like e...

A Large Pair of Entrance Door Wall Lights, Wall Lanterns 2 wonderful pieces, the iron shades have been glazed with blue diffused glass, the lights are in good and sound condition, h...

Maker's mark undersigned and numbered in iron red under-glazed on each piece. The service include 88 pieces : 22 Dinner plates 9 7/8 inches - 22 Salad plates 9 7/8 - 22 soup plates 8...

This unique color comes from the iron oxide in the glaze, which, when fired in a reducing kiln atmosphere, produces the green hue.

The central design-likely depicting bamboo or a floral arrangement-is framed within a double-line border, with cobalt oxide used to create varied depths of blue under a translucent g...

Brass flower-form bosses punctuate the iron framework, continuing the botanical vocabulary while providing a warm metallic contrast to the dark iron and richly coloured glaze.

Visible cracks stabilized with original iron staples, areas of glaze and pigment loss, surface wear, and firing imperfections.

The reverse shows heavy firing grit and kiln scars typical for Swatow ware, along with heavy glaze crazing and iron-rich stoneware clay visible at the unglazed foot.

The exterior is coated in a characteristic thick, dark iron-brown glaze that gives it a metallic, rich chocolate appearance.

The exterior covered with a rich, glossy iron-brown glaze (Batavia brown). Unglazed footring revealing the white porcelain body.

Its outline is painted over the glaze using iron-red enamel with touches of gilt — this is definitely an overglaze application, unlike the blue painting.

It features a heavily glazed surface with iron and ash dripping down from the shoulder to nearly cover the entire exterior.

The handles, modeled separately and applied to the vessel, are covered in an iron-red glaze enriched with gilt, complementing the warm tones in the painted decoration.

Hair is rendered in a dark (black or iron-rich) glaze, contrasting with the white face and robes.

Pair of English ironstone Imari patterned ceramic pitchers with blue and iron red glazed floral decoration, scalloped rims and parcel gilt decoration.

A pretty Asian probably Chinese early 20th century iron oxide glazed Vase. It bears a Steve Chase inventory label with a $1000.00 price tag.

The figure is crisply modelled with cobalt blue and iron brown glaze applied to the head dress and flowing robes.

The figure is crisply modelled with cobalt blue and iron brown glaze applied to the head dress and flowing robes.

"Arita" porcelain made in Japan, during 1690-1730, shipped to The Netherlands "delft ", where this decoration is painted. 3 pieces high domed porcelain salt cellars on 3 ball feet...

The dish features a cream color crackled glaze with iron underglaze paint that evokes the aesthetic of ink painting.

Félix Gête developed the green overglaze seen in this vase, obtained from an iron-based glaze whose color varies from pale greens to deep black.

Félix Gête developed the green overglaze seen in this vase, obtained from an iron-based glaze whose color varies from pale greens to deep black.