Antique Marble Slabs

high style, this richly decorated parlor (center) table features the original substantial rouge marble

inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This

A Pair of Male Lions in carved marble resting on octagonal attached slab bases. Originally

the finely carved Carrera Marble 50" x 20" slab with applied draped laurels. Centered with a Statuary

French Provincial Baker's Table with Green Marble Top. 19th century scrolling metal trestle form

with a rich, dark polished finish. The case is topped with a massive 1.25 inch thick slab of marble

iron with a period marble top. Very elegant design and a slab of marble to dream of. Just a very good

inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This

. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted

with a Carrara marble top slab. It is in very nice antique condition with only minor surface wear

trade (a marble slab with a sketched bas-relief, a ruler and a compass), scantily clad in silk with her

substantial slab of variegated marble, a combination that immediately sets it apart from standard 19th-century

, thick slab of white marble. The monochromatic stone features delicate gray veining throughout with

with a red marble slab, lion paw feet. The spacer and sides of the top are made of carved wooden slabs

each of the five drawers. A thick slab of white marble with a light grey vein sits on the top of the

lion. All carved from a single slab of marble. The sculpture sits on the original white marble clock

stonemason who contoured and beveled a solid slab of marble for the perfect crown to the collaborative

lion. All carved from a single slab of marble. The sculpture sits on the original white marble clock

framework. To top it all off, a gorgeous slab of marble has been custom contoured to conform to the lines of

slab of marble with Streaks of Raspberry Grey and White running through sitting on top of a Lovely

slab of Sarrancolin marble, elegantly encased within a finely cast ormolu border. The ormolu, shaped

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

, enhancing the elegance of the façade. The commode is topped with a shaped slab of yellow marble, likely a

century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with

giltwood and green alp marble. Adorned with intricately carved foliage motifs gracing its sides, legs, and

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

top a solid slab of Italian marble Condition wise we have lightly cleaned the piece, the patination

refined decorative language. Topping the table is a bold and eye-catching slab of rouge marble, elegantly

original, thick slab of Bardiglio marble. The monochromatic gray stone features delicate wisps of veining

currently in a fine home in Genova, Italy this two part cabinet has a thick slab of Carrara marble

demilune sconce is sculpted from a single slab of marble and is unique in its composition and construction

depicting animals and what looks like Roman ruins. The top is a solid slab of marble and the frame is pitch

define the drawer itself. Above, a single slab of black marble provides an elegant yet carefree surface

a strong sculptural quality from every angle. The top is fitted with a shaped slab of breche marble

top is a single slab of marble in pale pink, white and grey. Often referred to as Payolle Rose Vert or

dressed with a smooth black marble stone slab, offering a practical surface. Each step lifts to reveal a

inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This

pair, very finely made in period mahogany, the tops as mentioned are solid slabs of Italian marble

GOTTFRIED SCHULTZ German, 1842-1919 Still-Life with Fruits and Wine on a Marble Surface with a

. Each vase stands on a fluted round marble base edged with ormolu slabs. German, early 20th Century

. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted

techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious

slabs of what's called Wabi-Sabi marble, this cut of marble is left as natural as possible so the top

the rich, dark green marble top—composed of three slabs—adds a layer of opulence. Perfectly suited to

amazing patination, the top a solid slab of Italian marble Condition wise we have lightly cleaned the

inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble

inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This

elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles

from the marble slab over the years and no longer apparent, but in this case lacking the JME stamp is

outstanding counter would transform your kitchen or retail establishment. The work surface is a slab of pink

on slabs of green marble (optional) C 1890.

Isabelina era of the 1860s. The top is a single large slab of white marble, the interiors of the drawers are

interior features a wine rack that will hold 47 bottles, a slab of green marble has been added with

. The commode retains its original slab of gray marble, the surface animated by frenetic white veining

the piece. The table top is an original thick slab of veneered marble of great colour and figure with

marble cooling slab, sitting upon a plinth base Patented in 1885, improved in 1892, 1896 and once again

exposed sides. The top a single slab of striated marble in pale green, grey, & white. Original to the