Antique Naples

Pescatore Napoletano is an original gouache drawing on paper realized by Michela De Vito, Naples

Wisdom is an original drawing in pen on paper, realized in 1920 ca. by Filiberto Scarpelli (Naples

A vibrant late 19th century gouache painting depicting a detailed view of Naples from Capodimonte

Bernini, born in 1598, in Naples, Kingdom of Naples and passed away in 1680. Gustaf Wilhelm Palm was a

watercolor artist in Naples. Born in Salerno, he went to Naples and studied under professor Domenico Morelli

the print suite "Principali vedute di Napoli antica e moderna" of Naples views, engraved by the

, traveled across cultural centers such as Rome, Florence, and Naples. The journey was considered an

1862 in Pompeii in the House of Narcissus, currently in the Naples Museum. Late 19th century, circa

Exhibited: Naples, Museo Principe Diego Aragona Pignatelli Cortes, 12 December 2009-11 April 2010.Literature

evocative harbor scene depicts the lively waterfront of Naples, capturing the city’s close relationship with

seventeenth to nineteenth centuries. This scene depicts the Villa Reale (now the Villa Comunale) in Naples, an

Posillipo hill in Naples. Well presented in a vintage gilt frame. Unsigned. On paper. Image size: 46 x

Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia, and copies

using the refined technique of tempera. They depict views of the Tyrrhenian coast near Naples in an

, Italian. The original is on display in the Museo Archeologico Nazionale, Naples. The bronzes is part of

the prototype for this 'Pompeiian' bronze athénienne, now in the Museo Archeologico Nazionale, Naples

A collabroation between Sir William Hamilton & Pietro Fabris Naples: Pietro Fabris, 1776

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

. Minor fading, due to age. Wear consistent with age and use. Circa 1780, Naples, Italy. Seat: 19" H x 24

Various scenes of Naples and the eruption of Vesuvius in ebonized frames. Each scene titled. Each

Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia

Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia Stamperia

the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia

the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia

central reserve showing Vesuvius and the BA Charles X style oval transfer decoratay of Naples.

Oil on canvas. Late 17th century, early 18th century. Andrea Vaccaro School, Naples. According to

International Exposition, San Francisco, 1915; Italian Exposition, Buenos Aires, 1923; First Biennale, Naples

composition captures the serene beauty of the Bay of Naples, where rugged limestone shores meet a glassy sea

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia

the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the Regia

finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

Naples. In the original gilt wood frame. This is a very fine and large example of this dynamic scene, in

(Timoclea Throwing Alexander the Great's Captain into a Well, Capodimonte Museum, Naples) (Renaud and Armida

pool, facing south. Now in the collection of The Naples Archaeological Museum. Pompeii. Excavated

. He studied at the Academy of Fine Arts in Naples, where he was a favoured student of the painting

marble can be found today in the National Archaeological Museum in Naples, Italy.

the early 20th century. The sculpture is signed GEMITO on the back, likely by Vincenzo Gemito (Naples

Naples with Vesuvius Erupting (see All'ombra del Vesuvio, Exhibition catalogue edited by Nicola Spinosa

) and the Monumento alle quattro giornate (Monument to the Four days of Naples) in Naples. His work was

from the Naples school. He came into contact with Morelli and Palizzi during a trip around the south of

Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between 1757 and 1792 by the

Naples. Measures 22 3/4" tall x 9" wide x 7" front to back. A large figure of manageable size. Looks

was established in Naples, Italy, in 1743. Capodimonte porcelain was made in direct emulation of

back to 1771. King Ferdinand I ordered the construction of the Imperial Palace in Naples and the blue

engravings of the finds from the excavation of the ruins of Herculaneum in the Kingdom of Naples (now

excavation of the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published

publication sponsored by Chiurazzi & Fils, Luigi Conforti, Secretary of the Naples Museum, described it as

Museuem in Naples and described as ‘Aspasia’ During the late 17th and 18th century the passion of the

by the Romans in the 1st century BCE and was designed to link the strategic cities of Naples and

copy of the original found at Pompeii and now in the National Museum in Naples. A copy like this is

the ruins of Herculaneum in the Kingdom of Naples (now Campania, Italy). It was published between