Antique Naples

Nineteenth Century Oil on canvas Picture size: 18 x 15 inch (46 x 38 cm) Frame size: 24 x 21 inch (61 x 53 cm) Born 13th Feb 1812 in Naples to French Parents Died 1842 Paris, Franc...

Moinet and Thomire also collaborated on clocks for the King of Naples, George IV of England and Tsar Alexander of Russia.

This incredible landmark was constructed by the Romans in the 1st century BCE and was designed to link the strategic cities of Naples and Pozzuoli by carving directly through the vol...

The sculpture bears a strong resemblance in both form and gesture to the celebrated Peplophoroi preserved in the Naples National Archaeological Museum, themselves Roman-era bronzes i...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

The painting belongs to the tradition of the Scuola di Posillipo — the movement of Naples-based landscape painters active from the 1820s onward, known for their plein air observation...

*Bartolomeo Schedoni (Modena 1578 - Parma 1615) Elemosina of Saint Elizabeth of Hungary Naples - Museo e Real Bosco di Capodimonte ADDITIONAL INFORMATION: The painting is sold com...

Ceramic sculpture realized by School of Capodimonte (Naples), in the early 20th Century. Marked on base.

Ceramic sculpture realized by School of Capodimonte (Naples), in the early 20th Century. Marked on base.

In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S.

In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S.

In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S.

In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S.

In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S.

In 1634 Lanfranco transferred to Naples, where he painted fresco decorations in the Gesu Nuovo (1634-5); the Certosa di S.

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

. : M 190 / Handmann, Emanuel / Bildnis einer jungen / Dame in orientalischel / Tracht' With chalk mark on stretcher verso 'No 41' No signature Turquerie painting of exquisite quali...

He was attracted by the naturalistic works from the Naples school. He came into contact with Morelli and Palizzi during a trip around the south of Italy in 1866.

He studied at the Academy of Fine Arts in Naples, where he was a favoured student of the painting professor Vincenzo Volpe.

The best Greco-Roman copy of the work of Critio and Nesiotes is a group of marble sculptures, slightly larger than life (about 190 cm high), from the Villa Adriana in Tivoli and curr...

Baptism Sedan is an original watercolor drawing on creamy paper realized in the 19th Century by Michela De Vito, Naples. Titled on the lower center. Included a Passepartout: 49 x 3...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

This identical figure is represented as the original at the National Museum in Naples Italy and also the copy is on view as well.

It stood in the Farnese Palace in Rome until 1790, when the Farnese collection was removed to Naples. Measures 22 3/4" tall x 9" wide x 7" front to back.

19th-Century Grand Tour Bronze — Neapolitan Fisherman After the Antique Fonderia Giorgio Sommer, Naples, Italy This exceptional 19th-century Grand Tour bronze of the Neapolitan Fish...

Other significant works are "Girl with Basket", "Naples Street Scene", and "Market Day, Naples", reflecting his focus on everyday Italian life.

Young aristocrats traveled throughout Italy, particularly Rome, Florence, Venice, and Naples, studying ancient architecture, sculpture, and Renaissance masterpieces.

Trombetta, The edition of The Antiquities of Herculaneum exhibited in Rendiconti of the Academy of Archeology, Letters and Fine Arts of Naples, 59 (1984), p.151-172.

His other works include Martyrs’ Monument in Beirut (1960), Monumento al Partigiano (Monumento to the Partisan) in Parma (1964) and the Monumento alle quattro giornate (Monument to ...

He is Niccolò III Orsini (Pitigliano, 1442 - Lonigo, 1510), count of Pitigliano and Nola and son of Aldobrandino Orsini, famous leader and captain (or capitano di ventura) who lived ...

Dimensions in cm: Height 17 cm x Width 25 cm x Depth 14 cm Dimensions in inches: Height 7 inches x Width 10 inches x Depth 5 inches Capodimonte porcelain is porcelain created by th...

Produced in workshops in Rome or Naples, cameos of this caliber were renowned for their classical poise and technical finesse.

Arborelius stayed in Italy from the autumn of 1870 until January 1872, and during 1871 he spent time in Naples and Capri. These Italian journeys became deeply important to his artist...

The beautifully executed high-relief shell cameo displays the refined craftsmanship associated with the celebrated Italian cameo workshops of Naples and Torre del Greco, with delicat...

Pleasing verdigris surface. Naples, Italy. Circa 1780.

Stella spent a year in Naples in 1922 and made frequent trips to Europe and North Africa in the next eight years, living mostly in Paris where he met with critical success and exhibi...

The series is part of an older tradition of collections dedicated to Italian folk costumes. In the Kingdom of Naples, as early as the Bourbon era, a keen interest developed in the de...

Writing in a publication sponsored by Chiurazzi & Fils, Luigi Conforti, Secretary of the Naples Museum, described it as “the most beautiful bronze ever discovered at Pompeii.”

His work also demonstrates affinities with the broader development of Italian still-life painting associated with centres such as Naples, Rome, and Florence. Although details of his ...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

Despite the title, the Antiquity of Herculaneum shows objects from all the excavations undertaken by the Bourbons in the Gulf of Naples. These include Pompeii, Stabia and two sites o...

He ascribes the design for these urns to ancient Naples as illustrated on plate 35 of Iconologie Historique.

On a visit to the 1st Esposizione Nazionale di Belle Arti of Florence in 1861, he was attracted by the naturalistic works from the Naples school. He came into contact with Domenico M...

Number 94. Johann Tischbein, Naples , Italy. The scene depicts a scene from Greek Mythology, specifically one of the Labors of Heracles { Hercules ].

Cecioni associated with the so-called macchiaioli, a group of Florentine painters who associated at mid-century and had much in common with the Barbizon school in France. Cecioni mo...

"Campi Flegrei" was published between 1776 and 1779 in Naples with text in French and English. This book was destinated to the Grand Tour voyagers.

Fortunate enough to hire a tutor for him, she took her protégé to Florence, Naples, Venice, Amsterdam, to see Titian, Rembrandt and Vermeer.

Artist: Italian artist Title: “Grotta di Pozzuolo” Material: Gouache on paper Image size: 30 x 43 cm Frame: 38.5 x 51 cm Signature: Inscribed within the image lower center: “Grotta d...

Provenance: Private collection, Naples The young and attractive noblewoman portrayed in this painting is Louis Renée de Penancoet de Keroualle, Duchess of Portsmouth and Aubigny (Br...

Guiseppe D’Aste was born in Naples but spent much of his career in Paris. He exhibited at the Salon des Artistes Francais from 1905 to 1934.

A vibrant 19th-century gouache painting depicting a detailed daytime view of the Bay of Naples, Italy. The work has been beautifully presented behind glass in an elegant burr maple f...

Three Real Fabbrica hand painted and gilded Naples Neoclassical Empire soup plates with central roundels depicting jewel toned mythological Etruscan scenes dramatically set on a blac...

Gioacchino La Pira was a 19th-century Italian painter best known for his refined coastal landscapes and luminous views of southern Italy, particularly along the Bay of Naples and the...

In 1839, he conducted his first trip to Italy where he remained for a year, travelling to Rome, Naples and other principal cities of the peninsula.

A finely executed ethnographic plate depicting a procession of male and female figures in traditional dress from Naples, Calabria, and Sicily, presented as imagined 17th-century cost...

La Grande Odalisque, which the etching refers to, was painted by Ingres for Napoleon I’s sister Caroline Murat, Queen of Naples, and was shown at the 1819 Paris Salon

Pair of 18th-Century Neapolitan Painted Corner Console Tables with Faux Porphyry Tops Naples, Italy, circa 1760–1785 This rare and highly decorative pair of Neapolitan corner conso...