Antique Portfolio

Carl Zigrosser, later curator of prints at the Philadelphia Museum of Art, contributed the portfolio’s introduction. An impression and the complete portfolio are preserved by the Met...

Carl Zigrosser, later curator of prints at the Philadelphia Museum of Art, contributed the portfolio’s introduction. An impression and the complete portfolio are preserved by the Met...

It is one of the thirty-four woodcuts included in the portfolio Small Woodcuts (Kleine Holzschnitte). The woodcut block were created by Orlik in 1896-1899 and they were printed in a ...

Gustave Dore, After by William Ridgway, French (1832 - 1883) - The Fairy-Circle, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.75 x 7.25 inches, Size: 16.5...

This impression was printed in 1882 on cream laid paper and published in Boston by Estes and Lauriat for the "Nature and Art" portfolio. Plate size: 7 3/8 x 4 3/4 inches (186 x 121 m...

Finden, French (1832 - 1883) - The Joyous Sprites, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7.25 inches, Size: 16.5 x 11.75 in. (41.91 x 29.85 cm)...

Gustave Dore, After by William Greatbach, French (1832 - 1883) - Finding of King Arthur, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.75 x 7.5 inches, Size...

Gustave Dore, After by Edward Paxman Brandard, French (1832 - 1883) - The Dawn of Love, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7.25 inches, Size:...

Gustave Dore, After by Charles Henry Jeens, French (1832 - 1883) - The King's Farewell, Portfolio: Guinevere, Year: 1867, Medium: Engraving, Image Size: 9.5 x 7 inches, Size: 1...

Many impressions from the portfolio were printed on fine Rives paper, emphasizing the luxurious quality of the edition.

Romantic school, probably Germany circa 1850 Portrait of a Painter Sketching pencil on paper 23 x 17 cm Framed : 31 x 27 cm A bearded painter is shown seated in three-quarter profi...

Robert Carrick, After by Edward Paxman Brandard, Scottish (1829 - 1904) - In The Highlands, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, Image Size: 5.5 ...

Laslett John Pott, After by William Greatbach, English (1837 - 1898) - The Defense, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, Image Size: 6.75 x 9.75 ...

Robert Alexander Hillingford, After by George Greatbach, English (1828 - 1904) - The White Cockade, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, Image Siz...

William Frederick Witherington, After by Herbert Bourne, English (1785 - 1865) - The Crown of Hops, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, Image Si...

John Samuel Raven, After by Charles Cousen, English (1829 - 1877) - Twilight In The Wood, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, Image Size: 10.75...

While directing the advertising department of the Tietz department store in 1916-1917, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death).

Charles Lock Eastlake, After by Charles William Sharpe, British (1793 - 1865) - Pilgrims in Sight of Rome, Portfolio: New Gallery of British Art, Year: 1882, Medium: Engraving, I...

While directing the advertising department of the Tietz department store in 1916-1917, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death).

While directing the advertising department of the Tietz department store in 1916-1917, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death).

Printed in 1921 at the Franz Hanfstaengl atelier for the Ganymed portfolio "Das dritte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R.

Published in Vienna in 1901 by Vervielfaltigende Kunst for the "Kunst in Wien" portfolio. A rich, magnificent impression with plate tone printed on heavy wove paper.

Los Proverbios (The Proverbs), also known as Los Disparates (The Follies), is a very enigmatic portfolio of eighteen prints (aquatint and etching, with retouching in drypoint and bur...

This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Original portfolios were often seized or destroyed by authorities due to their "offensive" nature, making surviving prints like this one historically significant.”

Titled "Cochiti and Sia Pottery," it was originally curated as a large-format portfolio plate for Volume XVI of his monumental series, The North American Indian.

Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metrop...

Shinn spent much of 1898 hounding the offices of Harper's until finally, the editor and publisher, Colonel George Harvey saw his portfolio, then commissioned a view of the Old Metrop...

Printed in 1919 at the Wolf & Sohn atelier for the Ganymed portfolio (volume one) and published in Munich by Marees-Gesellschaft, R.

Printed in 1919 at the Wolf & Sohn atelier for the Ganymed portfolio (volume one) and published in Munich by Marees-Gesellschaft, R.

Printed in 1919 at the Wolf & Sohn atelier for the Ganymed portfolio (volume one) and published in Munich by Marees-Gesellschaft, R.

Title: A Trip to Scarbro' Series/Portfolio: Poetical Sketches of Scarborough Artist: Thomas Rowlandson (British, London 1757–1827 London) Artist: John Bluck (British, 1791–1832) Arti...

Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 9 1/2 inches (175 x 240 mm).

His works were characterized by music, grace, and rhythm, blending decorative and intimate elements, making him well-suited for adorning spaces dedicated to social gatherings and the...

Keywords: Alps, lakes, landscapes, mountains, water Edition of 125; from a portfolio of five lithographs published in Berlin: Euphorion Verlag, 1922 Bibliography: Heinrich Müller 570...

Documented in 1925 Exposition portfolio and Report General issued after the Exposition.

John Bowers Nude in Barn 1940s Charcoal on Paper 19"x25", unframed Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University...

John Bowers Draped Hair 1940s Charcoal on Paper 25"x19", unframed Came from a portfolio owned by artist John Bowers John was awarded a Master of Fine Arts degree by the University o...

This impression on wove paper was printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Printed 1921 at the Munich atelier of Franz Hanfstaengle for the Ganymed portfolio "Das dritte Jahrbuch der Marees Gesellschaft" and published by Marees-Gesellschaft, R.

Printed in 1897 for the rare portfolio "Art et Nature" by Leon Roger-Miles and published in Paris by Boudet in an edition of 525.

Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 3/4 x 9 1/4 inches (197 x 238 mm).

Crispiflora (Rhododendron Indicum) (Vol. 9, Plate 887)", and "Rhododendron Maddeni Hook (Vol. 9, Plate 912)" Portfolio: Flore des Serres et des Jardins de L'Europe (Flowers of the Gr...

Printed on laid paper by Anstalt Eigner in 1925 for the Ganymed portfolio "Das funfte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R.

Artist: Louis van Houtte (Belgian, 1810-1876) Titles: "Gesneria Donckelaarii (Sinningia) (Vol. 9, Plate 902)" and "Scheeria Mexicana (Achimenes) (Vol. 9, Plate 891)" Portfolio: Flore...

Arnould, whose address appears on the lithograph, published catalogues and portfolios dedicated to this new art form, helping elevate the poster from a commercial medium to a recogni...

Such prints were intended not only as educational illustrations but also as decorative works suitable for albums, portfolios, and framed interior displays. The print is an original ...

While directing the advertising department of the Tietz department store in 1916-1917, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death).

The design was selected for publication in Les Maîtres de l'Affiche ("The Masters of the Poster"), the prestigious monthly portfolio (1895-1900) that reproduced the era's most signif...

Printed in 1919 at the Wolf & Sohn atelier for the Ganymed portfolio (volume one) and published in Munich by Marees-Gesellschaft, R.

Animalier Subjects: Amorgasti frequently visited the Antwerp Zoo to study wild and domestic animals. His portfolio features remarkably detailed depictions of wolves, elephants, polar...

Zettler and issued as part of the renowned portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München.

Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500.

Edward Burne-Jones Beauty, 1898 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lithograph created for t...

Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", published in parts between 1814-1826 by ...

The print was published as part of the influential portfolio L’Estampe Moderne, a celebrated series that showcased contemporary artists working in the emerging styles of the late nin...

The lithography was executed by Whistler's friend and fellow artist Thomas Way, and published in London by The Studio in 1905 for a rare deluxe portfolio. Printed on smooth wove pape...

Signed in pencil by Rudolf Grossmann and printed in Germany in 1922 for the very rare "Die zweite Ganymed-Mappe" portfolio of "Das vierte Jahrbuch der Marees Gesellschaft", published...

Published in Paris in 1873 by the Galerie Durand-Ruel for the rare "Recueil D'Estampes Gravees a L'Eau-Forte" portfolio. This impression is on cream laid paper and the plate size is ...

Artist: Henri de Toulouse-Lautrec (French, 1864-1901) Date: 1897 Medium: Color lithograph on wove paper, with Les Maîtres de l'Affiche embossed medallion (lower right) Style/Movement...