Antique Portfolio

photo) From the portfolio: "12 Lithos de Vertes" Depicts Parisian brothel scenes Edition: unknown

wide margins, emphasizing its status as a collected sheet—possibly from a portfolio or academic series

Paris in 1912), and it published: his art portfolio Yerushalayim (Jerusalem), 10 plates; Yankev

part of an early training portfolio. The technical ability demonstrated in the drawing reveals a

folds as usual for academic art school drawings kept in a portfolio. Image/Sheet size: 24 x 18 5/8

portfolio. Pin holes in the corners from display. Image/Sheet size: 24 5/8 x 18 7/8 inches Provenance

art school drawings kept in a portfolio. Stain upper left corner Repaired tear in upper right corner

on left in pencil Came from a portfolio owned by artist John Bowers Post War California artist

kept in a portfolio. Tiny voids along the top sheet edge. Pin holes in each corner from display. Image

folds as usual for academic art school drawings kept in a portfolio. Corners missing from tacking up for

central fold of the portfolio, the only flaws to note. Good colour and condition. Dimensions: 18 cm x 12

. 11 of the portfolio 'Zwolf Holzschnitte von Lyonel Feininger', 1921. Provenance: Peter Deitsch

. Issued as part of the prestigious portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in

London in *The Portfolio: An Artistic Periodical*, issued by Seeley, Jackson & Halliday. The journal was

etching was published in London around 1877 in the artistic periodical The Portfolio: An Artistic

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

Medium: original woodcut. Printed in 1920 for the Deutsche Graphiker der Gegenwart portfolio, and

for wallet or portfolio, refers to how the tabletop unfolds like a wallet to double its surface area

that characterized the golden age of early modern illustrated portfolios. About the Artist: Francois

original prints to subscribers. These annual etching portfolios became highly popular among Victorian

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

x 50 cm The work is part of a series of 10 lithographs from the 1920 portfolio Variation on a Theme

. Koehler portfolio of etchings and published by Cassell & Company. Plate size: 5 x 6 1/2 inches (130 x

: Gallwitz 67) Etching and drypoint, Plate 10 from the portfolio Gesichter (Faces) Unsigned (proof?) but

)", and "Circus Maillardi (Réunion Harrier)" Portfolio: The Ibis, a Quarterly Journal of Ornithology Year

preserved in two old portfolios, bringing together academic exercises produced by several generations, from

in the acclaimed series “La Gravure Originale Belge,” which included portfolios of original

portfolio Nine Views Taken on the Continent, produced after her travels through Europe. Such prints were

significant toning in the margins, outside of the image area. An image from the portfolio Picturesque

portfolio "Das funfte Jahrbuch der Marees Gesellschaft" and published in Munich by Marees-Gesellschaft, R

academy studies or portfolio plates rather than decorative prints, making surviving impressions

(Japanese Sparrowhawk)" Portfolio: The Ibis, a Quarterly Journal of Ornithology Year: 1860-1863 Medium: Set

inspiration for wallpaper and textiles as well as to teach design students. His samarkande (portfolios) remain

inspiration for wallpaper and textiles as well as to teach design students. His samarkande (portfolios) remain

prints that were once bound in a portfolio or book. The images remain bright and clear. No significant

part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der

Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Sheet size: 12

after an original charcoal drawing, consistent with Müller’s academic portfolios and teaching plates

. Koehler portfolio of etchings, published in 1885 by Cassell & Company. Plate size: 11 1/4 x 8 1/4 inches

selling souvenir albums. By 1892 he was advertising a portfolio of some 2000 images and by 1901 his studio

atmosphere of an 18th-century "Grand Tour" portfolio, making it a sophisticated addition to a curated home

Artist: John James Audubon (American, 1785-1851) Title: "Ivory Gull" (Plate 445, No. 89) Portfolio

portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu München

. Zettler, presents richly ornamented decorative panel designs originating from the celebrated portfolio

historical works. Issued as a teaching and reference portfolio for British art schools, these

Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500. Sheet size

comes from a group of portfolios preserved in an old Tuscan property, bringing together drawings

academic portfolios and teaching plates. The print bears period inscriptions and signature in the plate

cornices. Evoking the refined atmosphere of an 18th-century "Grand Tour" portfolio, these prints offer an

gewandt (Male Head Facing Right)" Portfolio: Das Spiel Christa vom Schmerz der Schönheit des Weibes (The