Antique Portfolio

Howman/1851/No. 4523/From a Portfolio of Paintings/by this artist, dated 1851”

Artist: (after) James Ward (English, 1769-1859) Title: "Bulls Fighting" Portfolio: The Portfolio *Signed by Wise in pencil lower right.

Whether acquired for bespoke jewelry creation or as part of a serious gemstone portfolio, these stones offer enduring beauty and intrinsic value.

Artist: (after) John James Audubon (American, 1785-1851) Title: "Belted Kingfisher" (Plate 255, no 5-3) Portfolio: The Birds of America (Bien Edition) Year: 1860 Medium: Original Chr...

Plaster Works, Los Angeles, 1925 Toned silver print Negative by Edward Weston Print by Cole Weston (1919-2003) From: Edward Weston Portfolio, 1971 Published by Witkin-Berley Ltd., Ne...

This piece evokes the scholarly atmosphere of an 18th-century "Grand Tour" portfolio, making it a sophisticated addition to a curated home office, an architect’s library, or a minima...

Printed in 1917 and published in Munich in an edition of 110 by Franz Hanfstaengl for the rare "Stella Peregrina" portfolio. Image size: 10 inches round (255 mm). This work was mount...

There is some toning and slight wear to the glassine and cover, and offset to pages facing the etchings, but the portfolio is in excellent condition and the impressions strong and po...

Executed in 1883; this is a rich, dark impression on heavy cream wove paper, from the "Original Etchings by American Artists" portfolio, published in 1883 by Cassell and Company.

Works of this nature were often produced as academy studies or portfolio plates rather than decorative prints, making surviving impressions particularly compelling to collectors of e...

Printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

The print sits elegantly within wide margins, emphasizing its status as a collected sheet—possibly from a portfolio or academic series of studies after Old Masters.

In otherwise excellent condition with strong colors Very rare Notes: Comes from Van Geel's famous portfolio "Sertum Botanicum" (1828-1832), which consists of approx. 600 hand-colore...

Alfred Pierre AGACHE (1843-1915) Imperia (Caprices of Verlaine), 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) ...

The rich grayscale tones, soft transitions, and painterly surface suggest production as a lithograph or collotype after an original charcoal drawing, consistent with Müller’s academi...

Evoking the refined atmosphere of an 18th-century "Grand Tour" portfolio, these prints offer an academic aesthetic that bridges the gap between historical reverence and high-end inte...

Artist: George Vertue (English, 1684-1756) Title: "King Richard II" Portfolio: The Heads of the Kings of England, Proper for Mr.

Each work features meticulously rendered elevations with intricate scrolling details, triangular pediments, and decorative cornices, evoking the scholarly atmosphere of an 18th-centu...

untitled (brothel scene) Lithograph on wove paper, c. 1925 Signed in the stone lower left (see photo) From the portfolio: "12 Lithos de Vertes" Depicts Parisian brothel scenes Editio...

Georges Rouault, French (1871 - 1958) - Daughter of Joy, Portfolio: Miserere, Year: 1922, Medium: Aquatint and drypoint on Arches paper, Edition: 425, Image Size: 20 x 14.25 inc...

The drawing comes from a group of portfolios preserved in an old Tuscan property, bringing together drawings accumulated over time by several generations between the 18th century and...

This rich, dark impression on heavy cream wove paper is from the Sylvester R. Koehler portfolio of etchings, published in 1885 by Cassell & Company.

Printed in 1888 on cream wove paper and published for the portfolio entitled "Picturesque California: The Rocky Mountains and the Pacific Slope".

Printed in 1855 on cream wove paper for the "English Landscape Scenery" portfolio, published in London by Henry Bohn. Plate size: 7 x 8 3/4 inches (173 x 218 mm).

By 1892 he was advertising a portfolio of some 2000 images and by 1901 his studio was the largest in Japan.

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

Evoking the scholarly refinement of an 18th-century "Grand Tour" portfolio, these pieces offer a timeless academic aesthetic that bridges the gap between historical reverence and mod...

Kleingrothe, ca. 1910 Photogravure Plate from the portfolio “Sumatra’s O.K.” Two important documentary views of the port of Sabang on Pulau Weh, located at the northern tip of Sumat...

From one of the two large portfolios discovered in an old Tuscan property, containing academic studies and exercises produced between the 18th century and the early 20th century.

The surface and tonality are consistent with early lithographic or collotype processes used for academic portfolios and teaching plates. The print bears period inscriptions and signa...

Raoul Dufy, French (1877 - 1953) - Pecheurs de crevettes, Portfolio: Album La Mer, Year: 1925, Medium: Lithograph on BFK Rives, signed in pencil, Image Size: 13.25 x 17.25 inches...

This particular print was produced around 1876 and published in London in *The Portfolio: An Artistic Periodical*, issued by Seeley, Jackson & Halliday.

In 1941 he revived in New York the art publisher Maḥmadim (founded in Paris in 1912), and it published: his art portfolio Yerushalayim (Jerusalem), 10 plates; Yankev Glatshteyn’s Yos...

The result is not merely a decorative portfolio, but a serious scholarly document reflecting mid-19th-century museum practice, connoisseurship, and the Gothic Revival interest in med...

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Circus Spilonotus (Eastern Marsh Harrier)", "Accipiter Pectoralis (Gray-Bellied Hawk)", "Circaetus Beaudouini (Beaudouin's...

This is a rich, dark impression on wove paper, printed in 1885 for the Sylvester R. Koehler portfolio of etchings and published by Cassell & Company.

Condition: Small tears and folds as usual for academic art school drawings kept in a portfolio. Pin holes in the corners from display. Image/Sheet size: 24 5/8 x 18 7/8 inches Proven...

Issued during the reign of King Ludwig II of Bavaria as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu Mün...

Artist: Philip Lutley Sclater (English, 1829-1913) Titles: "Circaetus Zonurus (Brown Snake-Eagle)", "Spizaetus Ayresii (Ayres's Hawk-Eagle)", "Tinnunculus Alopex (Fox Kestrel)", and ...

Condition: Small tears and folds as usual for academic art school drawings kept in a portfolio. Stain upper left corner Repaired tear in upper right corner Folds along the left sheet...

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

Comes from Audubon's famous seven volume portfolio "The Birds of America", (First Royal Octavo Edition) (1840-1844), which consists of 500 hand-colored lithographs.

Etching on watermarked Van Gelder Portfolio cream laid paper,10 1/4 x 7 1/4 inches (260 x 183 mm); sheet 14 1/4 x 10 1/4 inches (360 x 260 mm), full margins.

Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford.

These annual etching portfolios became highly popular among Victorian collectors and helped revive interest in original etching as an artistic medium.

Conidition: Small tears and folds as usual for academic art school drawings kept in a portfolio. Tiny voids along the top sheet edge. Pin holes in each corner from display.

Cowles played an important role in Boston’s art scene in the late 19th century and was associated with artists connected to the Boston School, including Dennis Miller Bunker, Lila Ca...

Raoul Dufy, French (1877 - 1953) - Little Horses, Bathers and Seashell Petits Chevaux, Baigneuses et Coquillage, Portfolio: Album La Mer, Year: 1925, Medium: Lithograph, signed an...

Zettler, presents richly ornamented decorative panel designs originating from the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen R...

Issued during the reign of King Ludwig II of Bavaria as part of the celebrated portfolio Ausgewählte Kunstwerke aus dem Schatze der Reichen Capelle in der königlichen Residenz zu Mün...

The sheet comes from two large portfolios discovered in an old Tuscan property, containing a wide selection of drawings and copies made between the 18th century and the first quarter...

Printed in Germany in 1921 for the rare Ganymed portfolio of "Das dritte Jahrbuch der Marees Gesellschaft", published in Munich by Marees-Gesellschaft, R.

Though detailed personal records of his life are scarce, his surviving portfolio remains a vital visual record of early 20th-century interior design and domestic architecture.

Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition of 500.

His engravings also featured in the acclaimed series “La Gravure Originale Belge,” which included portfolios of original engravings published between 1924 and 1939.

This lithograph likely formed part of Cunningham’s portfolio Nine Views Taken on the Continent, produced after her travels through Europe.

By 1892 he was advertising a portfolio of some 2000 images and by 1901 his studio was the largest in Japan.

11 x 8 1/2 inches Framed: 20 1/2 x 17 1/2 inches Not signed, from the Blossfeldt portfolio book Vintage

This image was published in color in Boys's well known portfolio "Picturesque Architecture in Paris, Ghent, Antwerp, Rouen," which includes similar city scenes dating back to 1839.