Antique Printers

The sheets were originally published in the journal Le Chat Noir and are reproduced here in gillotage. Printer Charles Verneau Gillotage was a 19th-century relief printing techniq...

Artist: Henri Fantin-Latour (French, 1836-1904) Title: "Vérité (Truth)" Portfolio: Revue de l'Art Ancien & Moderne *Issued unsigned Year: 1900 (third state of three) Medium: Original...

Publisher: Genossenschaft Pan GmbH, Berlin. Printer: Otto Felsing, Berlin. Engraving in the 3rd state of 3.

Signed and numbered by the printer. From an edition of 50 copies. On sturdy Rives laid paper. 13.7 x 11.5 cm (5.3 x 4.5 in).

Signed and numbered by the printer. From an edition of 50 copies. On sturdy Rives laid paper. 15.5 x 11.4 cm (6.1 x 4.4 in).

Signed and numbered by the printer. From an edition of 50 copies. On sturdy Rives laid paper. 15.8 x 11.9 cm (6.2 x 4.6 in).

Signed and numbered by the printer. From an edition of 50 copies. On sturdy Rives laid paper. 15.8 x 11.9 cm (6.2 x 4.6 in).

Signed and numbered by the printer. From an edition of 50 copies. On sturdy Rives laid paper. 13.7 x 11.5 cm (5.3 x 4.5 in).

Following the success of the initial editions, Johann Schönsperger, an Augsburg based printer, produced pirated editions of the Nuremberg Chronicles, starting with the first Latin ed...

Artist: Aileen Mary Elliot (English, 1896-1966) Title: "Crab Boats, Southampton Water" *Signed by Elliot in pencil lower right Circa: 1925 Medium: Original Drypoint Etching on laid p...

The paper size is 35.38 x 52.25 inches (89.9 x 132.7 cm). The printer/publisher stamp is in the bottom center of the image - 199.

Artist: Nori Malo-Renault (French, 1871-1953) Title: "Portrait de Fanny Charrin" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1909 Medium: Original Etching and Drypoint o...

Vue du châteaux de Chenonceaux Lithograph, 1843 Letterpress signature lower left corner Signature of the printer lower right corner After Pierre Justin Ouvrié (1806-1879) Published b...

Rapin's History *Issued unsigned, though signed by Vertue in the plate (printed signature) lower right Year: 1736 Medium: Original Engraving on laid paper Limited edition: Unknown Pr...

L’Art Graphique à Vienne autour de 1900, Musée-Galerie de la Seita, Paris 1999, vgl. Kat.-Nr. 17. Printer: Albert Berger, Vienna. Exhibitions: Neue Gallery, Museum for German and A...

Artist: Abraham Hondius (Dutch, c.1625-1691) Title: "Honden Jagen Op Een Beer (Hounds Hunting a Bear)" *Signed and dated by Hondius in the plate (printed signature) lower right Year...

The 1737 (Second edition) of "Methode et Invention Nouvelle de Dresser Les Chevaux" was the first to be published in England using the same original 42 copperplates and 50 woodcut te...

This is an antique Polish metal printer's block, used for printing Hebrew text or religious documents.

Artist: John James Audubon (American, 1785-1851) Title: "Long-billed Curlew (City of Charleston)" (Plate 355, No. 71) Portfolio: The Birds of America (First Royal Octavo Edition) Yea...

Artist: John James Audubon (American, 1785-1851) Title: "Great White Heron" (Plate 368, No. 74) Portfolio: The Birds of America (First Royal Octavo Edition) Year: 1840-1844 Medium: O...

There are some smudges along the bottom of the restored cream border. Printer: Ateliers Choubrac and Colombes. Ambassadeurs” in Paris most famously refers to "Les Ambassadeurs,"...

Printed for San Francisco by a local printer, likely a much small print run and distribution than posters intended for national distribution.

Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower...

He then teamed with master printers Emiliano Sorini and Marjorie Van Dyke to pull impressions from Rembrandt’s original copper plates.

Artist: Henri Le Sidaner (French, 1862-1939) Title: "La Balustrade (The Railing)" Portfolio: Gazette des Beaux-Arts *Issued unsigned, though signed by Sidaner in the plate (printed s...

Artist: John Gould (English, 1804-1881) Title: "Platalea Leucorodia (Spoonbill)" (Vol. 4, Plate 32) Portfolio: The Birds of Great Britain Year: 1862-1873 Medium: Original Hand-Colore...

Alexander Francis Lydon (1836-1917) was a British watercolor artist, illustrator and engraver of natural history and landscape. He worked for the printer Benjamin Fawcett, where he h...

Alexander Francis Lydon (1836-1917) was a British watercolor artist, illustrator and engraver of natural history and landscape. He worked for the printer Benjamin Fawcett, where he h...

Technique: Printed border with manuscript calligraphy in ink Maker: Unknown German scribe and printer, c. 18th century

Dola's birth name was Edouard Vernier but he painted under the name of Georges Dola, having taken his name from his hometown. He was a painter, printer (specializing in lithography),...

Dickes, a prominent engraver and chromolithographer in London, these works are outstanding examples of 19th-century botanical illustration, ideal for framing or collecting. Artist: ...

Charpentier and E. Pasquelle Paris. Printer: E. Charaire et Cie Paris (Mr Mulot, Chromist - Mr Sartor, Driver) --- Dimensions : 2 antique frames each with 6 illustrations under gla...

Good colors, generally good condition with large margins for this print A small printers crease at the top in the image. A small remnant of old mat attached to top.

Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Recently framed in a black and gold moulding with 100% cotton linen fabri...

The sheets are laid paper; a fragmentary two-letter countermark at the outer edge is consistent with Dutch paper stock commonly used by Leipzig printers of the period. As a group the...

The laid paper shows a partial two-letter countermark on the outer edge, typical of Dutch paper stock used by Leipzig printers of the period (the principal watermark—likely a Strasbo...

True plate impressions encircle the image fields, and the laid paper shows a fragmentary two-letter countermark at the outer edge—typical of Dutch paper used by Leipzig printers of t...

Artist: Cornelius Ary Renan (French, 1857-1900) Title: "La Douleur d'Orphée (The Pain of Orpheus)" Portfolio: Gazette des Beaux-Arts *Issued unsigned Year: 1903 Medium: Original Etc...

Edward S Curtis (1868-1952) Title: Autumn - Apsaroke Plate: 130 Portfolio: Volume IV Printer: John Andrew & Son Medium: Photogravure Date: 1908 Edward S Curtis captures a scene at ...

Biography: Erhard Ratdolt (1442–1528) was an early German printer from Augsburg. He was active as a printer in Venice from 1476 to 1486, and afterwards in Augsburg.

., with the Marées-Gesellschaft blindstamp in the margin. The printer was Fritz Voigt, of Berlin. This impression is one of 220 printed on cream wove paper from a total edition of 30...

Published in Paris, though without credited illustrator or printer, it is strongly reminiscent of the work of Gustave de Ridder, who executed similar military costume series for Mart...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 350mm by 495mm (image) 420mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 360mm by 525mm (image) 420mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 330mm by 490mm (image) 415mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 350mm by 495mm (image) 415mm ...

Davies' stamp signature at lower right and signed in pencil by printer Frank Nankivell at lower left. Condition: there is creasing to the paper.

True plate impressions encircle each image; laid paper shows fragmentary two-letter countermarks at the outer edges, consistent with Dutch paper stock widely used by Leipzig printers...

The laid paper shows fragmentary two-letter countermarks along the outer edges, consistent with Dutch paper commonly used by Leipzig printers of the period. As a trio they form a coh...

Whatman paper Limited edition: approx. 180 Printer: Robert Havell Jr., London, England Publisher: John James Audubon, London, England Framing: Not framed, but matted in a handmade cu...

Artist: John James Audubon (American, 1785-1851) Title: "Ocelot, or Leopard-Cat" (Plate LXXXVI - 86, part No. 18) Portfolio: The Viviparous Quadrupeds of North America (Imperial Bowe...

Edward S Curtis (1868-1952) Title: Ambrosio Martinez – San Juan Plate: 596 Portfolio: The North American Indians Volume 17, The Tewa, The Zuni Printer: : Suffolk Eng. Co. Cambridge ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 335mm by 510mm (image) 415mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 325mm by 480mm (image) 395mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 350mm by 510mm (image) 390mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 325mm by 490mm (image) 395mm ...

When he returned to London Louis Haghe (1829-1898) made tinted lithographs from the watercolours which were published by the best printers of the day. 335mm by 490mm (image) 390mm ...