Antique Records

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The images should be read as a nineteenth century European interpretation of the cultures they show rather than as a documentary record, which is a large part of what makes the serie...

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

A costume print of this kind records what a Brussels publisher of the 1840s believed that dress to look like.

Successive issues were revised as boundaries moved and railways spread, so a sheet from Black's records the world as an educated Victorian reader understood it in the year the plate ...

Successive issues were revised as boundaries moved and railways spread, so a sheet from Black's records the world as an educated Victorian reader understood it in the year the plate ...

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The name itself is part of what the sheet documents, since it records the European habit of labelling a place by what happened to the visitors there rather than by what its inhabitan...

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

The printing technique of this sheet has not been recorded more precisely than as a print, and this listing does not guess at it.

The Musée Henner likewise records Henner’s later studio at the same address.

In addition, the pattern code 7986/X is inscribed by hand in black enamel. These recorded marks date the piece to around 1915, capturing an intriguing crossover between traditional V...

Accompanying lettering records the South Glamorgan Unionist victory of Henry Wyndham-Quin by a majority of 825 votes following the parliamentary poll of July 1895.

Through a recommendation from Wilhelm Pinder, he enrolled at the technical college in Offenbach am Main, after which he took sculpture courses at the Technical University of Darmstad...

Rather than presenting an idealised victory, Raffet records a costly military withdrawal with remarkable realism and emotional immediacy.

The work runs to six volumes, and the title page of Volume V, from which these sheets come, records 237 species in color and names Scribner, Welford and Armstrong as the New York hou...

These sheets come from Volume V, whose title page records 237 species in color. The color is printed, not applied by hand: the plates were printed in color by William Dickes of Londo...

These sheets come from Volume V, whose title page records 237 species in color. Even age toning throughout.

The work runs to six volumes, and the title page of Volume V, from which these sheets come, records 237 species in color and names Scribner, Welford and Armstrong as the New York hou...

These sheets come from Volume V, whose title page records 237 species in color. The color is printed, not applied by hand: the plates were printed in color by William Dickes of Londo...

These sheets belong to Volume V, whose title page records 237 species in color. The plates were printed in color by William Dickes of London, a licensee of George Baxter's color proc...

the clock is sold 'as is' : as a decorative piece only with the original mechanism and pendulum but not guaranteed to be in working order - If you want it working we can fit a profes...

Significantly, this very ewer is illustrated in the museum's permanent exhibition presentation, providing an important visual record of its distinguished museum provenance. The Deut...

the clock is sold 'as is' : as a decorative piece only with the original mechanism and pendulum but not guaranteed to be in working order - If you want it working we can fit a profes...

The salver bears a Lisbon silversmith’s mark attributed to João Pires Esteves, recorded from December 10, 1808 until circa 1843. The piece also displays the traditional burilada assa...

His Trachtenbuch represents a unique fusion of art, ethnography, and Renaissance curiosity, and remains one of the most important visual records of 16th-century costume. Condition: ...

The reverse retains remarkable historical conservation documentation: prior to professional relining, the original handwritten inscription on the canvas back was photographically rec...

The supplied catalog information records the painting as exhibited at the 1914 Paris Salon of the Société Nationale des Beaux-Arts, number 521, and reproduced as a postcard around 19...

Such commissioned drawings served as portable family records for officers deployed across the Indian subcontinent during periods of prolonged overseas service.

Artists and Engravers: Jacobus Houbraken (1698-1780) was a Dutch engraver and the son of the artist and biographer Arnold Houbraken (1660–1719), whom he assisted in producing a publi...

Produced at the Etruria works in Staffordshire circa 1903, the design belongs to Wedgwood’s Formosa pattern line, recorded under pattern code A3780. The production technique combines...

the clock is sold 'as is' : as a decorative piece only with the original mechanism and pendulum but not guaranteed to be in working order - If you want it working we can fit a profes...

The work surveys the manners, crafts, sciences and arts of medieval and Renaissance Europe, and its chromolithographed plates record objects held around 1850 in churches, museums and...

Versailles was opened as a museum of French history under King Louis-Philippe in the 1830s, and views like this one recorded the crowds who came to see it. The sheet is lettered "Ver...

Roberts", with the title "Liebenstein, Sternenfels" and the imprint "William Mackenzie, London, Edinburgh and Glasgow". Heritage Images records this plate, after Birket Foster and en...

The print is a steel engraving in black ink on wove paper, uncolored. Hinshelwood records the sculpture and the leaded windows behind it in great detail, while the soft light on the ...

It belongs to the same Mackenzie series of Rhine views as the companion plate of Liebenstein and Sterrenberg, which Heritage Images records in H.M. Hozier's The Franco-Prussian War (...

It belongs to the same Mackenzie series as the Liebenstein and Sterrenberg plate that Heritage Images records in H.M. Hozier's The Franco-Prussian War (1872), so it is dated circa 18...

The palace was a favorite residence of Napoleon and of Napoleon III, and it was burned in 1870 during the Franco-Prussian War and never rebuilt, so prints such as this record how it ...

It belongs to the same Mackenzie series as the Liebenstein and Sterrenberg plate that Heritage Images records in H.M. Hozier's The Franco-Prussian War (1872), so it is dated circa 18...

The margin reads "Peint par Pierre Billet", and the painter's signature appears in the lower left of the image. The painting is recorded as "Wood Gatherers". The line "Photogravure &...

Its ruins were cleared in 1883, so views like this one record a vanished palace. A fine piece of Paris history for a study or living room, and a good companion to views of the Louvr...

ㅤ The crest, depicting an arm in armour with a bow at the wrist and broad arrow, closely corresponds with that recorded for the Downing family of East Hatley. Given the proposed dati...

The Douglas Clock Company was operating in Birmingham by the late 1890s and is recorded at 32 Frederick Street, Birmingham. Its early silver work carries the D.C.Co mark, recorded be...

The plates in this volume are the record of that work. Noticeable uneven toning on some sheets.

The plates in this volume are the record of that work. Light uneven toning, browner towards the edges.

The plates in this volume are the record of that work. Light uneven toning, browner towards the edges.

The plates in this volume are the record of that work. Light uneven toning, browner towards the edges.

The plates in this volume are the record of that work. Light uneven toning, browner towards the edges.

Philadelphia Museum of Art A collection of Sartain mezzotints sufficient to supply its 1997 exhibition Confirms substantial holdings of his work, but the exhibition record does not i...

The technique of this sheet is recorded as engraving without distinguishing copper from steel, and it is described that way here rather than guessed at.

Related caddy chests are recorded by important makers including Giles Grendey, who became free of the Joiners' Company in 1716 and went on to establish one of London's most substanti...

Because the inscription records the candelabrum as still in Piranesi’s museum, the plate can be dated between the Pantanello discovery of 1769 and Newdigate’s purchase in 1774.

Prolhac, Supérieur Les Professeurs du Petit Séminaire** This historic inscription records the presentation of the sculpture to Monsieur J.

Key ambient markers such as Freezing and Blood Heat are recorded in black gothic script, held securely beneath a glass cover within a rebate bordered by brass fixing clips.

The original bill of sale accompanies the secretary and records its reported descent through a family in Far Hills, New Jersey.