Antique Rosettes

architectural accents. The ormolu corner mounts, rosettes, escutcheons, and delicate appliqués bring a refined

clean and architectural, with square backs, fluted tapered legs, and crisply carved rosettes set within

eight-pointed star medallion in ivory and navy, its lobes filled with smaller floral rosettes in rose

contrast against the smooth aqua paint that infuses the back panel. Small, gilded rosettes punctuate the

Louis XVI style—are accented with subtle rosette blocks and terminate in classic toupie feet. The two

rectangular blocks with finely carved floral rosettes. Above lays its original Gris St. Anne marble top.

with corner rosettes.

, and lid display prominent ribbon-like curves interlaced with floral rosettes—motifs that frequently

with gilded rosettes, a hallmark of neoclassical ornamentation. The original painted finish, a soft

vines, floral rosettes and delicate beaded borders. A finely cast escutcheon framed by rosettes centers

-applied brass rosettes, adding a subtle decorative contrast and reinforcing the chairs’ architectural

, defined by a restrained neoclassical form with fluted uprights, carved rosette blocks, and turned finials

small stylized rosettes. This geometric framework introduces rhythm and symmetry, offering a structured

designs’ symmetrical on the vertical axis and with the characteristic cartouche border and four rosettes

form The sides of the desk having shaped astragal mouldings and carved rosettes The top of the desk

, and carved rosette blocks with original gilt accents at the corners—hallmarks of the Louis XVI canon

elaborate ornamental details including coin-band motifs, festoons, and rosettes, arranged within a strong

prisms and pendalogues with rosettes, ribbed center columns, and crystal ball. All crystal is original

palmettes, rosettes, vine scrolls, and angular floral motifs that radiate across the surface in a symmetric

decorated by square rosettes. At the top is a framed laurel wreath with outer laurel leaf branches.

. The seat rails are shaped and subtly curved, with carved rosette blocks at the corners and restrained

details including rosettes and turned finials, all hallmarks of classic French design. The upholstery is

pendeloques (pendants), stars, and rosettes.The entire composition typically terminates in a large, faceted

central rosette sub-medallion.Wide beige main border with dense floral groups alternating with diamonds-in

of the legs displays a palmette band all below the top rosette block. The straight pierced apron is

further adorned with twin oval rosette mounts, a finely cast laurel garland, and an intricately detailed

diamond medallions, all framed with delicate dentil trim and corner rosettes. A shaped gallery, canted

arched top in the upper cabinet detailed with carved rosettes. The door opens to allow access to an

rosettes. Three scrolled Ormolu legs with hoof feet and beaded accents surround a central acorn finial and

stylised rosettes and quatrefoils, punctuated by gilt roundels, providing both visual lightness and

bottom scrolls. The two sides are designed with recessed panels with a central geometric rosette or

central rosette. With leaf carved cabriole legs and ball and claw feet. Provenance; Hyde Park Antiques and

tribes of the Caucasus, such as the stylised rosettes which embellish the spaces between the diamonds and

delicate floral rosettes, flank decorative brass keyhole escutcheons on every drawer, preserving the

paneled backrest with decorative cut-out sections and a carved central rosette motif. Straight arms

decoration. The façade is embellished with applied garlands terminating in rosettes, with a central roundel

a wider main border rich with stylized floral rosettes. These motifs rendered in hues of ivory

repeating rosettes and floral medallions. This bold frame anchors the lighter field beautifully, offering a

vertical layout. These medallions—some featuring stylized starbursts, others with floral rosettes or

array of smaller geometric rosettes reflects the pinnacle of the East Caucasian weaving tradition

, and lineage. Within the majestic medallion, rosettes and botanical elements intertwine, suggesting

adorn the corners that flank the drawer and a central bronze rosette flanked by palmettes details the

, rosettes, demi-lunes, pinwheel motifs, and geometric borders animate the façade with depth and rhythm

separated by the rounded side panels by carved pilasters topped with rosettes. Each lower panel is finely

before rolling inward at the top into a bold carved volute with a rosette terminal. The arm curve is

evoke ancient columns, the blocks decorated with small rosettes draw on the Roman repertoire, and the

by floral rosettes, raised on elegant cabriole legs with inlaid brass trims, surmounted on all four

frame are numerous cut rock crystal prisms, including pear-shaped drops, faceted beads, and rosettes

and shells, gold-plated chalcedony rosettes and crystal points, fused glass, and pyrite on a hand

square corner blocks, known as cornerstones, which are adorned with delicately carved rosettes. These

, displaying a dense repertoire of relief carving including stylised foliate motifs, rosettes, and mask-like

small white round recess with a gold-painted leaf rosette, ribbed, outward-flaring saucer rim with a

frieze with carved rosettes. The front frieze has a central flower with a berried laurel branch on each

detailed earring settings each suspend from a circular rosette style motif to the apex, ornamented with a

-earned patina. The façade is distinguished by a series of deeply carved geometric rosettes set within

legs, and carved rosette blocks at the corners - classic elements of the Louis XVI canon. The frames

Chandelier having nine lighted arms of leaf form with rosettes. The whole having a filigree cast Dore bronze