Antique Satyr

The opposite side terminates in a projecting satyr mask spout with curled hair, ram's horns, and a flowing beard.

It represents an idealised vision of natural and primitive life, far from the ideals of dissolute living often associated with the figures of satyrs and fauns, embodying here a domes...

William Hogarth (1697-1764) was an English painter, engraver and printmaker, best known for satyrical works that critiqued 18th-Century English society.

Additional detailing includes yellow and black satyr heads along the sides. Ceramic; France, 19th century Height: 8.5 inches, Width: 8.5 inches, Depth: 5.5 inches (base) zEE

PAIR of French Louis XVI style bronze ormolu mounted white marble cassolettes with tassel chain hung around an ovoid body with 3 satyr headed legs (late 19th Cent) (PRICED AS PAIR) ...

It is set in an ornate mount of finely chased and gilt bronze, composed of two lateral handles formed by scrolling acanthus leaves accented with beading and surmounting satyr heads; ...

The side handles are flanked by satyr mascarons. Stamped on the base “Terre Cuite Gossin.”

An imposing Continental Italian glazed terracotta earthenware jardinière from the Early 20th century, with striking and highly decorative faun (satyr) mask handles—an unmistakable no...

Even after saving her from the clutches of a satyr, the young girl abandons him without even saying goodbye.

The presence of heads of bacchantes, satyrs, and rams situates the piece firmly within a Dionysian universe.

The Bacchic ornament of satyr masks, vines, and serpents reflects the influence of contemporary archaeological taste and the decorative repertory associated with the reign of Louis X...

A 19th Century carved mahogany stool, the distinctive carving having satyr’s masks to the shoulder of the cabriole legs with further foliate decoration to either side and terminatin...

The lower part is centred by a large shell and mounted with putti and sirens supporting a garland of flowers, the whole raised on a stand carved with gilt tritons, dolphins and satyr...

The narrative imagery continues with Satyr masks guarding the rounded corners of the apron which transition into Louis XVI style legs of finely carved Neoclassical themes, also blend...

The bodies are painted with wide, continuous bands of richly colored flowers against a soft shaded brown ground, framed above and below by gadrooned and anthemion borders. Twin gilt ...

The base is decorated with foliage and rocks upon which sits a plinth with relief panels of mythological dancers and figures and stylized wave motifs, framing a central geometric med...

It depicts a festival in honour of Bacchus, the Roman god of wine (or Dionysus in Greek mythology), characterised by naked or semi-naked mythological figures, such as satyrs, nymphs,...

The shaped rectangular top enclosing a gilt tooled leather writing surface (worn) within a molded border above a long central drawer enclosing a Fine modeled allegorical escutcheons ...

Cast iron, brass and steel with two front legs with brass finials and satyr masks. Polished and cleaned. Heavy.

Here we can see the supple yet taught musculature of the impetuous satyr on full display with a slight tilt to one side so as to appropriately replicate how the figure would have sto...

The oak panel depicts Silenus reclining amid nymphs, satyrs, and putti beneath trees and architecture, executed in warm browns and grays over a minium (red lead) ground visible throu...

The front and back sides are also decorated by a central reserves of a Satyr. The Satyr is surrounded by scrolled acanthus leaves above a berried laurel swaging garland.

In the foreground, a kneeling satyr is restrained or pushed back by a young winged Cupid, while two nude nymphs—probably representing Venus and one of her attendants—observe the scen...

The two-part allegorical Baroque style fountain depicting a standing bearded man, his arms raised while holding a seashell-shaped basing decorated with flowers and with a circular di...

On the front, there is also a small lunette depicting a scene: a reclining nude figure, likely the god Bacchus, while in front of him, a satyr, depicted in three-quarter view, offers...

Ariadne holds a spear and is crowned by a suspended female figure; in front of her are two satyrs, holding bunches of grapes and gazing at her.

The most important role of the mask was that of transformation: an ordinary man could go beyond his true identity and become a mythological hero or a lustful satyr, an old fool or a ...

Handsome and richly chased Ormolu mounts are set atop each leg with the head of a Satyr with grape clusters in his hair. These mounts flank the mechanical drawer with a Brass and Tor...

The tripod base foot with three satyrs with one arm extended standing on single legs with paw feet holding the fire pit on their heads.

This example features a flared rim over a magnificently sculpted bas-relief wrapping the exterior with figural narrative, what appears to be a bacchanalia under grape vines. Pairs of...

A beautifully cast Grand Tour Neo Classical Bronze of a Dancing Faun or Satyr holding cymbals. The sculpture has wonderful detail and the hands and feet are beautifully cast and fini...

Each urn is richly decorated by three satyr masks which are joined by swaging grape vines.

At each side are handsome Gilt handles of Satyr masks connected by wrap around Gilt bands.

The satyrs' legs transition seamlessly into cabriole supports, terminating on a shaped tripod base.

Featuring a classic baluster silhouette, each lamp is intricately hand-painted with vivid Renaissance Revival grotesque motifs, including vibrant mythological chimeras, winged griffi...

The dark, rich patina enhances the sculpture’s sculptural depth, catching light across the contours in a way that emphasizes both movement and form. Satyrs and fauns—mythological com...

The piece is further elevated by classical Roman-style bust portraits, angelic putti, fierce satyr masks, and full-length corner stiles featuring caryatid figures.

A Very Unusual Gilt Bronze Chandelier featuring three seated Satyrs holding a richly carved alabaster dome. France, circa 1910. 6 lights.

A compelling life-size plaster cast depicting Marsyas, the ill-fated satyr of Greek mythology renowned for his mastery of the aulos.

In the center of the pediment is carved a mask representing the face of a satyr surrounded by two putti. On either side of the mirror, 2 large nymphs are sculpted and serve as bronze...

The stems are richly ornamented with figural mask motifs, including a female mask and a pair of horned satyr masks, accented with aigrettes and garlands of fruit that descend into a ...

The corner posts are integrated with monumental ram heads or satyrs that realistically flow down into heavy, foliated cabriole legs terminating in scroll sabots.

The matching pair of four-light candelabra each have an urn-shaped white marble body mounted with finely chased ormolu, decorated with satyr masks flanked by floral wreaths and hangi...

The central frieze and drawer feature satyrs carrying a drunken Bacchus surrounded by garlands tied with ribbons and bronze sabots.

Light veining can be seen amongst the smooth white statuary marble from which this mischievous satyr was crafted. Satyr are roguish figures from ancient mythology and literature, kn...

The scene could represent a moment of intimacy between the two, interrupted by a curious satyr, surprised and punished by Orion himself with the help of a nymph.

The armrests end in bold lion claws, each claw gripping the finely carved head of a satyr. The satyrs’ expressive features, curled horns, and dynamic modelling introduce a mythologic...

A Pair of Late 19th Century Gilt Bronze and Patinated Bronze Ewers The scrolled lip above a slender neck and bulbous body cast with Bacchic putti, the scrolled handle mounted with a...

One cabinet depicts three nymphs lifting a figure of Cupid onto an altar, while the other shows two nymphs and a satyr raising a statue of Pan, the god of the wild.

These masks are probably inspired by satyrs or fauns, mythical creatures from Greek and Roman antiquity.

Flat desk in rosewood marquetry and rich ormolu ornamentation, decorated with satyr heads and foliage. Beautiful work in the Louis XV style, similar to that produced by Linke, Beurde...

Central to the composition is the likeness of a ram, a Satyr, a youth, and an older, bearded man. Some scholars suggest that the ram and the satyr embody the primal instincts that re...

A globe wrapped in drapery crowns the sides of satyr masks. Between laurel wreaths, the glazed enamel dial with black numerals, marked: Fd.

Below, the composition transitions into a deeply gadrooned bowl punctuated by bold satyr mascarons, their expressive faces emerging from the stone with remarkable vitality.

Figurine carving in the form of chimera and satyr masks. Probably from a South German castle.

The solid Onyx bodies display impressive richly chased bearded satyrs with horns, grapes, and grape leaves in their hair.

The openwork base is cast with scrolling brackets and shell motifs, centered on one side with a projecting satyr mask in high relief. The underside shows a fitted base plate secured ...

Extreme detail, casting and hand work. Original condition. Satyr Head Embellishment. A truly magnificent set.

The catalogue described the table as: ‘A William Kent gilt wood centre table, with marble top, the frieze carved all round with satyr masks supporting swags of fruit and flowers, an...

With rope twist "handles" issuing from satyr masks, laurel leaves in relief around the nozzle.