Antique Satyr

klismos. A vase-painting of a satyr carrying a klismos chair on his shoulder shows how light such

scrolled satyr mask handles, raised on fluted stems, supported on sienna marble plinth bases, with ribbon

Doré bronze and marble fountain with three Satyrs attributed to Caldwell made into lamp. With silk

, above the tapering body cast in high relief with satyrs, bacchante and putti with acanthus-cast lower

sculpted satyr head. The painting is still vivid in colour, despite its age and there is lovely detail and

Corinthian entablature above a frieze comprising, a pair of facing Satyr Fawn's holding grape vines

Large, hand-engraved, detailed, silver plated serving tray with satyr-head handles.

supports. The onyx bodies display impressive richly chased bearded satyrs with horns, grapes and grape

Satyr Against Reason and Mankind'. Edited by John Hayward. In a signed crushed morocco binding with

), - Marguerite d'Angoulème (Salon of 1893), - Bacchante and Satyr (marble, 1895), - Monument to Watteau (marble

motifs such as garlands, griffins, festoons, medallions, satyrs, acanthus foliage, and mythological

border with large scale Rocaille movements at the mid section. The top crown is centered by a satyr below

Each with hand painted scenes of exotic birds on a cobalt blue background, with satyr mask handles

). During a festive bacchanal a big satyr is eating grapes, lying on the ground and surrounded by a large

. Additional maidens can be seen in the background playing musical instruments while a satyr is in the

Corinthian entablature above a frieze comprising, a pair of facing Satyr Fawn's holding grape vines

Each with a figure, one with a satyr, the other a bacchante, holding aloft a spiral-fluted

ormolu mounts, masterfully depicting richly detailed and expressive bearded satyrs, a hallmark of

right. Very good conditions. Particular artwork representing a satyric scene realized with ink and

of satyrs and gilt decorations of flowers and butterflies. Probably English, circa 1880. Measures

École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante created a scandalous

beautifully decorated by two richly chased Satyr masks as handles. The removable lid displays the same reeded

, the front and back with matching bronze designs depicting satyrs carrying a drunken Bacchus flanked by

figures are represented as two satyrs, which make up the handles of the bases. Representation also of

Satyrs on a bronze background, ending on an ornate base with Dolphin cast detailing, on a circular black

, and figural stands rendered in greenish patina tones. Central to the composition is a youthful satyr

, foliated frieze, pilasters flank three upper doors carved with satyr masks, foliate and floral medallions

column in white marble and decorated with three figures in gilded bronze: satyr child, putto and young

Bacchus and Ariadne. The vases have satyr head handles and gilt acorn finials. Austrian, circa 1890.    

in every detail with handle, cherubs and drunken satyr Bacchus figures in relief and further

frieze decorated in gilt on a black ground with putti, satyrs, and a goat. Original plates and gilding.

male and female Satyr Bacchus themes with putti and the adult figures with an original dark patination

, personages and satyrs. Each displays lovely architectural designs and columns with elegant rosettes and

, personages and satyrs. Each displays lovely architectural designs and columns with elegant rosettes and

. Above the pair of cherubs is a triangular support with 'S' scrolled edge designs and a seated satyr on

frame over a conforming frieze, centred by a pierced carved Satyr mask with foliate swags, above a

for Superior Wine. The image of a satyr (or Bacchus) getting ready to eat a group of grapes

sides with bevelled glass panels. The frieze centered by satyrs carrying a drunken Bacchus flanked by

Finely cast French gilt bronze picture frame with cherub, satyr, and floral garlands, circa 1890s

ends carved with with bacchic satyr masks, and the centre with lion heads with fruiting swags between

nymphs, baccantes, fauns, satyrs and children, their bodies naked, partially covered with brightly

garlands, on tripod base, each leg with satyr masque terminal and ending in hoof feet, on round bases with

Satyr (in pair with a little girl), model by Clodion, circa 1775, gilded and patinated bronze

figures, the acanthus lower section flanked to each side by a fluted handle centred by foliage, with satyr

fleuries soutenues par de colonnettes cannelées surmontées de têtes de satyres et se terminant par quatre

flanked by foliate and scroll carving, the sides with satyr heads wearing feather headdresses, having

a statue of a goddess on a high plinth, restored as Diana. Two fluted loop handles rise from satyrs

dome with finely made satyr head brass hardware. When lit, alabaster emanates a warm, sun-like glow in

as a bacchante, seated on a dolphin, and holding another, the other as a satyr, seated on a lion

supports with handsome satyr masks at the front and charming frogs to each side. Above are richly chased

. At the handle of the bellows Neptune and below carved figure of Satyr. Richly decorated with floral

metal mounts, the radiating veneered top above a frieze applied with satyrs engaged in Bacchanalian

by Satyr masks, joined by swaging garlands. Seven scrolled ormolu arms ending in candlecups and

with a satyr with foliate berried headdress. At the top is an chased ormolu border and lid. All

and flowers surrounding center of Satyr astride beast.

silvered satyr mask at the front. Above is a ‘piedouche’ shaped support with a finely chased waterleaf

bronze. Each show a standing classically draped semi-nude maiden with a hoof footed infant satyr standing