Antique Sepia

His palette reflects his purity of purpose, which comprised only the following ten pigments: Yellow Ochre, Gamboge, Indian Red, Brown Pink, Vermillion, Prussian Blue, Indigo, Burnt S...

A superb, finely nuanced impression, in dark sepia ink, on cream wove paper; the full sheet with margins (2 1/8 to 2 1/2 inches), in excellent condition.

Mezzotint with etched lines, printed in sepia. Engraved by Richard Earlom (1743 - 1822) after a sketch in the copy of Claude le Lorrain's 'Liber Veritatis' owned by the Duke of Devon...

Clear glazing on a cream colored clay ground with a hand painted sepia glaze to the key pattern. The last two photos show the bread tray paired with an Egg Box Pâté Terrine from the ...

This monochrome treatment through a sepia cameo is reminiscent of the famous portraits painted around 1900 by Eugène Carrière (1840-1906) (ill.2).

Framing tips: A light cream or pale tan mount will harmonise with the sepia tones of the print. Choose a dark walnut, teak, or simple black frame to enhance its antique character.

Frans Francken the Younger 1581 - Antwerp - 1642 Flemish Painter 'The Departure of the Israelites from Egypt – The Exodus', c. 1610 - 1620 Medium: pen in sepia on paper Dimensions...

Signed on the tab with the butterfly in pencil. Printed in sepia on laid paper with no visible watermark. Trimmed just outside the platemark, leaving the tab.

The Baines card offered for sale is printed in a sepia tone with a picture of two football players and a trophy cup to the front with the words 'Play The Game, Dolphin Holme'.

Used mainly pencil, rarely ink, charcoal, sanguine, sepia, also worked in the techniques of etching, linocuts and lithographs.

Interesting and well-drawn French late 19th-century River landscape with boat sketch, in pen and ink and sepia color. Emile Cagniart was born in Paris where he would remain for his...

Interesting and well-drawn French late 19th-century River landscape with boat sketch, in pen and ink and sepia color. Emile Cagniart was born in Paris where he would remain for his...

Interesting and well-drawn French late 19th-century landscape sketch, in pen and ink and sepia color. Emile Cagniart was born in Paris where he would remain for his sixty years.

Interesting and well-drawn group of French late 19th-century landscapes sketch, in pen and ink and sepia color. Emile Cagniart was born in Paris where he would remain for his sixty...

Pickford looks innocently ahead while the photographer captures her side profile. Lovely original 1921 sepia toned photograph of silent film actress. From the Estates of Mary Pickfor...

The tiles are made of a dense dark brown heavy clay with thick muted toned glaze on top with sepia toned figures, each having a vibrant orange border.

A extraordinary find, a pair of Chinese Export Porcelain American/ European Market painted in sepia, colors and gilt vases & covers, with twelve (12) placed American/ European and ...

Mary Pickford and Douglas Fairbanks at Walpi First Mesa Hopi Village 1920 Photograph Original Sepia toned Silver gelatin photographic print by Charles Roshe (British, 1885-1974).

Lombard Farmhouse is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original Sepia Etching on ivory cardboard. Excellent conditions.

Works incorporating the reddish enamel known in China as zhucai (yellowish-red colour-or sepia often are grouped with ink-colour wares as well Condition Overall condition 1 stabi...

Small Corot illustration on the front cover. 50 illustrations, including five full-page sepia etchings on unbacked frameable heavy stock.

Dutch trompe l'oeil drawing with pen & ink, pencil, sepia, and black chalk, wax seal, and painted pigment.

A silvered frame was chosen to accentuate the sepia tones of the work, which depicts a quaint rural scene with a pond acting as an invitation into the scene, beside which a group of ...

Paris, L'Atelier Pascal is an original Modern artwork realized by Luca Beltrami (1854 - 1933) in 1877. Original Sepia Etching on ivory cardboard. Inscripted on plate on the lower...

Beaumont, engineer') and by drawings in simple and sepia-washed versions. In the early 1790s the duke of Gloucester took Beaumont to London, where he remained during the French Revo...

Framing tips: A warm cream or light stone mount will complement the sepia-grey tones of the engraving. For framing, consider dark oak, mahogany, or black wood with a thin silver or g...

Collector's Initials - MF - added at a later date in watercolor or sepia ink. There are only three other known copies of this work to have survived - one is in the permanent collecti...

With the autograph certificate of circulation, written in pen and sepia ink, signed and dated (Paris, October 17th, 1852) by Trinocq (the printer).

With the autograph certificate of circulation, written in pen and sepia ink, signed and dated (Paris, 24 th June, 1858) by the printer Destouches.

Framing tips: This print will suit a warm cream or light taupe mount to highlight its sepia tones. Choose a dark oak, walnut, or black frame with a slim gold or silver inner edge for...

Of very refined plastic based on precise and very detailed brushstrokes, with a smooth and refined chromaticism, based on blues, grays, whites and sepia, which further accentuate tha...

He had thought of painting in watercolour, but decided he did not have time to learn this at first, but studied using sepia washes. He took full watercolour up in November 1841, when...

With the autograph certificate of circulation, written in pen and sepia ink, signed and dated (Paris, July 19th 1853) by the printers E. and Ch.

With Autograph certificate of circulation in pen and sepia ink, signed and dated by Trinocq or Destouches.

At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the S...

Included is a beautiful 7 1/2" x 9 1/2" sepia tone photograph that I had "photo lab made" from the tintype.

Title 18th Century Italian Grand Tour Landscape with Classical Ruins Key Details Artist: Italian School, 18th Century Medium: Watercolour wash on board Size (framed): 9 x 11 inches S...

Framing tips: A warm cream or light stone mount will harmonise with the sepia-grey tones of the engraving. For framing, consider dark oak, walnut, or a black frame with a slim gold o...

A fine, rare, very early proof impression, printed in a pale sepia ink, before extensive additional line work and shading were added to give the buildings and vessels further definit...

Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1...

A wide cream or ivory mount will emphasize the architectural sweep of the arena, while a dark wood or ebonized frame under glass enhances the contrast of the sepia tint. For a more c...

A black ink and sepia wash drawing by French artist Jean-Baptiste Le Prince of a classical scene of Roman soldiers with camel signed and dated lower left.

James Whistler (1834-1903), The Bridge, Santa Marta, 1879-80, etching with drypoint, printed in sepia on fine laid paper. Signed with the butterfly and inscribed imp on the tab (also...

The slightly darkened state of the sheet is in keeping with this transitional quality, which also lends the scene a sepia quality that underlines its timelessness. And yet the depict...

A superb, richly-inked impression, in dark sepia ink, with skillfully wiped plate tone and burr in the drypoint, on cream laid paper, with the Louis LeGrand watermark in the bottom c...

These etchings are finelyand delicately printed in dark brown or sepia ink on heavy wove paper;an exceedingly rare set of these very early Sloan etchings.

On the page facing the sepia image is the inscription, “The original picture—a copy of which is given on the opposite page—was presented through the proprietors of the LONDON (Engla...