Antique Slate

Accents woven in deep indigo, cocoa brown, and chalky slate fill out the composition. The large sections of white are undyed cotton.

Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high.

Look up at an old slate roof and this is what you would normally see on a roof that hasn't been replaced with a more modern shingle.

Fluid organic forms drift across the surfaces like fractured landscapes or sweeping brushstrokes, rendered in tonal gradients of powder blue, slate, ivory, sand, and muted blush. The...

This antique mustard pot was crafted by the renowned silversmiths John Aldwinckle & James Slater of Holland, Son & Slater. Condition This antique silver mustard pot is an ex...

English Pearlware Pottery Blue-Ground Teapot Probably Staffordshire or Yorkshire, circa 1790 A cylindrical-bodied teapot of restrained neoclassical form, The barrel-form body is co...

Please note that the extension leaves are not included, providing the new owner with a blank slate for custom-fabricating extensions to their exact specifications.

Jean Bulio (French 1827-1911) "Diana and Her Hound", Patinated Bronze Sculpture, late 19th century, depicting the huntress standing beside her faithful hound, holding a clutch of arr...

English Pearlware Light Blue Slip Coffee Pot probably Staffordshire or Yorkshire, circa 1790 A handsome baluster-form coffee pot of pleasing neoclassical proportion, covered overall...

Carved stone with a different stone at base. Slate base with tag stating the piece was found in Cornwall England.

A bold, totally angular ivory border of stiff leaves, straight vines and lozenge medallions, frames the abrashed lighter slate blue field with an open large lozenge trellis enclosing...

The field is rendered in a soft, muted slate-grey ground, enlivened by delicate accents in coral, pale apricot, sage, and ivory.

Sort of an Irish Oushak with a slate blue ground displaying a repeat of semi-geometric buds and flowers along with sawtooth medallions.

Both works emphasize anecdotal detail and period costume, with carefully scaled figures, discreet highlights on fabric and metal, and a restrained palette of slate greens, smoke-gray...

Dimensions in cm: Height 32 cm x Width 39 cm x Depth 15 cm Dimensions in inches: Height 1 foot, 1 inch x Width 1 foot, 3 inches x Depth 6 inches Betjemann & Sons In 1812 George...

The palette is entirely natural dye: deep chocolate brown from soga (the bark of Peltophorum pterocarpum), ivory and cream from undyed natural wool, and accents of slate blue-indigo ...

His carved alabaster on slate relief of Adam and Eve, in Berlin, has many of the characteristics of the aforementioned works, from the compositional devices to the physiognomy of the...

Olive green vinework weaves rhythmically throughout the design, creating graceful symmetry and structure, while accents of muted sky blue and pale slate add subtle cool contrast. Th...

The commanding field is rendered in a deep, lustrous slate, providing a perfect backdrop for the sparse, elegant ornamentation.

The undisputed protagonist of the composition is the church steeple, almost certainly that of the Gothic church of Saint-Nicolas de Mamers, which rises from the centre-left of the ca...

In 1826 an innovative John Thurston introduced the first slate bed on a billiard table and supplied it to “White's Club” in 1832.

A sophisticated palette defines the border, utilizing dusty rose, muted slate blue, and deep crimson to frame the central panel.

The small-scale motifs are rendered in deep brown, charcoal, muted rust, and soft slate blue, creating a rhythmic, almost textile-like pattern across the surface.

The striking allover design features repeating, stylized medallions rendered in a sophisticated combination of slate blue, olive green, and deep charcoal. The primary field is domina...

A continuous, stylized vine borders the central space, featuring stylized blossoms and leaves rendered in shades of sage green, slate blue, and bright orange. This playful use of flo...

The body is decorated with the distinctive Slater technique, featuring finely tooled gilt spiral decoration over a contrasting ochre ground bordered by foliate bands and a pierced fl...

The detail work in the corners incorporates classic Chinese fretwork and subtle cloud band motifs, executed in nuanced shades of ivory, slate, and soft terracotta. Possessing signif...

The design is anchored by a delicate central medallion and complementary corner spandrels, all featuring stylized grapevines and leaves rendered in subtle shades of slate blue and cr...

The bronze group rests on a substantial black slate case, enriched with gilt-bronze ornamentation surrounding the original white enamel dial.

There are also several "record specimens" for California, among which may be mentioned the Redstart, Slate-colored Junco, Black and White Warbler, Black-throated Blue Warbler, White-...

This light ground color allows the secondary hues—dusty slate blue and muted gold—to appear crisp yet understated, contributing to the rug’s overall sophisticated appeal and adaptabi...

Above lays a sensational black slate Scagliola top with three colorful central scenes of figures resting and enjoying the landscape, one is of a woman laying at the seashore with her...

At the heart of the composition lies a striking medallion motif, rendered in a muted slate gray with finely knotted accents in mustard, soft blue, and rust.

The pattern is essentially an allover design achieved through the repetition of thick and thin stripes in varying shades of slate, charcoal, cream, and moss green. This composition e...

Against this neutral backdrop, carefully selected accents of crimson, deep maroon, slate gray, and black provide stark contrast, highlighting the precision of the handwork.

Condition: Antique Origin: Turkey Design: Oushak Circa: 1910s Actual size: 10"x13" Thickness: 1/8" - 1/4" Colors: Red, Slate Blue, Khaki Brown, Olive, Ivory Content: Wool

Restorations to be noted on the slate Italy, XIXth century Height 102cm diameter 40.5cm (foot and top)

Fine quality antique Doulton Lambeth jardiniere, having a fine quality antique Doulton Lambeth Slaters pattern jardiniere, having a rounded shaped body decorated with florals hand pa...

The primary hue is a vibrant, saturated coral field, expertly balanced by secondary elements in soft slate blue, sage green, and hints of gold. This specific palette choice, combined...

The palette is defined by rich, saturated tones, presenting a sophisticated contrast between deep charcoal blacks, fiery reds, and warm, earthy browns, accented by a subtle slate blu...

The palette — deep green, terracotta orange, slate lavender, and cream — is printed in full colour lithography, unusual for a magazine cover of this date and a direct reflection of t...

The field presents a sophisticated, slightly muted slate blue, providing a perfect ethereal backdrop for the dynamic mythological creatures that dominate the composition.

These stripes introduce gentle accents of muted terracotta, slate blue, and taupe, providing depth without sacrificing the rug's overall light and airy disposition.

Heriz was a popular source for Oushak designers and this ivory carpet in the all-over Harshang design was adapted from Bakshayesh-type Heriz carpets of the later 19th century. The we...

Stunning quality large antique Royal Doulton vase, having a stunning antique Royal Doulton slaters vase, decorated to the centre with blue and white flowers with gold leave on a gold...

At the heart of the composition lies a striking, oversized central medallion rendered in ivory, slate grey, and deep indigo, framed by serrated edges.

The palette relies heavily on rich, saturated indigo and a softer, almost denim-like slate, creating a mesmerizing rhythm across the field.

Early 20th Century Turkish Oushak Rug ( 20' x 22'6" - 610 x 685 ) This mansion sizes square Oushak shows a light peachy-rose field with a surprisingly small, well-ordered all-over pa...

Delicate, stylized cherry blossom branches, rendered in soft pastels and slate blues, gracefully cascade from the top left and rise from the bottom right.

The palette is strikingly modern, featuring a complex interplay of variegated yarns in soft creams, taupes, and muted earth tones, punctuated by hints of slate blue and rose. The sub...

The expansive field is rendered in a sophisticated, muted slate blue, providing a calm backdrop for the intricate design.

The field is dominated by a mesmerizing, highly structured allover pattern composed of interlocking diamond and stepped motifs, rendered in contrasting shades of dark slate blue and ...

Cast in a dense, lead (or lead-alloy) metal with a naturally oxidized slate-gray surface, this substantial cylindrical cachepot is conceived in the Neoclassical taste, its decoration...

Executed in a palette of earthy taupes, camel, slate gray, jade green, teal, and black, the rug maintains a sense of sophistication while offering visual intrigue.

19th Century Turkish Angora Oushak Carpet ( 9'9" x 13'3" - 297 x 403 ) A slate Kufesque border in Caucasian style effectively frames the light salmon-buff field with a creative versi...

The design is centered around broad vertical bands in muted shades of mauve, slate gray, and deep teal, complemented by intricate linear motifs in soft lilac and rust brown, framed b...

The color palette utilizes a faded, dusky mauve or slate tone set against a natural, creamy ground, providing a sophisticated interpretation of purple color rugs, as seen in the back...

The central ground is rendered in a luminous ivory color, providing a neutral backdrop that allows the secondary colors—soft apricot, muted rose, and slate grey—to achieve a gentle, ...

The juxtaposition of these jewel tones against the calming slate-blue background ensures that the rug remains visually engaging without becoming overwhelming.

Stylized geometric medallions alternate with delicate floral sprays in tones of saffron, sage, and slate grey, demonstrating the weaver's precision.