Antique Stencils

Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a...

Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a...

T Nieto-Gomez from first owner March 21, 1926 Acquired by current owner from the above February 1, 1957 An Extremely Fine Quality Ormolu-Mounted Amaranth, Kingwood and Satine Trel...

Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a...

Using these uncoloured prints as a template, elaborate stencils were cut for each colour. Water-colour was then brushed onto the image through the stencil.

Subjected to rich and diverse influences, Manzana became a prolific and versatile artist, working with oil, pastel and watercolour as well as etchings, lithography and stencils. As a...

Fortunys adaptation included terminating the over fold in deep points weighted by small glass beads length 64" Armhole 20" Shoulder 1.5" Clear frosted white striped beads,no...

This particular flag has a black-inked stencil along the binding, near the top, that reads: “A.

They are more akin to simple but elegant etchings or drypoint prints, highlighted in color a la poupee or with watercolor applied by hand or by stencil onto the paper.” But he was a...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Nat Currier and Jim Ives described their business as "Publisher...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Nat Currier and Jim Ives described their business as "Publisher...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Nat Currier and Jim Ives described their business as "Publisher...

It is mounted in canvas and has a gilded slip behind glass in a wood frame with a gilded inner section, black painted outer edge with stencilled foliate decoration, abrasions and sma...

It is in original condition and is stained in several earth tones; with a "hint" of red stenciling on both sides and rear of the coach, which was prevalent on early American tin (see...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Nat Currier and Jim Ives described their business as "Publisher...

It has superb decorative gilt highlights on a cobalt blue ground and the underside bears the stencilled Sevres mark. There is no mistaking the quality and unique design of this pl...

Stamped to the carcass ‘KRIEGER’ and stencilled to the back ‘KRIEGER 74 Faubourg St Antoine Paris’.

“The graphics of the masthead, designed by Ardengo Soffici, changed every year: in 1913 hand-crafted,brown-colouredlettering was used; in 1914 switched to larger, black type; and fin...

The trade cards are nicely framed and matted under glass, with a black stencil line around each one and framed in a 3/4" oak frame.

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

During the Civil War, demand for prints became so great that coloring stencils were developed to speed up production. Although most Currier & Ives prints were colored in house, ...

Upward tapering cylindrical neck with same beading. Overlay in form of stenciled polo players, mallets raised, on charging horses.

Illustrated by Paul Iribe, it had ten hand-colored pochoir (stenciled) plates and no text. Copies were sold in bookstores, but his target audience was, he wrote in his autobiography,...

"Every issue carefully reviewed all the current novelties of fashion, [and] every issue carried coloured stencil prints reproducing the latest conceptions of the fashion designer...