Audubon Birds

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

Pair of Mallard Duck and Canvasback Duck Lithographs, After John James Audubon, 20th Century This exquisite pair of 20th-century hand-colored lithographs features the Mallard Duck ...

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

This is a stunning color lithograph of the “Florida Cormorant”, Plate 252 from the 1971-1972 “Amsterdam Audubon” edition of James John Audubon’s epic ornithological masterpiece, “The...

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

He uses asphalt and cement to create his works which refer to the loss of habitat due to human expansion, which is one of the main causes of declining bird populations. His silhouett...

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

With the success of his bird projects, Audubon then turned his attention to four-legged animals.

American Crow by J.J. Audubon from his Birds of America folio shows an adult male crow in a Black Walnut bush with a nest of a Ruby-Throated Hummingbird in a branch below the cr...

Lizars took over his fathers business on his death. Lizars met J. J. Audubon in Edinburgh in October 1826 and agreed to publish Audubon’s, Birds of America.

Royal Octavo Master printer: J.T. Bowen John James Audubon was born in Haiti in 1785. Most of his childhood was spent in France, where he first took interest in birds and drawing.

J. Audubon. Even as Audubon was seeing the last plates of the first edition of The Birds of America being finished, he was making plans for the publication of a smaller version.

Antique Alfred Meakin Birds of America Audubon plates featuring scalloped edges, embossed floral rims, and bird illustrations reproduced from John James Audubon's elephant folio edit...

J. Audubon. Even as Audubon was seeing the last plates of the first edition of The Birds of America being finished, he was making plans for the publication of a smaller version.

**Ornithological Tradition**: Seligmann’s work is part of a long European tradition of ornithological illustration that began with artists like **Conrad Gessner** in the 16th century...

He was apprenticed to Robert Havell, the principal aquatint engraver of Audubon's Birds of America. Duncan was afforded frequent opportunities of studying the works of Havell's broth...

Her work pays homage to 19th-century naturalist and artist John James Audubon. Goldman’s sun-dappled still life compositions, sprays of cut flowers in glass vases and lush flora grow...

He compiled 250 floral images into a five-volume, hand-pressed, double elephant folio—a printing method not used since Audubon’s Birds of America in the 1840s—and Botanica Magnifica,...

While initiating the engraving process for The Birds of America, through Robert Havell, Jr. of London, Audubon lived in Europe (1827-1829).

While initiating the engraving process for The Birds of America, through Robert Havell, Jr. of London, Audubon lived in Europe (1827-1829).

While initiating the engraving process for The Birds of America, through Robert Havell, Jr. of London, Audubon lived in Europe (1827-1829).

My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate chang...

A large print of John Gould & Henry Constantine Richter Pheasants II from his published book " Birds of Australia ". John Gould was influenced by James Audubon paintings of birds w...

Michigan Out of Doors, December 1987 (article & cover illustrator) "Music in the Men's Room." Audubon, July, 1985 (illustrator) "Bird Art Takes Wing at Wausau."

A large print of John Gould & Henry Constantine Richter of Temminck's Tragopan from his published book " Birds of Asia ". John Gould was influenced by James Audubon paintings of bi...

Michigan Out of Doors, December 1987 (article & cover illustrator) "Music in the Men's Room." Audubon, July, 1985 (illustrator) "Bird Art Takes Wing at Wausau."

A large print of John Gould of Japanese Pheasant ""Phasianus Versicolo " from his published book " Birds of Asia". John Gould was influenced by James Audubon paintings of birds work ...

A large print of John Gould of Pheasant ""Phasianus Soemmeringii " from his published book " Birds of Australia ". John Gould was influenced by James Audubon paintings of birds work ...

Audubon shot one hundred birds for each painting.

Michigan Out of Doors, December 1987 (article & cover illustrator) "Music in the Men's Room." Audubon, July, 1985 (illustrator) "Bird Art Takes Wing at Wausau."

Black archival ink on pale blue archival paper with historical Audubon images of American birds, mounted on Arches paper.

Black archival ink on pale blue archival paper with historical Audubon images of American birds, mounted on Arches paper.

Black archival ink on pale blue archival paper with historical Audubon images of American birds, mounted on Arches paper.

Surrounded by this wildlife, Emil paints bird portraits reminiscent of those by artist John James Audubon.

Surrounded by this wildlife, Emil paints bird portraits reminiscent of those by artist John James Audubon.