Antique Macabre

Engineered to a very high quality, designed for orthodontists to practice procedures with precision, it now possesses an undeniably macabre, almost sinister presence. The model is mo...

We have not located any markings on the piece and it does not appear to be signed. it bears similarities with works by Wilfredo Lam and other Cuban and Latin American masters and it ...

19th Century undertakers sizing/reference template board. Carpenters and Undertakers often used human-based units of measurement (anthropometric units). And this would ring true whe...

The European Macabre Dance N.4 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.12 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.38 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.1 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.8 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.37 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.40 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.7 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.6 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.10 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.28 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.3 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.5 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance N.2 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

The European Macabre Dance n.25 is a hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915.

Pencil on paper sketch of a grave yard, possibly fictional. Mounted on period hand made marbled paper, framed in a maple veneered frame. “French epitaph on a man whose death was occ...

This striking still life work juxtaposes macabre subject matter with delicate brushwork. A crow - an archetypal symbol of death - picks at the lifeless body of a rabbit, while a vase...

These objects, which invite to live a slow life conscious of the fugacity of time, were diffuse form medieval era and continued in Renaissance finding diffusion in painting with the ...

Hand-carved solid wood wall panel depicting a whimsical yet macabre dead bird motif in deep relief, framed by an architectural border.

On the left side, a beautiful maidservant places the macabre trophy on a platter, while Salome, elegantly seated at the table, rotates her torso with a refined, almost dance-like mov...

Rather than a purely macabre image, the sculpture serves as a philosophical reminder, confronting viewers with the tension between identity, time, and death.

While directing the advertising department of the Tietz department store in 1916-1917, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death). Beginning...

The restrained posture and contemplative character contrast with the animated skeletal figures of contemporary Danse Macabre imagery and align more closely with devotional representa...

By 1914, having established a solid reputation, he moved to Berlin where he embarked on a career as an official portrait painter, successively immortalising Emperor Wilhelm II and th...

The piece retains a strong sculptural presence, balancing macabre subject matter with folk-art sensibility.

To the rear under a crystal panel is a lock of hair and a slightly macabre tooth of the lost loved one! The gold swivel locket is set into a 10k yellow gold locket with a 'rope-twist...

This publication represents Rowlandson’s imaginative reinterpretation of the Danse Macabre tradition, loosely inspired by the earlier designs of Hans Holbein the Younger but transfor...

The masts of the wreck remained visible from the shoreline as late as 1794, serving as a macabre reminder of the tragedy.  Prompted by local sailors, a series of pioneering dives by ...

The carvings were often given an eerie, macabre appearance. They were usually adorned with gemstones and set in precious metals.

Written by George Whyte-Melville (1821 - 1878), the book is a comedic and macabre blend of satire and class division. Nicely presented example of this unusual title Displays a desir...

Whether worn or displayed, it’s more than just a piece of jewelry—it’s a conversation starter, a work of art that blends the sophistication of Victorian design with a touch of the ma...

While directing the advertising department of the Tietz department store in 1916-1917, he produced the portfolio of lithographs, Totentanz (Danse Macabre - Dance of Death). Beginning...

While directing the advertising department of the Tietz department store in 1916–17, he produced a portfolio of lithographs titled Totentanz (Danse Macabre - Dance of Death). Beginni...

In the lower left, the god Tescaliipuca is represented again, this time surrounded by a macabre frame of skulls and ritual weapons. The emphasis here is on sacrificial violence and p...

The shipwreck had scandalous political implications at home—the incompetent captain, who had gained the position because of connections to the Bourbon Restoration government, fought ...

It is evident that this work possesses the decorative qualities of the aesthetic as well as the macabre humour of the decadent.

The latter was, in fact, one of the most masterful practitioners of the romantic anti-classical historical idiom, and particularly of the neo-medieval macabre; Feuchère is best known...

A macabre etching and aquatint on paper titled “Miren que grabes!”

Alberto Martini (1876 -1954) was an Italian painter, engraver,and graphic designer. his artworks are described by critics from "elegant and epic" to "grotesque and macabre" and cons...

Woodcuts Michael Wolgemut, Danse Macabre, 1493 Two large and copiously illustrated books have woodcuts supplied by Wolgemut and his stepson Wilhelm Pleydenwurff; both were printed a...

With harmonic colors and at the same time macabre tones and in excellent conditions, with the unmistakable sign of the master Foujita this amazing piece is perfect for your sophistic...

The collected works of Edgar Allan Poe, a collection of the American author's poetry and short stories, most importantly containing his tales of mystery and the macabre. Volume I, c...

He was known for his fantastic imagery of medieval troubadors and knights in macabre rituals and inspired by the carnival held annually in his native Basel, Switzerland.

The aquatint technique used by Klinger and Goya influenced the style of his works of this period, which are mainly ink and wash drawings of fantastical, often macabre subjects. Kubin...

For these twelve plates, he drew upon the macabrely creative Totentanz (“dance of death”) theme in German art, which had interested him throughout his career, building upon the icono...

From an interior point of view, it could be hung from a ceiling, used as a piece of wall art coming out of a wall, or can stand in the corner of a room. Macabre in visual appeal and ...

The metallic effect of the glazed stoneware thus produces a double mask in a clever play off the subject from the Comedia dell’Arte. There is also a macabre quality to the glaze as i...

The artist's talent lies in his ability to treat these two macabre subjects with a light touch, presenting us with two attractive women who seem to twirl with glee amidst the severed...

Quilley's mezzotint includes a number of macabre details which are absent from the original oil and which suggest that Turner may indeed have been responding to the sensationalist ca...

The aquatint technique used by Klinger and Goya influenced the style of his works of this period, which are mainly ink and wash drawings of fantastical, often macabre subjects. Kubin...

Medium: Gouache on Illustration Board Signature: Signed Lower Left Sight Size 22.00" x 30.00" Framed 33" x 41 1/2" Excellent condition Original use: Bookplate for Tennyson's A Dream...

The latter was, in fact, one of the most masterful practitioners of the romantic anti-classical historical idiom, and particularly of the neo-medieval macabre; Feuchère is best known...

This oversight is likely due to the naive quality of her work, in which children or childlike adults inhabit a simple, brightly colored world filled with happiness. The macabre, the ...

This oversight is likely due to the naive quality of her work, in which children or childlike adults inhabit a simple, brightly colored world filled with happiness. The macabre, the ...