Francisco Goya Miren Que Grabes from Los Caprichos 1868 Etching Framed

A historical etching on Ingres d’Arches off-white laid paper paper titled “The Golf Player” by Rembrandt Van Rijn. Created in 1654. A 20th/21st Century...

A regal etching on Ingres d’Arches off-white laid paper paper titled “Bust of a Man Wearing a High Cap” by Rembrandt Van Rijn. Created in 1630. A 20th/21st Century impression printed...

A humorous and political etching titled “Asylum #266” by Charles Bragg. Hand signed in pencil on the bottom right, titled mid-bottom, with an annotation of XCI/C bottom left. Publish...

A biblical etching on Ingres d’Arches off-white laid paper paper titled “Christ and the Woman of Samaria: Among Ruins” by Rembrandt Van Rijn. Created ...

A captivating modern inspired carborundum etching on etching on Moulin de Larroque paper with applied collage and threaded twine by James Coignard. Hand signed bottom right with an annotation of 1/50 on the bottom left. From the “Otage et Rouge” series. Published late 1970s. Image was used as the cover the of the exhibition poster for Nahan Galleries in New Orleans, 1979. Geometric forms in bright bold colors create a dynamic composition. Taking inspiration from early 20th century art movements such as Constructivism, this painting makes a modern statement. From a private collection. Dimensions: 46.25""h x 32.25""w x 1”d (framed). In very good vintage condition. James Coignard (1925- ) is a painter...

A baroque meets surreal color aquatint etching on paper titled "Statek Ariadany" by Polish artist Barbara Rosiak. Hand signed in pencil on the bottom right and dated 1980. Titled bottom mid with an annotation of 20/30 on the bottom left. An ornate architectural dome with a central oculus creates a fantasy-inspired beam of light illuminating a floating imaginative figure. This detailed composition is mind-bending and allows for viewer interpretation. From the personal collection of famed artist, Dominic Pangborn. Dimensions: 31.25"w x 1.25"d x 36.25"h (framed). In very good vintage condition. Barbara Rosiak is a Polish painter...

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

Nicely framed and matted with a wonderful classical engraving with notations and title.

Framed Lithography made by Joan Brossa, circa 1970. Limited edition of 50 copies. Numbered (36/50) and hand-signed. In original good condition. Joan Brossa (1919-1998) was a Catal...

The dramatic large, almost 4 foot tall etching is framed with a green ground and gold double border with cream French matting. Copper-plate engraving by Italian artist Giovanni Piran...

A delightful colored etching of a "scratch pack" group including child on pony and pack of different variety of dogs in a rich landscape. Engraved from the original picture in the co...

Wasily Kandinsky framed abstract etching. Made by the artist, circa 1960 Framed in Barcelona by a local artisan in natural fine wood. In original condition, with minor wear consis...