1860s Prints

Gardens of the Quirinal Palace, Rome – Benoist 19th Century Lithograph This elegant tinted lithograph captures the lower gardens of the Palazzo del Quirinale, one of Rome’s most imp...

Plaza Santo Domingo Mexico City – Antique Architectural Engraving, 1867 This 19th-century engraving presents a detailed view of Plaza Santo Domingo in Mexico City, one of the city’s...

Wading Birds & Cranes Print: Flamingo, Stork, Ibis, Bustard – Antique 1867 This elegant antique print depicts a variety of wading birds and cranes, including flamingos, storks, ibis...

Turtles & Tortoises Print: Sea Turtle, Snapping Turtle, Terrapin – Antique 1867 This detailed antique print depicts various turtles and tortoises, including sea turtles, snapping tu...

The Pantheon and Piazza della Rotonda, Rome – Benoist 1869 Lithograph NOTE: This original antique lithograph is offered unframed, allowing the buyer full freedom of framing choice. Description: This impressive 19th-century lithograph depicts the Pantheon of Agrippa and the lively Piazza della Rotonda in Rome, one of the most iconic urban spaces of the Eternal City. Created by Félix Benoist after Bayot and published in Paris in 1869, the print forms part of the celebrated series Rome dans sa Grandeur, an ambitious artistic project dedicated to portraying Rome as a unified historical landscape where antiquity and modern life coexist. The composition centers on the monumental façade of the Pantheon, its classical portico supported by massive Corinthian columns and crowned by the famous inscription honoring Marcus Agrippa. The ancient temple—by the 19th century functioning as the Church of Santa Maria ad Martyres—dominates the scene with timeless architectural authority. In front of the building stands the fountain and obelisk of Piazza della Rotonda, anchoring the bustling square. Benoist enriches the architectural setting with animated scenes of daily Roman life. A preacher addresses a gathered crowd in the foreground, while families, children, merchants, and passersby fill the piazza, creating a vivid impression of civic and social activity. Horse-drawn carriages and market stalls further emphasize the Pantheon’s role not only as a historic monument but as the living center of an active neighborhood. This blending of monumentality and everyday life is characteristic of Rome dans sa Grandeur, reflecting the 19th-century fascination with Rome as both archaeological treasure and modern city. The lithographic technique demonstrates exceptional precision and tonal subtlety. Fine architectural detailing contrasts with soft atmospheric shading, lending depth to the sky and enhancing the sense of space within the square. The balanced composition and recognizable subject make this print particularly appealing to collectors of Roman views, Grand Tour imagery, and classical architectural prints...

Fabulous set of 6 prints. Humorous caricatures by Coïdé. This is a pseudonym for James Tissot. Subjects include Wilhelm I, Leopold II, Napoleon III, Alexander II, Queen Isabella a...

Presented is a wood engraving, entitled "Gettysburg, July 3, 1863." Composed as a two-page diptych, the scene depicts the battlefield, terrain, and troops amidst the chaos of the thi...

Wonderful set of 12 botanical prints Chromo-lithographs after watercolours by Elijah Walton Published by W.M Thompson. 1869 Unframed. The measurement given is the paper size. Fr...

Antique Hand-Colored Fern Prints - Aspidium Species - 19th Century Botanical Art This rare set of three hand-colored antique fern prints features b...

Title: 1861 Hand-Colored Lithograph of Butterflies and Botanical Flowers Description: This vibrant 1861 hand-colored lithograph depicts a variety of butterfly species fluttering aro...

Interior of St. Peter’s Basilica Vatican Rome – Benoist Lithograph 1869 Description: This impressive architectural lithograph depicts the monumental interior of St. Peter’s Basilica in Vatican City, one of the most celebrated sacred spaces in the world. Produced by Félix Benoist after Bayot and published in Paris in 1869 as part of the renowned series *Rome dans sa Grandeur, the print captures the overwhelming scale and grandeur of the basilica through refined perspective and masterful tonal execution. The composition presents a sweeping view down the nave toward the high altar and Bernini’s famed baldachin, framed by colossal piers and richly ornamented arches. Benoist carefully emphasizes the immense verticality of the structure: soaring coffered vaults, monumental columns, and sculptural decoration guide the viewer’s eye into deep spatial recession. The precise architectural rendering reflects the 19th-century fascination with Rome as both an artistic ideal and a spiritual center of Europe. Small elegantly dressed figures scattered throughout the interior provide scale and animation, reinforcing the astonishing proportions of the basilica while evoking the experience of visitors during the Grand Tour era. The subtle gradation of light, filtering through clerestory windows and dissolving into atmospheric shadow, demonstrates the sophistication of French lithographic technique at its height. Every ornamental detail—from sculpted niches to elaborate entablatures—is rendered with clarity yet softened by delicate tonal harmony. During the nineteenth century, views of St. Peter’s were among the most sought-after souvenirs of Rome, symbolizing not only religious devotion but also architectural achievement and cultural prestige. This print exemplifies the ambition of *Rome dans sa Grandeur*, a publication intended to present Rome as a living museum of civilization, uniting antiquity, Renaissance mastery, and modern observation. Its wide panoramic format and balanced monochrome palette make the work particularly effective as decorative wall art, suitable for both classical interiors and contemporary spaces seeking historical depth and architectural elegance. Condition report: Good antique condition overall. Light age-related toning and occasional spotting mainly in the margins. Image area remains clean with strong contrast and fine detail. Minor edge wear consistent with age. Framing tips: A deep ivory or warm museum-white mat enhances the architectural depth. Dark walnut, ebonized, or gilt frames complement the classical subject. Museum glass is recommended to preserve tonal subtlety and minimize reflections. Technique: Lithograph Maker: Félix Benoist after Bayot, Paris, 1869 SEO keyword block: St Peters Basilica interior print, Vatican lithograph 1869, Rome dans sa Grandeur, Félix Benoist Rome print, Vatican architecture engraving, Grand Tour Rome artwork, Basilica di San Pietro interior art, antique Rome architectural print...

Shells & Bivalves Print: Mussels, Oysters, Scallops, Clams – Antique 1867 This detailed antique print depicts a wide range of shells and bivalves, includ...

Great image of an apple Chromo-lithograph. Original colour Published circa 1860 Unframed. It gives you the option of perhaps making a set up using your own choice of frames. ...

Antique Engraving of Rio de Janeiro, Imperial Palace and Cathedral, c.1867 Detailed mid-19th century engraving of Rio de Janeiro titled Rio de Janeiro – Palais Impérial et Cathédral...

Description: Antique print titled 'The Spirit of - 76'. Original engraving showing a scene of the American Revolution. Made after a painting by Tompkins Harrison Matteson. Artist...

Santa Maria sopra Minerva, Rome – Gothic Church Interior, 1868 This sophisticated lithograph presents the interior of Santa Maria sopra Minerva, Rome’s principal Gothic church. The ...

Phrenology & Ethnographic Skulls Study – Antique Print Human Types 1867 This intriguing antique print presents a detailed study of phrenology, ethnographic types, and skull anatomy ...

Antique French Costume Print of a Lady of the Court, Reign of Henri III, 19th Century Description: This striking antique French costume print, titled “Dame de la Cour, Règne de Henr...

Fishes & Sea Life Print: Shark, Seahorse, Sunfish, Stingray – Antique 1867 This striking antique print depicts a wide variety of marine life, including sharks, rays, sunfish, seahor...

Bird’s-Eye View of Charleston, South Carolina – Panoramic City Engraving, 19th C. This impressive 19th-century engraving titled Bird’s-Eye View of Charleston presents a sweeping pan...

Crocodiles, Lizards & Reptiles Print: Alligator, Monitor, Iguana – Antique 1867 This striking antique print depicts crocodiles, alligators, lizards, monitors, and iguanas, rendered ...

Marine Mammals Print: Whales, Seals, Narwhal & Dolphin – Antique 1867 This beautiful antique print depicts a variety of marine mammals including whales, seals, dolphins, and a narwh...

This large and dramatic 19th-century color lithograph depicts an exotic hunting scene titled Chasse au Condor (Australie). Set within a rugged and expansive landscape, the compositio...

Molluscs & Marine Invertebrates Print: Octopus, Slug, Snails, Conch – Antique 1867 This detailed antique print depicts a wide range of molluscs and marine invertebrates, including o...

Spanish Steps & Trinità dei Monti, Rome – Iconic City View, 1869 This iconic lithograph presents the Church of Trinità dei Monti overlooking the Spanish Steps, one of Rome’s most re...

Early French Warriors and Nobility, Gaulish to Norman Cavalry, 4-Plate Set, ca. 1860 A powerful and visually unified set of four original 19th-century hand-colored engravings depict...

Wonderful print of the decoration found on an antique Chinese vase Lithograph Published by A.Morel, Paris, France. circa 1860 Unframed.  

Title: 1867 Hand-Colored Lithograph of South American Butterflies and Passionflower – A Stunning Natural History Artwork Description: This beautiful 1867 hand-colored lithograph p...

Title: Baptistery of Constantine, Lateran, Rome – Benoist 1869 Lithograph Description: This finely executed 19th-century lithograph depicts the interior of the Baptistery of Constan...

Large Mammals Print: Elephant, Rhino, Hippo & Tapir – Antique 1867 This impressive antique print depicts large mammals including elephants, rhinoceroses, hippopotamuses, and tapirs,...

This vintage botanical illustration captures the lush landscape of Serra dos Órgãos in Brazil during the early 19th century. The focal point of the image is the Arecoideae palm, depi...

Church of La Merced in Honduras – Antique Engraving by Énault, 1867 This fine 19th-century engraving depicts the historic Church of La Merced in Honduras, as published in Louis Énau...

Title: Basilica of San Lorenzo fuori le Mura Interior, Rome – Benoist 1869 Lithograph Description: This impressive 19th-century lithograph depicts the interior of the Basilica of Sa...

Papal Procession at St Peter’s, Rome – Antique Ceremonial Print, 1869 This original antique lithograph, printed in Paris in 1869, captures a solemn papal procession within St Peter’...

Freshwater Fish Print: Pike, Catfish, Eel, Trout – Antique 1867 This detailed antique print depicts a variety of European freshwater fish, including pike, catfish, trout, eels, and ...

Islamic Costume Print Pilgrim Attire of Mecca, 1863 Dutch Lithograph This refined 19th-century lithograph titled “Het Pelgrimsgewaad” (The Pilgrim Attire) offers a visually compelli...

Victorian Cabinet Minister – Vanity Fair Statesmen No. 6, 1869 Description: This early Vanity Fair chromolithograph was published on March 13, 1869. The sitter is portrayed leaning ...

Snakes Print: Boa, Python, Viper, Coral Snake – Antique 1867 This dramatic antique print depicts various snake species, including boas, pythons, vipers, and coral snakes, rendered i...

Islamic Landscape Print Mountain of Hira Mecca, 1863 Dutch Lithograph This serene and symbolically powerful lithograph, titled “De Berg Hirâ (de berg des lichts)” or “The Mountain o...

Antique Set of Three Botanical Fern Prints by E.J. Lowe (1868) – Aspidium Series Chromolithographs Description: This rare and exquisite set of three original hand-colored botanical fern prints was created by the esteemed British botanist Edward Joseph Lowe...

Title: 19th-Century Chromolithograph of Nazareth – Biblical Landscape After David Roberts Description: This fine chromolithograph presents a picturesque view of Nazareth, the hi...

Swiss Guard in Cuirass: Handcolored Print of Ceremonial Armor, Plate 42, 1862 This majestic handcolored lithograph, Swiss Guard in Cuirass, is Plate 42 from the 1862 second editio...

Great image of apples Chromo-lithograph Published by Edward Arnold. circa 1860 Unframed. It gives you the option of perhaps making a set up using your own choice of frames. ...

Beetles Print: Stag Beetle, Scarab, Longhorn & Jewel Beetles – Antique 1867 This detailed antique print depicts a wide variety of beetles, including stag beetles, scarabs, longhorn ...

Antique Hand-Colored Fern Prints - Aspidium Acrostichoides, Cristatum, and Rigidum - 19th Century Botanical Art This beautiful set of three antique hand-colored fern prints showcases the intricate detailing of three distinct species from the *Aspidium* genus. These prints are part of *Ferns: British and Exotic*, a classic 19th-century botanical publication known for its exceptional accuracy and artistic appeal. The species depicted in this set include: - **Aspidium acrostichoides** (Christmas Fern): This species is characterized by its dense, evergreen fronds, depicted with great attention to texture and spore-bearing sori. This fern is one of the most well-known in Victorian botanical studies. - **Aspidium cristatum** (Crested Shield Fern): With its delicate fronds and clusters of round sori, the Crested Shield Fern is expertly illustrated to show its botanical structure and intricate design. - **Aspidium rigidum** (Rigid Fern): This print highlights the structure of the fern’s stiff fronds, showing the distinctive brownish spore clusters that set this species apart. It captures the fern’s upright posture, making it a fine addition to any botanical collection. These prints were originally published in *E.J. Lowe’s* celebrated *Ferns: British and Exotic*, which was produced between 1856 and 1860. Lowe, a renowned Victorian botanist, provided both scientific insight and aesthetic beauty through these illustrations, created using the chromolithographic printing technique. This method allowed for vibrant, multi-layered colors, giving these ferns life-like qualities that still resonate today. Each print measures approximately 12 x 8 inches, making them ideal for framing and display in any space that appreciates botanical history. They are not only perfect for collectors of botanical art but also for those looking to bring nature-inspired decor into their home. Condition Report: All prints are in good condition, with some minor foxing and age related toning, mostly on the edges. The colors are vivid, and the details remain crisp despite the prints’ age. Keywords: antique fern prints...

Minerals & Crystals Print: Quartz, Calcite, Ore Rocks, Crystal Shapes – Antique 1867 This detailed antique print depicts a variety of minerals, rocks, ores, and crystal shapes rendered in fine hand-coloured engravings. It originates from the Atlas der Natuurlijke Geschiedenis voor scholen en huisgezinnen, adapted into Dutch by T.C. Winkler after Traugott Bromme, and published in Amsterdam by J.C. Loman in 1867. Created for educational use, this plate introduced 19th-century students to mineralogy and crystallography, showing both rock specimens and geometric crystal models. The labelled figures include: 1–6. Crystal forms and geometric models (various prism, pyramid, and rhombohedron shapes used in mineralogy) 7\. Anthracite coal 8\. Bituminous coal 8a. Jet 8b. Lignite 9\. Sulphur ore 10\. Iron pyrite (fool’s gold) 10a. Iron ore with gangue 10b. Hematite ore 11\. Quartz crystal cluster 12\. Feldspar crystal 13\. Mica 14\. Calcite crystal 15\. Galena (lead ore) 16\. Malachite (copper carbonate) 17\. Rock crystal (quartz group) 18\. Siderite crystal 19\. Red jasper 20\. Petrified wood 21\. Baryte (heavy spar) 22\. Serpentine 23\. Garnet cluster 24–26. Further geometric crystal models showing mineral habit Produced using copper engraving with meticulous hand colouring, the print shows precise linear details and realistic mineral colours, capturing each sample’s luster, cleavage, and fracture for geological identification. These plates served as essential educational references before photographic mineral guides were widely available. Condition summary: Good condition for its age, with slight overall toning and minor scattered foxing mainly in the margins. The paper remains strong with no tears or repairs, and the hand colouring is vivid and well-preserved. Framing tips: Frame this mineralogy print in a black, dark wood, or walnut frame with a cream or off-white mount to enhance its fine engraved details and earthy mineral tones. For traditional settings, a gold frame adds antique warmth and museum-like sophistication. UV-protective glass is recommended to preserve colours and prevent further toning. This antique natural history print will enrich any geology, mineral art...

Pèlerin - 1862 Hand-Colored Lithograph of a Pilgrim This 1862 hand-colored lithograph depicts a Pèlerin, or Pilgrim, embodying the humility and devotion of those on spiritual jour...

This page from "The Illustrated London News," dated 1863, captures two vibrant scenes from Victorian England, highlighting the era's popular leisure activities. 1. Top Illustration: "Ballooning at Cremorne" The upper image showcases the excitement of a balloon race...

Wonderful print of a Chinese and Japanese plate Lithograph Published by A.Morel, Paris, France, circa 1860 Unframed.

Antique Handcolored Print of a Reformed Redeemer in Ceremonial Robes, 1862 This original handcolored lithograph depicts a Reformed Redeemer, part of a religious order known for the...

Title: 19th-Century Hand-Colored Lithograph of European Butterflies – Admirals, Tortoiseshells, and Peacocks in a Natural Setting Description: This vibrant 19th-century hand-colo...

The print is a detailed illustration of poultry, specifically a family of chickens, set in a natural environment. Here is a description of this print: 1. Setting: - The scene is set in a rural, natural environment with a tree and foliage in the background, providing a peaceful and serene atmosphere. 2. Main Elements: - Rooster and Hens: The central focus is a rooster standing proudly, with hens around him. One hen is sitting protectively, likely guarding her chicks. - Chicks: Several chicks are depicted, some standing and others nestled close to the hens. They are shown in various states of activity, adding liveliness to the scene. - Additional Birds: There is a bird perched on a branch in the background, contributing to the overall richness of the avian life depicted. 3. Foreground Details: - The poultry are illustrated with meticulous detail, showcasing their feathers, beaks, and natural behavior. The chicks, in particular, add a tender and familial touch to the scene. 4. Text: - The text below the illustration provides titles in both German and English: - **German**: "Eine Hühnerfamilie," which translates to "A Chicken Family." - **English**: "Poultry." 5. Artists: - The print is signed by "M. Hondekoeter pinx," indicating the original painting was by Melchior d'Hondecoeter, a Dutch painter known for his bird and poultry paintings...

This 1864 engraving features the Emancipation Proclamation in elaborate calligraphic text, with five patriotic vignettes and a small portrait of Lincoln. This is the second issue of ...

Mammals Print: Bears, Fox, Otter & Skunk – Antique Hand-Coloured 1867 This beautiful antique print presents a detailed study of various mammals including bears, foxes, otters, and o...

Wonderful image of The Death of General Wolfe In the Battle of Quebec Fine steel engraving after West Published by Blackie & Son circa 1870 Unframed. Free shipping

Presented is a wood engraving, entitled "Abraham Lincoln." This handsome seated portrait depicts President Abraham Lincoln. He is bearded, in a suit and bow tie, seated in a wooden c...

Presented is a Proclamation of Emancipation wood engraving by W. Roberts. The engraving was published in 1864, just one year after President Abraham Lincoln signed the original Proclamation.  W. Roberts was the artist and engraver and Corydon Alexis Alvord was the printer. The engraving was published by R. A Dimmick, in New York, 1864. The text of the Proclamation is set in a variety of typefaces, which is encased in a pictorial border. The border is decorated with a portrait of Abraham Lincoln and seven other vignettes, including the horrors of slavery at left, the bombardment of Fort Sumter at bottom, and scenes from a prosperous and united nation at right.  On September 22, 1862, five days after the Union victory at the Battle of Antietam, Lincoln issued a preliminary decree stating that, unless the rebellious states returned to the Union by January 1, freedom would be granted to slaves within those states.  No Confederate states took the offer, and on January 1, 1863 Lincoln presented the Emancipation Proclamation...

Cardinal en Habit de Ville (Cardinal in City Attire), Plate 13, 1862 This elegant handcolored lithograph, *Cardinal en Habit de Ville* (Cardinal in City Attire), Plate 13 from *Al...

Title: Set of Four Antique French Medieval Military Costume Prints, circa 1860 Description: A decorative set of four original antique French engravings illustrating medieval knights...

Old print of Indian decorative art. This print originates from 'L'Ornement polychrome'. A beautiful work containing about 2000 patterns of all the st...