Blaue Reiter

Beautiful aerial images of abstract, colorful landscapes reveal the ways how humans and industries affect the environment. The subjects range from oil drilling and coal ash waste to ...

An elegant original lithographic poster by Wassily Kandinsky for “der Blaue Reiter,” a group

Franz Marc (1880-1916), Germany, Member of "Blaue Reiter", expressionist. Helio etching on paper

elements. These playful, colorful pieces echo naive forms of the Der Blaue Reiter. Uses color field from

elements. These playful, colorful pieces echo naive forms of the Der Blaue Reiter. Uses color field from

Munich in the months leading up to the emergence of the Blaue Reiter group and found inspiration in the

, particularly the Munich based group "Der Blaue Reiter" (The Blue Cavalier) and Linz painting school of Matthias

At the moment of the Blaue Reiter, Kandinsky’s imagery was still rooted in the representational

Cramer was an active painter, photographer, printer, and illustrator. Drawing influence from Blaue Reiter

Braque. He lived in Munich in the months leading up to the emergence of the Blaue Reiter group and found

Munich in the months leading up to the emergence of the Blaue Reiter group and found inspiration in the

Munich in the months leading up to the emergence of the Blaue Reiter group and found inspiration in the

Austria). The influence of German Expressionism, particularly the Munich based group "Der Blaue Reiter

" Blaue Reiter:" In1913 he established American reputation with pioneering series of abstract paintings

Künstlervereinigung München’ (‘New Artist’s Association Munich’) that put forward the editorial team for the Blaue

the Blaue Reiter, and eventually taught and worked as artist-in-residence at the Bauhaus

the Munich expressionist movement, Der Blaue Reiter, literally the Blue Rider. This group was founded

was influenced by the Munich expressionist movement, Der Blaue Reiter, literally the Blue Rider. This

expressionist movement, Der Blaue Reiter, literally the Blue Rider. This group was founded by Wassily Kandinsky

, and was influenced by the Munich expressionist movement, Der Blaue Reiter, literally the Blue Rider

, Germany, and was influenced by the Munich expressionist movement, Der Blaue Reiter, literally the Blue

Expressionist painter Wassily Kandinsky, and joined Wassily's group Der Blaue Reiter. Arp also became associated

of the group was dramatic and acclaimed Blaue Reiter,Futurist- Expressionist fellow Russian artist

di N. Goncharova, pag. 40, Turin 1968; Galleria d’arte moderna Turin, Blaue reiter – Il cavaliere

influenced by the Munich expressionists called the "Blaue Reiter," or "Blue Rider" group. The group was

1911, he became associated with the Blaue Reiter group, and exhibited with them in the Galerie Der

with the Der Blaue Reiter group in Germany in 1912, and at the Armory Show in New York the following

. The influence of German Expressionism, particularly the Munich based group "Der Blaue Reiter"

Wassily Kandinsky, Russian (1866 - 1944) - Der Blaue Reiter, Year: 1911, Medium: Woodblock on

"Der Blaue Reiter - Entwurf zur Komposition Nr. 4" from 1914 is a color lithograph of Wassilij

Geistige in der Kunst (Concerning the Spiritual in Art) and the Blaue Reiter almanac, which he edited with

painter influenced by Der Blaue Reiter, Cubism, Futurism, Neo-Primitivism, Constructivism, and

spiritualist and aesthetic aspects of the Blaue Reiter. Her Sombre Still-life was presented at the first Blaue

Künstlervereinigung in Munich, Der Blaue Reiter, the Armory Show in New York, and illustrated a collection of poetry

of the 20th century: Blaue Reiter alongside Kandinsky, Dada movement with Tzara… Arp was a protean

movements in the first half of the 20th century. He took part in the creation of the Almanach of the Blaue

movements in the first half of the 20th century. He took part in the creation of the Almanach of the Blaue

the creation of the Almanach of the Blaue Reiter group initiated by the Russian Kandinsky, a mythical

20th century. He took part in the creation of the Almanach of the Blaue Reiter group initiated by the

of the 20th century. He participated in the creation of the Almanac of the group Blaue Reiter

studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely

studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely

, Together, these artists formed the short-lived Der Blaue Reiter group. Due to the outbreak of World War I

studying the linocuts of Picasso and Der Blaue Reiter during her time at Christie’s, and she is largely

Cubism and the works of Der Blaue Reiter that were working in a colorful decorative style similar to the

. In Berlin, Ronget was exposed to Cubism and the works of Der Blaue Reiter that were working in a

early in his schooling, he was a member of the Blaue Reiter, exposed and encouraged by the experimental

and after the war, the young artist relocated to Munich, where he was exposed to the Blaue Reiter

- at the very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky

groups like the Brücke and Der Blaue Reiter, and with the political Novembergruppe, as well as artists

Die Brücke and Der Blaue Reiter. As Dzubas told curator Charles Millard in 1982, “Their unheard-of

twentieth-century art since - at the very latest - the publication of the Der Blaue Reiter, an almanac in

very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz

very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz

Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz Marc, who brought out the almanac

very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz

very latest - the publication of the Der Blaue Reiter, an almanac in 1912. Wassily Kandinsky and Franz