Veneer Linen Presses

A striking 1930s Art Deco walnut tall linen cabinet, beautifully figured throughout with dramatic bookmatched burr veneer to the doors and drawer fronts. Designed with two drawers o...

Compact walnut linen cabinet with a drawer over double doors. Inside are fixed shelves for practical storage. The drawer is dovetailed, and the handles are metal. Raised on cabriol...

An elegant French semainier or tall chest of having rosewood veneer with marble top, featuring a slightly narrower (hidden) top drawer over six larger drawers beneath. The drawer fro...

Art Deco figured walnut linen press/chest of drawers of superb quality. English. Circa 1930. Made by cabinet maker J L Wriglesworth of Bradford. The press has a solid walnut top an...

The Marot cabinet A Magnificent Walnut Burr Cabinet on stand or 'kruisvoetkabinet' in the style of Daniel Marot Circa 1720, probably made for George Clifford III in Amsterdam or the Hague The cabinet is one of the rarest examples of a so-called Kruisvoetkabinet, which is translated to Cabinet on stand. The cabinet is raised on a stand with eight legs and tree drawers. Below the drawers and on the sides are five carved ornaments. The hollow formed corners are mounted with carved ornaments too. The upper part of the cabinet has two doors decorated with panels and on each door two carved ornaments in Marot style. The cabinet has a double dome top.The interior of the cabinet has tree shelves and five drawers. The brass fittings and handles are original and finished with gilt lacquer. The cabinet is made of oak and veneered with burr walnut. The carvings, turned parts and the ball feet are made of solid walnut. This cabinet is a unique piece of Dutch furniture. Cabinets on stand became popular in the third quarter of the 17th century and were made until the second quarter of the 18th century. Most of the dutch cabinets on stand...

19th-Century Biedermeier Mahogany Wood and Veneer Linen Press Furniture made of mahogany wood and mahogany veneer on softwood, dating back to the first half of the 19th century. Sin...

A rare Dutch Renaissance 17th-century Maternity room or Child's cabinet, in Dutch called 'Luiermandskast' circa 1650, possibly the circle of Herman Doomer...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

Of fine quality, the tall and impressive cabinet in the neoclassical taste with canted corners all capped by a pierced gallery above a case fitted with two hinged doors of book-match...