Botanical Plates

textural seed heads, are rendered with a clarity and botanical accuracy that make the plates both

Set of 8 Antique Botanical Engravings of Avena, Arundo and Meadow Grasses, c.1830 This refined set

separately to mix with those with the botanical print. The plates are intact and have no scratches.

, regularly featuring detailed botanical plates. - Publication Date: These prints are from an unspecified

Set of Four Colorful Botanical Flower Prints from Book of Worlds, circa 1850 This beautifully

A Flourish of Flora: Wedgwood's Botanical Creamware Plate, 1862 This elegant piece is a Wedgwood

illustrations of French cheeses surrounded by botanical motifs. Each plate features a different scene with

frieze provides contrast and structure. The lower half of the plate continues this botanical narrative

distinct botanical motif. The plates are individually identified with the flower’s name on the reverse, The

Persian-Turkish Faience Plate with Tulip and Artichoke Motif – Julius Lessing, Berlin 1890

Victorian, botanical wildlife art, antique book plate animal, museum wildlife illustration, rustic interior

Title: Hand-Colored Botanical Engravings of Insipid, Yellow, and Glaucous Stone-Crops, 1902

historians, and collectors of fine botanical art. Condition report: Both plates are in good condition, with

several positions alongside eggs, chrysalis, and botanical elements, while the companion plate focuses on

overpowering the engraved line. The combination of moths and botanical elements gives the plates both

Garden and Greenhouse*, one of the most celebrated late-Victorian botanical works. Each plate presents a

lithographs. These plates remain valued for their visual record of regions undergoing rapid transformation in

plates combined botanical precision with rich coloration, making them both scientifically valuable and

Greenhouse by Edward Step. These finely detailed plates, drawn by botanical artist B. Herincq, capture the

scene of labor and logistics in the plantation belt. The third plate is a botanical study presented as

botanical art. Condition report: Both plates retain strong color and sharp detail. Very light toning around

associations make it a particularly compelling subject for botanical collectors. The second plate features

Michael Aram botanical leaf laurel polished nickel plate and cork wine bottle coaster The Laurel

department of The Garden publication in 1880, Moon became their illustrator for many botanical and

of The Garden publication in 1880, Moon became their illustrator for many botanical and horticultural

department of The Garden publication in 1880, Moon became their illustrator for many botanical and

of The Garden publication in 1880, Moon became their illustrator for many botanical and horticultural

publication in 1880, Moon became their illustrator for many botanical and horticultural plates, he also

botanical and horticultural plates, he also painted for other publications including The English Flower

1880, Moon became their illustrator for many botanical and horticultural plates, he also painted for

their illustrator for many botanical and horticultural plates, he also painted for other publications

their illustrator for many botanical and horticultural plates, he also painted for other publications

1880, Moon became their illustrator for many botanical and horticultural plates, he also painted for

many botanical and horticultural plates, he also painted for other publications including The English

art department of The Garden publication in 1880, Moon became their illustrator for many botanical and

1880, Moon became their illustrator for many botanical and horticultural plates, he also painted for

became their illustrator for many botanical and horticultural plates, he also painted for other

for many botanical and horticultural plates, he also painted for other publications including The

illustrator for many botanical and horticultural plates, he also painted for other publications including The

illustrator for many botanical and horticultural plates, he also painted for other publications including The

George Brookshaw Print of Pears from Natural History Art, Botanical, Fruit, Brookshaw, Pomona

botanical beauty in equal measure. Plate XII from L'Ornement Polychrome, it is a superb example of 19th

actual shape of the plates contribute to the botanical theme. Each plate is embellished with gold for a

of The Garden publication in 1880, Moon became their illustrator for many botanical and horticultural

botanical specimens. The plates are systematically organized and accompanied by descriptive text, making the

Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses Harris

of The Garden publication in 1880, Moon became their illustrator for many botanical and horticultural

became their illustrator for many botanical and horticultural plates, he also painted for other

many botanical and horticultural plates, he also painted for other publications including The English

illustrator for many botanical and horticultural plates, he also painted for other publications including The

department of The Garden publication in 1880, Moon became their illustrator for many botanical and

1880, Moon became their illustrator for many botanical and horticultural plates, he also painted for

1880, Moon became their illustrator for many botanical and horticultural plates, he also painted for

publication in 1880, Moon became their illustrator for many botanical and horticultural plates, he also

their illustrator for many botanical and horticultural plates, he also painted for other publications

department of The Garden publication in 1880, Moon became their illustrator for many botanical and

became their illustrator for many botanical and horticultural plates, he also painted for other