Botanical Plates

Warm white or ivory mats help balance the paper tone and highlight the fine botanical details. Double matting enhances depth and accentuates the plate marks.

Maund, a Fellow of the Linnean Society, sought to make horticultural knowledge accessible through art, offering both accuracy and aesthetic pleasure. These plates represent a perfec...

Originally created as botanical reference plates, these engravings now stand firmly as decorative artworks.

Published in London in 1828 as part of The Botanic Garden, these plates depict ornamental flowering plants cultivated in Great Britain.

These exquisite prints exemplify the harmony between scientific illustration and artistic beauty, hallmarks of early Victorian botanical art. Each plate features four different flowe...

Part of the legendary Lubbock Family Service, each urn features a series of exquisite, hand-painted botanical specimens derived from the plates of William Curtis’s Botanical Magazine.

These engravings beautifully express the balance of scientific detail and artistic sensitivity typical of Edwardian botanical illustration. Each plate includes magnified details of f...

Once common in salt marshes and damp meadows across Europe, wild celery’s natural elegance and culinary connection make it a particularly interesting subject in botanical art. The c...

The subtle greens, purples, and pinks are carefully balanced, reflecting the aesthetic harmony prized in Edwardian botanical illustration. Together, the three plates form a graceful ...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Stark’s unique perspective as an Edinburgh-based nurseryman and seedsman allowed him to capture the botanical essence of each specimen with remarkable fidelity, making these plates b...

Financial success was not found, but he went on the publish The Botanical Magazine in 1787, a work that would also feature hand coloured plates by artists such as James Sowerby and S...

Each composition unites scientific accuracy with artistic grace, making Maund’s plates as treasured for interior decoration as for botanical study.

For a more traditional look, slim gilded frames suit the botanical style perfectly. Leave the plate impression visible for maximum authenticity.

The clean layout, fine lettering, and botanical accuracy of these plates make them exemplary of early Victorian taste and craftsmanship.

Slim gilt frames offer a more classical botanical presentation. Keeping the plate mark visible enhances authenticity.

Every plate combines accurate botanical structure with artistic charm.

Likely published around 1830 in a European botanical compendium, these plates combine both aesthetic appeal and botanical accuracy, showcasing species that include sweet vernal grass...

The dinner set consists of 30 pieces: 6 dessert or appetizer plates with a diameter of 19.5 cm 12 soup plates with a diameter of 23cm 12 dinner plates with a diameter of 24.5 cm Th...

These plants, known for their fine linear forms and textural seed heads, are rendered with a clarity and botanical accuracy that make the plates both scientifically valuable and visu...

Simple natural wood frames such as oak, birch or maple create a clean contemporary presentation, while slim gilt frames provide a more classical botanical look. Leaving the plate imp...

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Known for its scientifically accurate and artistically refined illustrations, the Book of Worlds combined educational content with decorative appeal, making it a favorite among schol...

Details about the Maker, Publisher, and Publication: - Maker: The chromolithographs were likely produced by P. de Pannemaeker or Severeyns, renowned for their expertise in chromolith...

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

Designed by Paul Mathieu for the Stephanie Odegard Collection. The Plate I Candlestick uses Green Marble — a stone of botanical warmth — in a simple plate-base form.

This pair represents a particularly fine surviving example of early Japanese export porcelain, combining an elaborate scalloped and ribbed profile with an unusually distinctive botan...

A set of Limoges porcelain plates, made in France for Laure Japy Paris, decorated with elegant illustrations of French cheeses surrounded by botanical motifs.

The lower half of the plate continues this botanical narrative with more stylized vegetal forms, subtly incorporating gothic scrolls and a tapestry-like composition.

A rare and exceptionally charming set of nine hand-painted Paris porcelain plates, each featuring a distinct botanical motif.

A classic large Chinoiserie blue and white porcelain shallow bowl, planter, or decorative charger plate. The painted botanical motifs are balanced with a crisp border detail, offerin...

Such pieces were admired for their balance between geometry and naturalism, representing the spiritual symbolism of nature within Islamic art. The plate’s stylized botanical ornament...

Botanical Peridot Earrings in Gold Plated Silver, French Hook.

Richly ornamented with figural and botanical motifs, this antique silver-plated copper samovar was crafted in the United States by Reed & Barton circa 1905.

A plate like this suits a kitchen, study or garden room, and it hangs well in a group with other Bertuch botanical sheets of the same size.

Style : French Country Rustic Hollywood Regency Mid-Century Modern Botanical Key Features : Complete French majolica soup service France, 1970s 1 soup tureen with lid 1 matching ser...

With its sculptural contours, deep cobalt blue borders, delicate botanical motifs, and extraordinary pierced plates, this collection captures the artistic spirit of Lorraine at the t...

The interiors are painted with botanical studies after the Flora Danica plates, each plant shown with its flowers, foliage and roots, the inner borders scattered with small buds and ...

Pierre-Joseph Redouté (1759–1840) Amaryllis brasiliensis, Original Plate 469 from Les Liliacées, Stipple Engraving with Original Hand Colouring, C.1805 A fine and fresh example of o...

Woodland Animal Print – Victorian Flying Squirrel Illustration, Soft Green, 1894 DESCRIPTION: This delicate chromolithograph depicts flying squirrels gliding among branches, rendere...

Pair of Royal Copenhagen 'Flora Danica' Porcelain Lidded Tureens Danish, 20th century Height 16cm, diameter 23.5cm This pair of hand-painted tureens belongs to the Flora Danica servi...

Together, these three plates celebrate both botanical study and natural artistry.

A classic large Chinoiserie blue and white porcelain shallow bowl, planter, or decorative charger plate. The painted botanical motifs are balanced with a crisp border detail, offerin...

Together, they form a striking decorative pair and a valuable reference for rosarians, garden historians, and collectors of fine botanical art. Condition report: Both plates are in ...

Antique orchid and bromeliad chromolithographs – Karatas, Aechmea & Billbergia – 1897 This fine set of three chromolithographs was published in 1897 as part of Edward Step’s *Favour...

One plate presents the adult moth in several positions alongside eggs, chrysalis, and botanical elements, while the companion plate focuses on the larval stages and host plant in gre...

These finely printed plates combined botanical precision with rich coloration, making them both scientifically valuable and highly decorative.

The combination of moths and botanical elements gives the plates both educational value and strong decorative appeal.

These finely detailed plates, drawn by botanical artist B. Herincq, capture the exotic beauty of flowering plants from different parts of the world.

Marine mammal subjects from the early 19th century are considerably rarer than botanical or standard ornithological plates, adding greatly to the desirability of the piece.

The juxtaposition of wild and cultivated forms highlights the diversity of the genus and demonstrates Parsons’ ability to render both delicacy and vigor in botanical art. Condition ...