Botanical Plates

Likely published around 1830 in a European botanical compendium, these plates combine both aesthetic appeal and botanical accuracy, showcasing species that include sweet vernal grass...

These plants, known for their fine linear forms and textural seed heads, are rendered with a clarity and botanical accuracy that make the plates both scientifically valuable and visu...

Simple natural wood frames such as oak, birch or maple create a clean contemporary presentation, while slim gilt frames provide a more classical botanical look. Leaving the plate imp...

The dinner set consists of 30 pieces: 6 dessert or appetizer plates with a diameter of 19.5 cm 12 soup plates with a diameter of 23cm 12 dinner plates with a diameter of 24.5 cm Th...

Known for its scientifically accurate and artistically refined illustrations, the Book of Worlds combined educational content with decorative appeal, making it a favorite among schol...

Details about the Maker, Publisher, and Publication: - Maker: The chromolithographs were likely produced by P. de Pannemaeker or Severeyns, renowned for their expertise in chromolith...

Royal Copenhagen Flora Danica plate. Hand-decorated porcelain plate with botanical motif from the Flora Danica series, decorated outside the factory, finely executed with gilded rim ...

Royal Copenhagen Flora Danica, side plate. Hand-decorated porcelain plate with botanical motif from the Flora Danica series, decorated outside the factory, finely executed with gilde...

Floral Finesse: A Mid-Victorian Wedgwood Botanical Specimen Plate This elegant Wedgwood creamware plate, manufactured in 1862, serves as a stunning example of the enduring appeal of...

A set of Limoges porcelain plates, made in France for Laure Japy Paris, decorated with elegant illustrations of French cheeses surrounded by botanical motifs.

The lower half of the plate continues this botanical narrative with more stylized vegetal forms, subtly incorporating gothic scrolls and a tapestry-like composition.

A rare and exceptionally charming set of nine hand-painted Paris porcelain plates, each featuring a distinct botanical motif.

A classic large Chinoiserie blue and white porcelain shallow bowl, planter, or decorative charger plate. The painted botanical motifs are balanced with a crisp border detail, offerin...

Such pieces were admired for their balance between geometry and naturalism, representing the spiritual symbolism of nature within Islamic art. The plate’s stylized botanical ornament...

Brilliant crimson, black, and deep blue tones create a dramatic contrast against the soft botanical setting. The second plate presents an elegant collection of geometrid moths and b...

Pierre-Joseph Redouté (1759–1840) Amaryllis brasiliensis, Original Plate 469 from Les Liliacées, Stipple Engraving with Original Hand Colouring, C.1805 A fine and fresh example of o...

Woodland Animal Print – Victorian Flying Squirrel Illustration, Soft Green, 1894 DESCRIPTION: This delicate chromolithograph depicts flying squirrels gliding among branches, rendere...

A classic large Chinoiserie blue and white porcelain shallow bowl, planter, or decorative charger plate. The painted botanical motifs are balanced with a crisp border detail, offerin...

Together, these three plates celebrate both botanical study and natural artistry.

Marine mammal subjects from the early 19th century are considerably rarer than botanical or standard ornithological plates, adding greatly to the desirability of the piece.

Together, they form a striking decorative pair and a valuable reference for rosarians, garden historians, and collectors of fine botanical art. Condition report: Both plates are in ...

One plate presents the adult moth in several positions alongside eggs, chrysalis, and botanical elements, while the companion plate focuses on the larval stages and host plant in gre...

Antique orchid and bromeliad chromolithographs – Karatas, Aechmea & Billbergia – 1897 This fine set of three chromolithographs was published in 1897 as part of Edward Step’s *Favour...

The combination of moths and botanical elements gives the plates both educational value and strong decorative appeal.

These finely printed plates combined botanical precision with rich coloration, making them both scientifically valuable and highly decorative.

Executed as a lithograph with professional hand-colouring, the work displays refined tonal shading and delicate colour application, enhancing both botanical detail and atmospheric pe...

These finely detailed plates, drawn by botanical artist B. Herincq, capture the exotic beauty of flowering plants from different parts of the world.

The third plate is a botanical study presented as three panels: the tobacco plant at varying stages of growth, and a detailed large leaf.

The juxtaposition of wild and cultivated forms highlights the diversity of the genus and demonstrates Parsons’ ability to render both delicacy and vigor in botanical art. Condition ...

Its unique form and cultural associations make it a particularly compelling subject for botanical collectors. The second plate features Electryon excelsum (Titoki), a native tree th...

Nature’s Jewel: A Set of Three Victorian Wedgwood Hummingbird & Flowers Plates This enchanting set of three Wedgwood creamware plates exemplifies the Victorian era's fascination wit...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

George Brookshaw Print of Pears from Natural History Art, Botanical, Fruit, Brookshaw, Pomona Britannica, Plate LXXXV, Dated 1807 The publication legion below and center-rea...

Japanese Ornament Print – Antique Lithograph of Geometric & Floral Patterns, c.1869 This vibrant chromolithograph presents a dazzling array of Japanese ornamental designs, featuring...

The soft blue-green (teal-turquoise) palette makes a subtle statement while the actual shape of the plates contribute to the botanical theme. Each plate is embellished with gold for ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Individual plates are highly suitable for framing, offering a rich source for interior design projects, particularly in natural history, botanical, or classic European-themed interio...

This is a hand-colored engraving depicting the natural history of Pinkunderwing Moths, Cream Spotted Tyger Moths in their natural botanical environment, which is plate 4 from Moses H...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...

Four years (1885-1889) were dedicated to illustrating a great deal of Reichenbachia (orchid studies) for H F C Sander, printing plates from Moon's woodcut etchings. His name remains ...