Brass Cladding

The lamp features a circular teak base resting on four solid brass feet, supporting a slender brass stem partially clad in teak veneer.

The sheets are clad with genuine brass before applying the custom shapes to the board which allows us to achieve radius turns with brass not seen in other designs.

Bernhard Rohne for Mastercraft acid-etched brass credenza, circa 1970s. The long, architectural case is clad in brass and fitted with richly detailed acid-etched doors in Rohne’s sig...

The Smooth Brass metal cladding is fitted over the carved solid-teak faces, the metal following the relief to preserve the three-dimensional surface beneath.

The legs are hand-carved from solid teak and clad in Smooth Brass metal from foot to apron; the top and serpentine apron are fitted in the same surface.

The front and sides are carved from solid pieces of teak by hand, the abstract organic forms drawn from one of Stephanie Odegard's rug designs. The Smooth Brass metal cladding follow...

The pattern is abstract and fluid, interlocking curved forms that read differently depending on the angle and the light. The Smooth Brass metal cladding is applied over the sculpted ...

Parsons form dining table by Mastercraft of Grand Rapids clad in brass sheet with brass edge trim and bevelled glass inserts Glass is tinted This table comes with no leaves although ...

The handles are of interesting and unusual construction with a wooden grip half-clad in brass, held in place by cast brass fixings and mounted on a shaped brass plate.

The arms are included in the metal cladding — the Smooth Brass skin runs across the arm rests and down their edges with the same flush-set nail lines that mark every seam throughout ...

The cabriole legs are clad in Medium Hammered Brass on the full S-curve without visible join.

The dense botanical relief, drawn from the floral motifs of the palaces of Rajasthan, covers the front, sides, and top continuously. The Medium Hammered Brass metal cladding is fitte...

The legs are carved from solid teak and clad in Smooth Brass metal; the top and apron are clad in the same surface.

The profile curves inward at the waist and flares at the top and base, an hourglass silhouette derived from the metal-clad storage furniture of Rajasthan. The entire exterior is clad...

The Floral Credenza 80" in Smooth Brass has carved floral vines across its full front face, drawn from the botanical motifs of Rajasthan's miniature painting tradition and pressed in...

The Louise Credenza in Smooth Brass has six cabriole legs, a serpentine front, and four cupboard doors flanking three central drawers with curved metal pulls, all clad in Smooth Bras...

The Floral Credenza 60" in Smooth Brass has carved floral vines across its full front face, drawn from the botanical motifs of Rajasthan's miniature painting tradition and pressed in...

Four cabriole legs, hand-carved from solid teak and clad in Smooth Brass metal, support a 72-inch top in the same Smooth Brass surface.

Back panel, seat, arm rests, apron, and four cabriole legs are all clad in Smooth Brass, each surface pattern-cut and hand-fitted in sequence.

The Louise Credenza in Smooth Brass is the storage form of the Louise series: six cabriole legs, a serpentine front, four cupboard doors on the outer sections, and three central draw...

The flat back edge sits against the wall, fully clad in Smooth Brass like every other surface. The serpentine apron follows the curved front between the three legs.

All surfaces are fully clad in Smooth Brass, including the flat back. The two outer legs are set at the rear corners; the third is centred at the front under the apex of the curve.

The Fleur de Lis Credenza was designed by Paul Mathieu for Stephanie Odegard Collection as the credenza form of the Louise carved series. In Smooth Brass, the Fleur de Lis pattern co...

The back, seat, arms, apron, and four cabriole legs are clad in Smooth Brass, the metal fitted by hand to each curved surface.

All surfaces, including the flat back, are fully clad in Smooth Brass metal. The serpentine apron follows the curve between the three legs.

Paul Evans king size bedframe with brass tiles, cladded squared tiles in brass make the structure exterior finish.

The Louise Card Table in Smooth Brass is 32 inches square, the four cabriole legs carved from solid teak and clad in Smooth Brass metal from foot to apron, the serpentine apron curvi...

Back, seat, arms, apron, and four cabriole legs are all clad in Smooth Brass, fitted by hand with flush-set nails marking the seam lines across the full exterior.

A leather-clad, brass-lidded humidor, designed by Carl Aubock II during the 1950s.

The Louise Long Credenza in Smooth Brass is 120 inches wide, clad entirely in Smooth Brass metal, with six cabriole legs across its full length.

The Louise Fleur de Lis Dresser in Medium Hammered Brass has nine drawers across 84 inches of carved surface, the Fleur de Lis pattern pressed into solid teak before the Medium Hamme...

Cabriole legs are clad in Medium Hammered Brass on the full S-curve.

The Louise Card Table in Smooth Brass has four hand-carved cabriole legs, a serpentine apron, and a 32-inch square top, all clad in Smooth Brass metal.

An exceptional Mid-Century handcrafted jewelry box from Taxco, Mexico, featuring a substantial brass case clad in meticulously hand-cut abalone shell mosaic.

The Floral Credenza 60" in Fine Hammered Brass has carved floral vines across its full front face, drawn from the botanical motifs of Rajasthan's miniature painting tradition and pre...

The Floral Credenza 80" in Medium Hammered Brass has carved floral vines across its full front face, drawn from the botanical motifs of Rajasthan's miniature painting tradition and p...

The Floral Credenza 80" in Fine Hammered Brass has carved floral vines across its full front face, drawn from the botanical motifs of Rajasthan's miniature painting tradition and pre...

The Floral Credenza 60" in Medium Hammered Brass has carved floral vines across its full front face, drawn from the botanical motifs of Rajasthan's miniature painting tradition and p...

The cabriole legs are carved from solid teak and clad in Smooth Brass metal following the compound S-curve.

The drawer fronts carry curved half-moon pulls formed from the Smooth Brass metal cladding. Interior: teak veneer with adjustable shelving behind four cupboard doors.

Back panel, seat, arm rests, apron, and four cabriole legs are all clad in Smooth Brass, fitted by hand to each curved and flat surface in sequence.

The repeating heraldic lily pattern is carved into solid teak before the Smooth Brass metal cladding is fitted over it, the metal pressed into the carved forms to preserve the relief.

Fascinating mid-century modern dining table featuring two massive pedestals clad in patinated brass having quatrefoil or clover forms.

All surfaces are clad in Smooth Brass including the flat back. The centre cabriole leg sits below the apex of the curve; the two outer legs are at the rear corners.

All surfaces clad in Smooth Brass. At 31 inches wide and 15.5 inches deep, the proportions suit a narrow entry hall or corridor.

The flat back edge is fully clad in Smooth Brass metal like every other surface.

Every surface is clad in Smooth Brass. At 31 inches wide and 30 inches tall, the proportions are those of a practical entry console.

Materials and Construction: They are typically made from solid wood and clad in brass, with ornate brass metal corner plates and brass studs forming geometric and Moorish-inspired pa...

The cabriole legs are carved from solid teak and clad in Smooth Brass metal. Interior: teak veneer with adjustable shelves.

A unique umbrella stand from the first half of the 20th. Made from wood and brass with a triangular shape perfect for tucking into a corner, made of wood and clad in brass sheets em...

Dimensions Width: 180 cm (70.9 in) Depth: 45 cm (17.7 in) Height: 75 cm (29.5 in) Materials Hand-cut glass cladding Polished brass inlays Solid wood structure Polished brass...

Side panels, doors and legs clad in burnished brass. Top and inside in walnut Colore.

This sculptural vessel features a dramatic tapered form crafted in solid brass and fully clad in a mosaic of iridescent abalone shell inlay, creating a luminous surface of shifting b...

The Louise Long Credenza spans 120 inches, ten feet of continuous Smooth Brass metal cladding across a serpentine front, curved sides, and a long flat top.

These are complemented by recessed brass handles on the drawer fronts, which are designed to sit flush with the surface, contributing to the minimalist aesthetic and preserving the v...

A celebration of narrative design and luxury craftsmanship, this sculptural lounge chair evokes the rich textures and vibrant fauna of Southern Africa. The curved shell is clad in s...

The form is three surfaces: a flat top and two vertical sides that reach the floor. The Medium Hammered Brass metal cladding covers all three without interruption, the hammered textu...

Every surface, including the flat back edge, is clad in Smooth Brass metal. The teak structure is built to the half-moon form before Smooth Brass metal sheets are pattern-cut and fi...

The Monolithic Sideboard is made of a walnut wood structure and is cladded in patinated brass sheet folded and facetted around the corners.

Ninety-six inches of Medium Hammered Brass metal cladding across a hourglass profile, the sides arcing inward at the waist and flaring at each end, the lid opening to a teak-lined in...