Buddhist Antique

-century Himalayan Buddhist art, originating from Nepal. Cast in solid bronze, the figure is shown in the

altar displays for Buddhist ceremonies and ritual offerings. The vessel is a variation on the sacred oil

relief with Buddhist motifs, now faint from centuries of wear. A procession of animals of the zodiac

the figure. A beautifully executed and evocative example of classical Buddhist sculpture.

associated with Gandharan-influenced Buddhist imagery. The surface shows a naturally developed patina with

Buddhist art, originating from Nepal. Expertly cast in solid bronze and fire gilded with 24-karat gold, the

genuine miniature example of Southeast Asian Buddhist art. Antique wooden Burmese Buddha statue Material

Buddhist sculpture, distinguished by its elegant proportions, assured modeling, and exceptional surface

. Exquisitely hand-painted, it features a gathering of Buddhist monks adorned with gilded halos, which in

Japanese courts. Most experts agree that this breed began in China and migrated to Japan with Buddhist

crafted example of early East Asian Buddhist sculpture. The figure stands 7.5 inches tall (bronze only

formative period of Korean Buddhist sculpture, almost certainly dating to the 10th century or earlier. Based

isshu no uchi 百人一首之内 (One Hundred Poems by One Hundred Poets)." This work features the Buddhist monk

example of Joseon-period Buddhist sculpture. The figure depicts the Buddha at the moment of his birth

work of Himalayan Buddhist art, distinguished by its rare construction, dynamic movement, and

study Buddhist teachings and engage in doctrinal discussions. In ancient temples of Nara, the lecture

century, represents a remarkable survival from the formative period of Buddhist sculpture in Southeast

-century Tibetan folding table (choksi), originally used as an altar surface for Buddhist prayer offerings

enamel. Historically, such censers were used in religious rituals, ceremonies in Taoist and Buddhist

borders and a polychromed design of lotus petals. A common motif in Buddhist art across cultures, the

, painted in white with sweeping brushstrokes atop an allover rust-red finish. A common motif in Buddhist

enveloped in a ring of broad lotus petals. A common motif in Buddhist art across cultures, the lotus flower

grace that define Tang Buddhist sculpture. Standing with gentle contrapposto and subtle forward movement

material seldom encountered in Himalayan Buddhist sculpture, and immediately sets this figure apart. The

. Seated with narrowed eyes in deep meditation and hands in Buddhist Abhaya Mudra position offering a

lbs/15.1 kg. Bonshô are integral to Japanese Buddhist temples, used for calling monks to prayer and

columns of Tibetan Buddhist temples or imperial halls. On the Design: This pillar rug serves as a

-century Tibetan figure represents a blend of Buddhist and Hindu iconography, depicting a deity that

depicting Raigo Ajari ( the priest Jitsusobo ) breathing out his curses and tearing up the Buddhist scrolls

-style Buddhist sculpture from Burma (Myanmar). Crafted from stucco (masonry stone), the monumental piece

Buddhist art, originating from Nepal and dating to the late 19th / early 20th century. Standing an

plate along the bottom. All plates feature the cutout design of the Buddhist Swastika symbol. There are

array of Buddhist motifs and florals, including vajras for compassion and lotus flowers for purity and

Asian, and subtle Buddhist influences converge in a harmonious and highly decorative composition. The

traditional Buddhist and Taoist symbolism: A dynamic golden dragon chases the "Flaming Pearl of Wisdom

, this sculpture is a fine example of traditional Thai Buddhist art with strong decorative presence

Buddhist art across cultures, the lotus flower is a symbol of purity, perfection and enlightenment of the

compassion traditionally associated with this revered figure in Buddhist iconography. The sculpture displays

temple, a 19th-century Hindu or Buddhist architectural sculpture, or a museum-quality artifact with

Buddhist household shrine from Myanmar (Burma), dating from the late 19th to early 20th century. Executed

or ritual troughs in Buddhist or Taoist temples. The lotus petal border (visible around the base of

Sensô-ji, Tokyo's oldest and one of its most significant Buddhist temples, located in Asakusa. The

guardian of the Buddhist teachings and monastic community. The fierce expression symbolizes the power to

numerous Buddhist stupas. Each was decorated with images of the Buddha in niches around the square bases

fifty-seven netsuke carvers, among whom were a shinto priest and several Buddhist priests.

simplicity and cultural heritage of Shan Buddhist tradition. Ideal for collectors and interior enthusiasts

and the use of ancient Buddhist symbols that represent a distinct artistic language developed over

period of Korean Buddhist sculpture, dating to approximately 1,000 years ago. Larger and far more complex

elephant may be understood in relation to a Buddhist idea of clearing away external phenomena, which are

signed Gyokushō (玉松). The mokugyō, or “wooden fish,” is a percussion instrument used by Buddhist monks of

20th century devotional object originating from Nepal, reflecting the region’s rich Buddhist sculptural

style Buddhist sculpture, originating from Laos and distinguished by its monumental presence and

Southeast Asian Buddhist art. Saenkajai—often referred to as the “Happy Monk” or “Contented One”—is revered

iconographic form, is a powerful and evocative survival from the formative period of Tibetan Buddhist sculpture

Nat spirits are popular guardian figures in Burma, stemming from pre-Buddhist animist beliefs. This

Buddhist art. Hand-painted on silk and canvas, it features intricate depictions of figures, likely

plateau are world renowned for their extraordinary graphic boldness and the use of ancient Buddhist