Buddhist Antique

earliest stone lanterns were carved with Buddhist images on the firebox and usually had compartments for an

expression characteristic of Lan Xang Buddhist art. A truly very special piece, it is ideal for discerning

-cast bronze figure of a seated Buddhist monk, originating from the Pyu or early Mon period of Burma

. Contained within two wooden covers, it features many pages of text written in Pali, the ancient Buddhist

: Yoshida Issen (1885-1956) was from a family of wood carvers who specialized in Buddhist sculpture and

hold and carry sacred objects during long journeys. Crafted over a century ago, a Buddhist follower may

striking contrast with the deep red and black underlayers — a hallmark of traditional Vietnamese Buddhist

appearance. Unlike the standard idealized or canonical facial types used in Buddhist imagery, this Buddha

, usually displayed in a tokonoma or butsudan "Buddhist altar". It is an ornament or figure, especially one

genuine rarity within the corpus of Burmese Buddhist art. The figure reflects strong stylistic continuity

. While Chola bronzes are predominantly Hindu, this impressive sculpture represents the Buddhist tradition

who carved the figure, and the name of what appears to be a Buddhist monk remains. Although the

collectors of Tibetan, Himalayan, or Buddhist art seeking a truly individual and scholarly piece.

hold and carry sacred objects during long journeys. Crafted over a century ago, a Buddhist follower may

This finely detailed Mongolian Buddhist thangka presents a luminous devotional composition centered

of miniature devotees and ritual figures—an iconic feature of early northern Indian Buddhist bronzes

-century Himalayan Buddhist art, originating from Nepal. Standing 85 cm high, the figures rest on finely

example of Tibetan Buddhist sculpture. A museum-quality Tsongkhapa bronze of exceptional refinement and

Yai) style Buddhist art. Crafted from wood and delicately gilded with 24 krt. gold, the statue

Buddhist monks surrounded by intricate brocade-style patterning. Two sculptural dragon handles, one forming

meditative serenity characteristic of Buddhist iconography. The elongated earlobes recall detachment from

of Buddhist heritage and craftsmanship. Made from palm leaves bound between two wooden covers and

cranial protuberance emblematic of Buddhist enlightenment. A fine-quality piece, representative of

served as an offering to Buddha. Some of the earliest stone lanterns were carved with Buddhist images on

Shōichi Kokushi, a monk and founder of Tōfuku-ji, a Buddhist temple in Kyoto. These cakes were believed to

Shōichi Kokushi, a monk and founder of Tōfuku-ji, a Buddhist temple in Kyoto. These cakes were believed to

exemplifies the serene elegance and ornamental richness characteristic of Burmese Buddhist sculpture of the

tranquil margin within the room. Rather than dominating a space like a large Buddhist statue, this piece

exceptional work and a standout piece of Asian and Korean Buddhist sculpture, suitable for the most advanced

advanced collectors of Tibetan, Himalayan, and Buddhist art.

Korean Buddhist bronze, rare in form, graceful in movement, and unusually well preserved example of its

1.5 kg, this exceptional work is an important example of early Burmese Buddhist art, ideal for

auspicious Buddhist symbols. These motifs are rendered in cool ivory and pale blue tones, producing a

brilliant Burmese Buddha is an outstanding piece for collectors of Southeast Asian Buddhist art, antique

. It tells the story of a priest at the Buddhist temple Morin-ji, in the city of Tatebayashi, in Gunma

Buddhist sculpture of exceptional scale, craftsmanship, and character—ideal for collectors seeking a

of more sophisticated early Buddhist metalwork. The bronze measures 4.5 inches tall, and reaches 5.5

Buddhist Monks.

right side couplet, 地⾏仙 “Earth-walking immortal” is a Chinese term originating from Buddhist scriptures

typical of Uthong-period Buddhist art. A timeless and contemplative object of devotion, suitable for both

artistic tradition of Burma (Myanmar), a country renowned for its deep-rooted Buddhist heritage. The

-average example of late 19th–early 20th century Himalayan Buddhist art, suitable for advanced collectors

for collectors of Burmese Buddhist art, marble statuary, and historically significant religious

-century Tibetan Thangka painting featuring a red ground with depictions of Buddhist figures. The central

. The finely modeled features, downcast eyes, and stylized hair curls reflect traditional Buddhist

China. It is believed that travelers to China brought stories about lions as Buddhist protectors of

Buddhist ritual recitation. Translated as thunderbolt or diamond, the dorje symbolizes that which is

historically significant Buddhist devotional objects. Antique wooden Burmese Shan Buddha Material : wood 53 cm

with traces of weathering, remains fully visible. This raw quality is precisely the charm of a Buddhist

for collectors of Southeast Asian Buddhist art, gilt wooden sculptures, and historically significant

cover with free-standing flowers and three projections each with a recumbent blanc de chine Buddhist

it a compelling acquisition for advanced collectors of Chinese Buddhist sculpture, Asian antiquities

Buddhist art. Its rarity, cross-cultural character, and strong sculptural personality make it a standout

A charming Japanese Edo Period (1615-1868) seated wooden figure. This figure is likely Buddhist

associations of this area. In the 11th century, Uji became home to the Pure Land (Jōdo) Buddhist temple

bronzes, antique Buddhist art, and museum-quality devotional sculptures. Antique bronze Burmese Buddha

different Hindu denominations. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists as