Chuck Close Art

Printer’s ink from rubber stamp on vélin Strathmore 3-ply paper. Paper Size: 8 x 8 inches. Inscription: Unsigned, as issued. Notes: From the folio, Rubber Stamp Portfolio, 1977. Publ...

Self Portrait, 2007 9 color screen print on Somerset Satin paper 38 x 30 inches Edition of 118 Printed at Watanabe Press Publisher: Lincoln Center for the Performing Arts Chuck Close was best known for the monumental heads...

Chuck Close Untitled Daguerreotypes, 2001 Two (2) pigmented digital output iris prints from daguerroeotype printed in a single sheet of wove paper 22 × 29 1/4 inches Signed in pencil, dated and numbered on the front from the edition of 100 Unframed The present work is a pencil signed and numbered daguerreotype that is part of the 2001 “Doctors of the World” series. Close has said “I’m not interested in daguerreotypes because it’s an antiquarian process, I like them because from my point of view, photography never got any better than it was in 1840… Photographs are often so big now that twenty or thirty people can view one at the same time, but a daguerreotype is the most intimate image made with a camera, because it is small and only one person can look at it.” Printer: Universal Limited Art Editions, East Islip, New York / ULAE & Brand X Editions Publisher: Doctors of the World / Art of this Century, NY Literature: "The Art of Healing" which catalogues the works from the portfolio. Chuck Close Prints...

This signed and numbered self-portrait by acclaimed artist Chuck Close is a striking piece created to benefit the Lincoln Center for the Performing Arts in New York. Known for his me...

Artist: Chuck Close Title: Tavern Year of Work: 1960 Medium: Oil on Canvas Signature: Signed & Dated Upper Left Dimensions: framed 31 x 25 unframed 30 x 24 Provenance: Chuck Close, Marjorie Dalton (Dear friend of Chuck), Private Collection. Tavern, is truly a rare find, an original oil on canvas, in compelling blues and grays with a touch of gold and orange. This work reveals more imagery and detail the longer one enjoys it. This painting was created during his years studying in Yale Art School, and draws different qualities to each new viewer similar to a Rorschach. Close's work is in the collections of most of the great international museums of contemporary art, including the Centre Georges Pompidou in Paris, the Metropolitan Museum of Art New York City. and the Tate Modern in London. Artist Bio: Chuck Close – (1940-2021) an American painter, artist and photographer born in Monroe, Washington. Early childhood illnesses including a neuromuscular condition, nephritis and dyslexia were compounded later in life by a condition known as prosopagnosia (face blindness), which may have inspired him to do portraits. Most of his early, large-format portraits are based on photographs, using photorealism or hyperrealism, of family and friends, often other artists. Close often painted abstract portraits of himself and others, which hang in collections internationally. Even though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he continued to paint inspired by artists like Jackson Pollock and Willem de Kooning. Close's first solo exhibition, held in 1967 at the University of Massachusetts Art Gallery, Amherst, featured paintings, painted reliefs, and drawings based on photographs of record covers. Being much in the mainstream of pop art, a fragment of Close's portrait of singer-songwriter Paul Simon...

Artist: Chuck Close Title: Untitled (Kates #15) Year: 2005 Medium: Digital pigment print on Hahnemuhle Satin paper Edition: 25 + Proofs; signed, dated and numbered in pencil Sheet: 2...

Artist: Chuck Close Title: Untitled (Kates #13) Year: 2005 Medium: Digital pigment print on Hahnemuhle Satin paper Edition: 25; signed, dated and numbered in pencil Sheet: 17 x 22 in...

Chuck Close Uniquely Signed, dedicated and inscribed vintage card, 1988 Thick card Boldly signed, dated, dedicated and inscribed in black ink on the front...

Chuck Close: Self-Portraits 1967-2005 (Hand signed and inscribed to Michelle with heart doodle), 2005 Hardcover. Bound in publisher's original quarter iv...

"Kate (#16)" is an archival pigment print by Chuck Close in 2011. The artwork is 32 x 24 inches with the frame being 36 3/4 x 28 5/8 x 2 inches and it weighs less than 50 lbs. The ar...

Artist: Chuck Close Title: Untitled (Kates #11) Year: 2005 Medium: Digital pigment print on Hahnemuhle Satin paper Edition: 25; signed, dated and numbered in pencil Sheet: 17 x 22 inches (43.18 x 55.88 cm) Frame: 19 1/2 x 24 1/2 inches (49.53 x 62.23 cm) Certificate of Authenticity included For its September 2003 issue, W. magazine commissioned artists Richard Prince, Takashi Murakami, Lisa Yuskavage...

Chuck Close Life (hand signed by both Chuck Close and Christopher Finch), 2010 Hardback monograph with dust jacket Hand signed by both Chuck Close and Christopher Finch on the title ...

Chuck Close Process and Collaboration (Hand Signed by Chuck Close), 2004 Offset Lithograph poster (Hand Signed & dated by Chuck Close in 2014) Boldly hand signed and dated by artist ...

Artist: Close, Chuck Title: Self-Portrait (anamorphic) Date: 2009 Medium: 16 Color silkscreen on Tosahanga paper, polished steel cylinder, and maple wooden platform Framed Dimen...

Artist: Chuck Close Title: Dalai Lama Year: 2005 Medium: Digital pigment print on Hahnemuhle Photo Rag paper Edition: 300; signed, dated and numbered in pen...

Artist: Chuck Close Title: Untitled (Kates #14) Year: 2005 Medium: Digital pigment print on Hahnemuhle Satin paper Edition: 25 + Proofs; signed, dated and numbered in pencil Sheet: 20 x 16 inches (50.8 x 40.64 cm) Frame: 22 5/8 x `18 5/8 inches (57.4 x 47.2 cm) Certificate of Authenticity included For its September 2003 issue, W. magazine commissioned artists Richard Prince, Takashi Murakami, Lisa...

Hand signed, numbered and dated by the artist in pencil. From the Self Portrait 1-5 series. Artwork is in excellent condition. Image size: 25 x 19 inches. Frame size: 32.6 x 25.75 in...

A suite of four holograms by Chuck Close. "Self Portrait" is a contemporary artwork in a palette of blacks and blues by Chuck Close. Each piece measures 14 x 11 in. The work is editioned 16/23 with 2 PPs and is numbered CC(16)2. Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic spinal artery collapse in 1988 left him severely paralyzed, he has continued to paint and produce work that remains sought after by museums and collectors. Throughout his career, Close has endeavored to expand his contribution to portraiture through the mastery of such varied drawing and painting techniques as ink, graphite, pastel, watercolor, conte´ crayon, finger painting, and stamp-pad ink on paper; printmaking techniques, such as Mezzotint, etching, woodcuts, linocuts, and silkscreens; as well as handmade paper collage, Polaroid photographs, Daguerreotypes, and Jacquard tapestries. His early airbrush techniques inspired the development of the ink jet printer. Working from a gridded photograph, Close builds his images by applying one careful stroke after another in multi-colors or grayscale. He works methodically, starting his loose but regular grid from the left hand corner of the canvas. His works are generally larger than life and highly focused. Close has been a printmaker throughout his career, with most of his prints published by Pace Editions, New York. He made his first serious foray into print making in 1972, when he moved himself and family to San Francisco to work on a mezzotint at Crown Point Press for a three-month residency. In 1986 he went to Kyoto to work with Tadashi Toda, a highly respected woodblock printer. In 1995, curator Colin Westerbeck used a grant from the Lannan Foundation to bring Close together with Grant Romer, director of conservation at the George Eastman House. The artist has also continued to explore difficult photographic processes such as daguerreotype in collaboration with Jerry Spagnoli and sophisticated modular/cell-based forms such as tapestry. Close’s photogravure portrait of artist Robert Rauschenberg, “Robert” (1998), appeared in a 2009 exhibition at the Heckscher Museum of Art in Huntington, New York, featuring prints from Universal Limited Art Editions. In the daguerreotype photographs, the background defines the limit of the image plane as well as the outline of the subject, with the inky pitch-black setting off the light, reflective quality of the subject’s face. Close’s wall- size tapestry portraits...

Created in 2002, this relief print with embossing on handmade paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in white crayon in the lower right margin and numbered from the edition of 40 in white crayon in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Phil...

Created in 1986, this color woodcut on Japon paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and numbered ‘AP XV/XX’ (Artist Proof) in pencil in the lower left margin, aside from the numbered regular edition of 150. Published by Crown Point Press, San Francisco. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Leslie...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

1967/printed 1999 Signed, dated, and numbered in pencil, recto Iris print (Edition of 100) 30 x 22 inches (76.2 x 55.9 cm), sheet 20 x 16 inches (50.8 x 40.6 cm), image Contact ga...

Edition of 3 Archival watercolor pigment print on Hahnemühle rag paper

6-run direct gravure Edition 26/40 Chuck Close is an American painter and photographer who achieved fame as a photorealist, through his massive-scale portraits. Though a catastrophic...

Signed by the artist.

Watercolor pigment print on Awagami handmade BIZAN White Thick 200 grams, hand-coated Edition of 10 Magnolia

Felt hand stamp Edition of 40