Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Chuck Close
Self Portrait

2012

About the Item

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is numbered from the roman numeral edition L in pencil in the lower left margin, aside from the numbered edition of 35. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Self Portrait, 2012 is presented in a complementary moulding and optical grade Plexiglas.
More From This SellerView All
  • Phil (Philip Glass)
    By Chuck Close
    Located in Palo Alto, CA
    Created in 2002, this relief print with embossing on handmade paper is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in white crayon in the lower right margin and numbered from the edition of 40 in white crayon in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Chuck Close Phil...
    Category

    Early 2000s Contemporary Portrait Prints

    Materials

    Lithograph, Handmade Paper

  • Vivien in White Coat, 2021
    By Alex Katz
    Located in Palo Alto, CA
    Alex Katz Vivien in White Coat, 2021 is a work of subtle admiration that the artist holds for her daughter-in-law, Vivien Bittencourt. The gentle hues...
    Category

    2010s Contemporary Portrait Prints

    Materials

    Screen

  • Andy Warhol, NYC, 2019
    By Russell Young
    Located in Palo Alto, CA
    Created in 2019, this screenprint with diamond dust is hand-signed by Russell Young Russell Young, British (Northern England, 1959- ) in pencil on verso. This is a unique and origina...
    Category

    2010s Contemporary Portrait Prints

    Materials

    Screen

  • Einstein
    By Mr. Brainwash
    Located in Palo Alto, CA
    Mr. Brainwash Einstein, 2023 is a vibrant and stimulating work featuring Albert Einstein, a pillar of history and modern physics, amid the color and cacophony of modern life. Einstein, the central and only figure, holds a sign stating “Love is the Answer,” surrounded by a swirl of stimuli. Executed in the famed style of the famous graffiti artist Banksy...
    Category

    2010s Contemporary Abstract Prints

    Materials

    Mixed Media, Screen

  • Bardot on Motorcyle (Green)
    By Russell Young
    Located in Palo Alto, CA
    Created in 2007, this screenprint and acrylic paint in Acid Green on somerset paper is hand-signed by Russell Young, British (Northern England, 1959- ) in pencil on verso. This work is from the edition of 6 artist proofs on verso. Provenance 1. Private Collection, United States Catalogue Raisonné & COA: Russell Young Bardot...
    Category

    Early 2000s Contemporary Figurative Prints

    Materials

    Screen

  • Grace Kelly, 1984
    By Andy Warhol
    Located in Palo Alto, CA
    Created in 1984, Grace Kelly is a color screenprint on Lenox Museum Board hand-signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in lower right. This work is numbered from the edition of 225 in pencil in lower right apart from the edition of: 30 Artist's Proofs, 8 Printer's Proofs, 2 Hors Commerce, 50 numbered in Roman numerals, 20 Trial Proofs; printed by Rupert Jasen Smith, New York; and published by Institute of Contemporary Art, University of Pennsylvania, Philadelphia, Pennsylvania, with the consent of the Princess Grace Foundation. Andy Warhol Grace Kelly...
    Category

    1980s Pop Art Portrait Prints

    Materials

    Screen, Board

You May Also Like
  • Sweet Violet... Spring face of female looking up in flowers hand coloured print
    Located in London, GB
    Katie Eleanor, "Sweet Violet", 2019 Handcoloured portrait of blooming flower, immobilised in marble, featuring frozen eyes and the silky colours of Sprin...
    Category

    2010s Contemporary Figurative Photography

    Materials

    Glass, Oak, Paint, Watercolor, Archival Pigment

  • Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
    Located in London, GB
    Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
    Category

    18th Century Victorian Nude Photography

    Materials

    Cotton, Archival Pigment, Pigment, Color, Walnut, Paint, Photographic Fi...

  • Siren immobilised in marble locked in embrace and galleon ship in the background
    Located in London, GB
    Handcoloured portrait of a conjoined siren, immobilised in marble, locked in a sisterly embrace. Inspired by 19th-century cabinet cards, medical illustration, sweet singing Scottish Selkies, Lyra and her sister defend each other's isolation. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Lyra’s Lips are as White as Mine’, 2019 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag Fine Art Paper (100% cotton) 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...
    Category

    2010s Romantic Portrait Prints

    Materials

    Photographic Film, Watercolor, Photographic Paper, Archival Pigment

  • Hand coloured framed print of semi nude sculpture like marble statue of female
    Located in London, GB
    Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...
    Category

    2010s Romantic Portrait Prints

    Materials

    Glass, Oak, Paint, Watercolor, Photographic Paper, Archival Pigment

  • Ali vs Armstrong
    By Alex Guofeng Cao
    Located in New York, NY
    In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...
    Category

    2010s Contemporary Figurative Prints

    Materials

    Plexiglass, Archival Ink, Mixed Media, Oil, Archival Paper, Archival Pig...

  • Hepburn vs Dietrich
    By Alex Guofeng Cao
    Located in New York, NY
    In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...
    Category

    2010s Contemporary Portrait Prints

    Materials

    Plexiglass, Archival Ink, Mixed Media, Oil, Archival Paper, Archival Pig...

Recently Viewed

View All