Casting Glass

Console Table Kleo with structure in metal with brushed burnished brass finish. With top in glass

bronze bat-wing forms hold two large opaline glass globes each, casting a soft, warm glow. Raw

section of glass (single or double). The regular grooved, but random glass surface was created by casting

the softly curved glass shades, casting a warm, upward glow. Beautifully balanced in proportion

using the ancient technique of sand casting, while the solid black glass vase is mouth-blown in Murano.

using the ancient technique of sand casting, while the solid black glass vase is mouth-blown in Murano.

true splendor. The light plays dynamically through the richly colored glass, casting reflections and

art, brutalism, and architectural rigor Main Materials: Gilded brass, smoked glass, bronze casting

crafted milk glass shade, casting a warm and inviting light. Brass accents add a touch of sophistication

meticulously hand-blown to perfection. The radiant blue hues dance gracefully within the glass, casting a

cone-shaped glass shade, casting a soft, inviting glow. Its heavy, tripod-style base provides stability

as shown. Original castings and glass intact. Industrial wear consistent with age and former use

enchanting ambiance as the light reflects and refracts through the glasses, casting a warm and captivating

“incamiciato” glass, inspired by the celebrated mid-century designs of Carlo Nason, the renowned Italian glass

-table with base structure in aluminium sand-casting and tempered glass top.

and casting, beautifully framed with convex glass. Each plaque is mounted in a circular hardwood frame

base, finished with a brass gold plate. The lampshade is made of prismatic glass, casting a warm

interacts with the crystal and white glass, casting delicate reflections and subtle glimmers, brings an

, granite stone, tempered low iron glass. The coffee table ‘Specimen’ features an aluminium casting of a

Modern Italian pendant with a smoky ribbed glass shade casting subtle tones of radiant flashes of

Modern Italian pendant with an amber ribbed glass shade casting subtle tones of radiant flashes of

Modern Italian pendant with a clear ribbed glass shade casting subtle tones of radiant flashes of

Modern Italian pendant with a smoky ribbed glass shade casting subtle tones of radiant flashes of

Modern Italian pendant with an amber ribbed glass shade casting subtle tones of radiant flashes of

Modern Italian pendant with a clear ribbed glass shade casting subtle tones of radiant flashes of

glass casting process, which ensures that no two pieces are exactly alike.

glass casting process, which ensures that no two pieces are exactly alike.

. Each arm culminates in an elegant cylindrical diffuser crafted from luminous opaline glass, casting a

Egyptian method of glass casting, developing the method so that by the 1930s Daum's window panels used pâte

vibrant 1970s. Each lamp is a testament to the timeless allure of swirl glass, casting enchanting patterns

. MARIUS-ERNEST SABINO: THE PRESS-MOLDED GLASS TECHNIQUE For the manufacture of castings of his pieces

. Hence the name. The lamp was produced in techniques of brass casting and glass blowing. Jan Garncarek

de verre (glass paste), an ancient Egyptian method of glass casting, developing the method so that by

. Wonderful detailed aluminium casting and prismatic glass lenses which give a stunning diffused glow

), an ancient Egyptian method of glass casting, developing the method so that by the 1930s Daum's window

success of the workshop over the years. Designed and made in the 1930s Brass modeling, casting, mirror

lost wax castings and hand-grounded glass. On request to customer can modificate the color of pink

wax castings and hand-grounded glass. On request to customer can modificate the color of blue, clear

wax castings and hand-grounded glass. On request to customer can modificate the color of blue, pink

lost wax castings and hand-grounded glass. On request to customer can modificate the color of crystal

In addition to the magnificent Palme chandelier Solid brass, centrifugal casting in rubber-mould

chiseled lost wax castings and hand-grounded glass. This lamp has got 6-flight. On request to customer can

chiseled lost wax castings and hand-grounded glass. This lamp has got 6-flight. On request to customer can

chiseled lost wax castings and hand-grounded glass. This lamp has got 6-flight. On request to customer can

chiseled lost wax castings and hand-grounded glass. This lamp has got 6-flight. On request to customer can

dark.patinated bronze. High quality of the casting. The original glass with patina. (See pictures) Wear

chiseled lost wax castings and hand-grounded glass. This Candelabra has got 6-flames. On request to

chiseled lost wax castings and hand-grounded glass. This Candelabra has got 6-flames. On request to

working or studying. Extendible table with legs in aluminum die-casting and steel tubes. Glass top 12 mm

chiseled lost wax castings and hand-grounded glass. This Candelabra has got 6-flames. On request to

chiseled lost wax castings and hand-grounded glass. This Candelabra has got 6-flames. On request to

chiseled lost wax castings and hand-grounded glass. This lamp has got 5-flight. On request to customer can

chiseled lost wax castings and hand-grounded glass. This lamp has got 6-light. On request to customer can

,heavy brass castings polished . The glass Cylinder has a white defuse paper rolled up inside for soft

, acrylic glass, or plexiglass as well as by the trade names Crylux, Plexiglas, Acrylite, Lucite, and

nineteenth century, c.1890. On another leg there is model / casting number. Retaining two original glass eyes

casting technique that produces glass with a translucent or crystalline quality). In 1893 they introduced