Church Window

Possibly once part of a large stained glass window in a church, chapel or similar religious building, this roundel is characterised by its unusual design and vibrant colours, brought...

Possibly once part of a large stained glass window in a church, chapel or similar religious building, this antique glass roundel is characterised by its unusual design and vibrant co...

Possibly once part of a large stained glass window in a church, chapel or similar religious building, this roundel is characterised by its unusual design and vibrant colours, brought...

It is handpainted around the perimeter with ‘nec tamen consumebatur’, Latin for ‘yet it was not consumed’; a phrase and symbol famously associated with the Church of Scotland. Perha...

A stunning pair of antique Gothic lancet-arched church window screens featuring intricate lattice detailing, handcrafted woodwork, and a richly aged patina.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

This gorgeous design is based on the traditional church window patterns in European Cathedrals and Churches.

Magnificent reverse painting on glass and mixed-media collage on very large old church window. Homage to the iconic Renaissance woman, artist, designer, Gloria Vanderbilt, by painter...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Large vintage church window is the found object used by artist Fay Sciarra for "Georgia in the garden", a boldly patterned painting of a black and white cock-a-poo enveloped by colo...

Designed in 1985, this window was installed in the church in 1987. Jane Gray A.R.C.A.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

This window features symbols of St Ambrose and was installed in the church in 1982.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

An arson attack in March 1977 resulted in the gutting of the church, resulting in a highly modern interior. This window features the symbol of St Margaret and a red Cross on quarry b...

Gray’s ‘Martindale Era’ lasted from 1974-1981, in which time, she designed and installed fifteen stained glass windows in St Peter’s Church. This pair of windows were commissioned as...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

This window centres on the baptism of Christ by St John and features symbolic imagery of music, flowers, harvest, birds, insects, choristers, schoolchildren, and the church itself.

Gray’s ‘Martindale Era’ lasted from 1974-1981, in which time, she designed and installed fifteen stained glass windows in St Peter’s Church. This window was designed in memory of Cha...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Gray’s design for the east window of the church, featuring a colourful Christian depiction of Christ calling Andrew to be his disciple; the window features the Sea of Galilee, the he...

Jane Gray (b.1931) Stained Glass Design Watercolour and pencil 33.5 x 20.5 cm Provenance: the artist's studio sale This design for a stained glass window draws together Gray’s moder...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

A double exposure of the North Star, Polaris' star trails and country church on the hill. The church window is beautifully lit at night and the star trails are magic of the sky. :: ...

The piece resembles a church window and is edged with wood that would most likely been hidden within a wider frame.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

The smooth, precise lines resemble a church window with the intricate leaves laced throughout.

A French 18 karat (18K) yellow gold charm pendant designed as a round medal depicting Jesus the Christ Child with a lamb representing the Lamb of God, with plique a jour blue and gre...

The delicate colors of the fading light warm the sky, contrasting beautifully with the cool tones of the snow-covered roofs and path. The church’s tall spire rises gracefully against...

As his business grew and it was necessary for him to oversee the work of many artists and artisans, he came to rely on others to develop most designs, such as Frederick Wilson for hi...

Pablo Picasso, flowers, abstraction, abstract flowers, red, blue, yellow, green, pink, rainbow, stained glass, church window, gothic, gothic stained glass, ornament, Ukraine, interio...

Alongside its stained glass windows, the church boasts historic tile work and an exceptional marble memorial to the original benefactor’s wife, Frances Darlington.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...

Alongside its stained glass windows, the church boasts historic tile work and an exceptional marble memorial to the original benefactor’s wife, Frances Darlington.

Despite many of her commissions being for church windows, stained glass design was not simply about religious depiction for Gray, but more about ‘colour, shapes, luminosity, [and] pl...