Constable John

After John Constable (British, 1776-1837) Portrait of A Man, c. 1800 Oil on canvas 23 3/4 x 19 3/4

Circle of John Constable (1776–1837) Landscape Oil on panel, 16 x 21 cm Unsigned Panel

John Hoyland For John Constable 1976 Lithograph with acrylic 70 x 96.5 cms (27 1/2 x 38 ins

"The River Cottage" British School, 19th century follower of John Constable oil painting on board

Peter Blake For John Constable, 1976 Underneath Etching Etching on paper with photograph, tracing

Edition of 100 46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

’, Bernard Jacobson Gallery, London, 21 April - 14 May 2022 Literature: Elizabeth Underhill, 'For John

frame, 40 inches by 35 inches and in good condition. John Constable, (1776-1837) RA was an English

free flowing style to it and encompasses everything typical to Victorian England. Signed John Constable

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

Medium: mezzotint (engraved by David Lucas after the John Constable painting). Printed in 1855 on

'River Stour, Suffolk' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776

'Flatford Mill' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836

'Gillingham Mill, Dorsetshire' Mezzotint on steel by David Lucas (1802-1881) after John Constable

'East Bergholt' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836

John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English

Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic

'Arundel Mill and Castle' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776

'Castle Acre Priory' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836

(1802-1881) after John Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA

'A Cottage in a Cornfield' Mezzotint on steel by David Lucas (1802-1881) after John Constable

A Late 19th C Large Wool Work Picture Taken From John Constable's Painting This brilliant large

Circle of John Constable (English, 1776-1837) A fine woodland sketch, with a figure ambling Oil on

Artist: English School, early 1800's, circle of John Constable (British 1776-1837) Title: The

can tell, is very close to John Constable in terms of period and style and his technique and style has

The Country Cottage English School, first half 19th century circle of John Constable oil on board

painters John Constable and Thomas Gainsborough. His paintings can be found in corporate and private

painter. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern

. Watts lived in Hampstead from 1821, where John Constable (1776-1837) also lived, and some twenty-five

rich landscape by Peter Hoffer. The artist's skilled rendering is reminiscent of the landscapes of John

contemporary and friend of John Constable. Dr William Crotch (1775-1847) Mr Pear's House at Pirbright from the

click on "See all from this Seller" - or send us a message if you cannot find the view you want. John

connection to the artist John Constable, who painted many of his best-known works in the surrounding

Old Master John Linnell Landscape Collector Painting Oil on Canvas Museum Art. “The Barley Field

landscape and portrait painter and engraver. Linnell was a naturalist and a rival to John Constable. He had

the Frick Collection next to Sir joshua reynolds and John Constable. The painting was sold in 1924 to

. He was a naturalist and a rival to the artist John Constable. He had a taste for Northern European

preventing the open water from overwhelming the view. Watts was one of the most sensitive followers of John

School tradition. Born in Norwich, he trained under John Crome and was influenced by the naturalistic

. Pressten,” pointing to a hand clearly informed by the enduring influence of John Constable and his vision

second half of the 19th century, considered by many to be the heir to John Constable and John Linnell

Hampstead from 1821, where John Constable (1776-1837) also lived, and, some twenty-five years older, was to

by John Constable and Alexandre Calame. He co-founded the Peredvizhniki (1870) and made regular Volga

important follower of John Constable (1776-1837), but although the two artists undoubtedly shared a passion

, Albert Cuyp, and John Constable). Alfred Brunet-Debaines lived between London and Paris. As an engraver

emerging naturalistic landscape language associated with John Constable in the early years of the 19th

on the Suffolk–Essex border. Immortalised by John Constable in numerous 19th-century paintings

artists such as Théodore Rousseau and John Constable. Listed in the Benezit. Rich in movement and

1946 and 1947, featured prominent British artists including L. S. Lowry, John Nash, Julian Trevelyan

and periods. Here he seems to look to the sublime in the 18th century paintings of John Constable. In

studied under John Constable (1776-1837), and was influenced by James Stark (1794-1859). The majority of

-famous by John Constable in the early 19th century. Here, Herbert reinterprets the scene with a warmer