Constable John

, Frederick Church, as well as England’s John Constable. Exacting and deliberate, often mysterious impressions

the way he handled skyscapes, was English painter John Constable. Browne was born in Gloucester

on him, especially the way he handled skyscapes, was English painter John Constable. Browne was

a keen amateur artist – a friend of John Constable – and Benjamin would often accompany him on

was a keen amateur artist – a friend of John Constable – and Benjamin would often accompany him on

father was a keen amateur artist – a friend of John Constable – and Benjamin would often accompany him on

artists of the day including John Constable, David Wilkie, and Thomas Lawrence. Leakey’s detailed rural

and quality rarely seen in British art outside of John Constable or the finest work by Patrick Nasmyth

James’ churchyard. Turner has been dubbed ‘Derbyshire’s John Constable with his works being highly

friend of John Constable – and Benjamin would often accompany him on sketching trips along the banks of

been compared to the idealistic landscapes of the 19th-century landscape painter John Constable. After

been compared to the idealistic landscapes of the 19th-century landscape painter John Constable. After

been compared to the idealistic landscapes of the 19th-century landscape painter John Constable. After

, particularly watermills. Often, we’re reminded of the great John Constable who was so obsessed with accurate

light effects, John Constable (1776-1837). He travelled extensively for inspiration - from the quaint

father was a keen amateur artist – a friend of John Constable – and Benjamin would often accompany him on

Street Galleries and at the New Watercolour Society. Watts lived in Hampstead from 1821, where John

extraordinary ability of this remarkable artist. His father, a friend of John Constable, taught the young lad to

conviction. They took as their inspiration such European masters as Claude Lorrain, John Constable and J.M.W

and Sir Robert Constable. Sir John Bulmer, one of the largest landowners in Yorkshire, also joined the

as Claude Lorrain, John Constable and J.M.W. Turner, and shared a reverence for America's natural

attention to the French Impressionists' debt to the British artists John Constable and J. M. W. Turner

British artists John Constable and J. M. W. Turner, claiming that the Impressionists simply developed

painting, Dewhurst's book called attention to the French Impressionists' debt to the British artists John

British artists John Constable and J. M. W. Turner, claiming that the Impressionists simply developed

Forest, where the artists gathered. In 1824 the Salon de Paris exhibited works of John Constable. His

a painting by John Constable. Provenance: Alice Schönfeld (Seligson) Collection, Basel, Switzerland

artists John Constable and J. M. W. Turner, and the myriad European artists working in Italy at the time

artists John Constable and J. M. W. Turner, and the myriad European artists working in Italy at the time

artists John Constable and J. M. W. Turner, and the myriad European artists working in Italy at the time

riverbanks, whispering brooks, and dense woodlands. Like his contemporary, John Constable (1776-1837), Traies

century. The close friend and biographer of John Constable, C.R. Leslie exhibited 76 paintings at Royal

subject matter choices clearly shared influences with John Constable and other contemporaries. Some of his

Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some

transfiguration, and 17th and 18th century Dutch and English landscape painters, including John Constable and

, relates various incidents to a different effect (Notizie dei professoni del disegno). John Constable

painters like John Constable to convey the raw, rugged tumble of rocks, soil and cliff faces with a rough

painters like John Constable to convey the raw, rugged tumble of rocks, soil and cliff faces with a rough

later artists, including J.M.W. Turner and John Constable. Condition: Italianate landscape after Claude

63.5 x 102 cms (25 x 40 ins) Edition of 100

This delicate print is after John Constable's The Bridge of Harnham and Salisbury Cathedral

A wonderfully fluid study of clouds over the Suffolk countryside by a contemporary of John

8.75". A superb impression in excellent condition. John Constable, RA (born, 1776-1837) was an English

The Lock – Large Plate 1832/34. Mezzotint by David Lucas (1802-1881), as directed by John Constable

Mezzotint by David Lucas (1802 - 1881) after the painting by John Constable. Shirley catalog 3

The Cornfield British School, after John Constable Oil painting on canvas, framed Frame size: 46 x

'A Mill' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836). From

Manner of John Constable, RA (British 1776-1837), self portrait oil on canvas. Painted by an

'Mill near Colchester' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776

John Constable oil painting on canvas, unframed canvas: 47 x 50.5 inches provenance: private

Constable (1776–1836). From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic

'View on the River Stour' Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776

'Figures In A Stormy Landscape' 19th Century English School circle of John Constable (1776-1837

Artist/ School: English School, 19th century Title: The Stormy Lake Medium: oil painting on board, framed framed: 14 x 17 inches canvas: 9 x 12 inches Provenance: private collect...

The Country Cottage English School, first half 19th century circle of John Constable oil on board

Artist/ School: English School, circa 1830's, follower of John Constable Title: The Rural Lane

The River Cottage English School, circa 1830's circle of John Constable (British 1776-1837) oil