Constantin Meunier

Medium: original woodcut. Printed in 1904 and published in Paris by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/8 inches (206 x 131 mm). Signed in the plate, not hand-signed.

Patinated bronze sculpture, better known as "Stevedor of the Port of Antwerp", signed by Cosntantin Meunier Constantin Meunier (1831-1905) is a Belgian artist, renowned for his wor...

Bronze Male Figure The Unloader Of The Port Of Antwerp By Meunier better known as Le debardeur du port d'Anverse by the famous Belgian sculptor Constantin Emile Meunier (1831-1905). ...

He was deeply impressed by the masters of the Quattrocento, and was encouraged to take up painting after meeting Constantin Meunier (1891). He painted Symbolist scenes and was influe...

Anne Dykmans taught engraving from 1984 to 2017 at the Constantin Meunier Academy of Etterbeek and at the School of Arts of Woluwe-Saint-Pierre.

He also found himself in the company of Félicien Rops, Charles Hermans, Constantin Meunier, Jules Raeymaeckers, among the attendees of the "Atelier Libre Saint-Luc" in Brussels from ...

Signed & dated: Signed C. Meunier and inscribed with Foundry mark B. VERBEY ST. FOUNDEUR BRUXELLES Provenance: Private collection, UK

He went on to become one of the leading figures of Belgian Symbolism, alongside Constantin Meunier and Eugène Laermans. His monumental triptych Les Âges de l’ouvrier is held at the M...

Like his contemporaries such as Constantin Meunier, Lambeaux manages to capture not only the physical appearance but also the spiritual essence of his subjects.

A pupil of the renowned Constantin Meunier, Roosenboom diverged from his master’s focus on industrial realism to embrace refined domestic and leisure subjects, particularly scenes fe...

A pupil of the renowned Constantin Meunier, Roosenboom diverged from his master’s focus on industrial realism to embrace refined domestic and leisure subjects, particularly scenes fe...

Fascinated by great sculptors like George Minne, Constantin Meunier and Auguste Rodin, he reinvented and explored the possibilities of the by then almost lost art of the "lost wax" m...

Fascinated by great sculptors like George Minne, Constantin Meunier and Auguste Rodin, he reinvented and explored the possibilities of the by then almost lost art of the "lost wax" m...

Fascinated by great sculptors like George Minne, Constantin Meunier and Auguste Rodin, he reinvented and explored the possibilities of the by then almost lost art of the "lost wax" m...

His artistic development was further shaped by the influence of Constantin Meunier, who would become a close freind, and also by his reading of Hendrik Conscience, whose novels celeb...

He studied from the age of 19 in Italy, mainly in Rome, and in Belgium met the sculptor Constantin Meunier. In about 1886, he went to work in Pont Aven, Brittany, where he met Laval ...

There he was inspired by contemporary Belgian sculpture, especially the work of Constantin Meunier. He moved to Berlin, where he opened a studio in the villa district of Grunewald an...

He studied from the age of 19 in Italy, mainly in Rome, and in Belgium met the sculptor Constantin Meunier. In about 1886, he went to work in Pont Aven, Brittany, where he met Laval ...

He studied from the age of 19 in Italy, mainly in Rome, and in Belgium met the sculptor Constantin Meunier. In about 1886, he went to work in Pont Aven, Brittany, where he met Laval ...

Van de Leene received his artistic training between 1899 and 1905 at the Academies of Ixelles and Brussels, studying under the renowned Constant Montald and also influenced by teache...

It was in his uncle’s studio that, as a youth, he met such artists as Constantin Meunier, Georges Lemmen and Théo van Rysselberghe, who was to become a close friend.

In 1883, he was hailed as a promising painter with his painting Les Marchands de craie, a triptych combining modernism with the genius of the primitive masters, and in the 1890s he b...

In 1883, he was hailed as a promising painter with his painting Les Marchands de craie, a triptych combining modernism with the genius of the primitive masters, and in the 1890s he b...

In 1883, he was hailed as a promising painter with his painting Les Marchands de craie, a triptych combining modernism with the genius of the primitive masters, and in the 1890s he b...

It was in his uncle’s studio that, as a youth, he met such artists as Constantin Meunier, Georges Lemmen and Théo van Rysselberghe, who was to become a close friend.

In 1883, he was hailed as a promising painter with his painting Les Marchands de craie, a triptych combining modernism with the genius of the primitive masters, and in the 1890s he b...

It was in his uncle’s studio that, as a youth, he met such artists as Constantin Meunier, Georges Lemmen and Théo van Rysselberghe, who was to become a close friend.

On the other hand, when later sculpting statuettes like Fisherman's Wife, he undoubtedly kept in mind the works of Alexandre Charpentier or Dalou, proponents of the social realism in...

He later abandoned the symbolist decorativism of the Jugendstil for a more concentrated and vigorous style, approaching the Belgian sculptor Constantin Meunier for the theme of work,...

Back in France in 1906, Henri Bouchard lived and worked in the Montparnasse district in Paris where, in the tradition of Jules Dalou or Constantin Meunier, he developed his naturalis...

Is inspired by the sculptor Constantin Meunier. 1904 Resides in Munich in order to study. 1905 Marries the Austrian portrait painter Olga Granner (1874 -1967), an artist colleague ...

Vail became involved in the Society of American Artists in Paris and the Société Internationale de Peinture et de Sculpture, whose membership included Frank Brangwyn, Charles Cottet ...