Plastic Dining Room Sets

Vintage MId-Century Modern Russell Woodard Spun Fiberglass Outdoor Dining Set Circa 1970s This set includes four Spun Fiberglass dining chairs with the original removable cushions a...

Mid Century dinette set including four chairs and a dining table. This set was designed by Viko Baumritter circa 1950/1960’s. It is in good, original vintage condition showing some ...

Russell Woodard Tan toned Geometric Spun Fiberglass Cafe Set of 4. Featuring sturdy, balanced, woven Light Khaki Spun Fiberglass frameworks, hourglass bases, ergonomic arched fan b...

Marvelous vintage Coastal Island Style Rattan glass top dining or game table & 4 matching chairs, a set. Beautiful condition, keeping in mind that these are vintage and not new so wi...

Wonderful vintage Mid-Century Modern set of 4 Krueger chairs of molded fiberglass shell bodies with seats & backs of mottled creamy beige Naugahyde upholstery, and black painted sled...

On offer on this occasion is one of the most stunning, timeless, smoked oval glass dining table and smoked tulip swivel chairs you could hope to find. Outstanding design is exhibite...

Space Age vintage dining room set from plastic in a chocolate brown tone reupholstered with light brown textile fabric. The dining room set con...

Gorgeous Herman Miller Eames dining set. Featuring 4 pink model DSR chairs, recoated in pink and atop fresh new Eiffel bases. All chairs signed Herman...

For sale is this very nice vintage dining set that includes four Burke chairs and table, The table measures H 29.5” W 38”

Russell Woodard Dining Set of Spun Fiberglass. The set consists of four chairs, the coordinating spun fiberglass base and a fiberglass top with a hole for Umbrella. As an Alternati...

Original signed Herman Miller Eames dining set. Features multicolored shell chairs on black H bases. All nylon self leveling chair glides intact, for use on multiple types of surface...

This 1970s vintage signed Lion In Frost Lucite sculptural base dining table and original tufted leather Lion Frost dining chairs make for a great ensemble. The glass can be a much larger one to put on at your end. The base is solid. It is now at 46" round diameter. This was a replacement glass top. The leather of cream colored is the original leather fabric from the time. These are very comfortable to sit in. The tubular lucite chairs...

The rare dining set designed by Boris Tabacoff is one of the most sought after space-age chairs, highly sought after by interior architects at home and abroad. Boris Tabacoff, a ren...

Set Iconic Gerd Lange 'Flex 2000' Chairs and table in Beech and Plastic for Thonet 1973. This is a set of highly sculptural and avant garde quality by designer Gerd Lange for Thonet...

Ce majestueux ensemble des années 1970, conçu par Osvaldo Borsani, pour Tecno se distingue par sa table aux dimensions de 85 cm x 120 cm et une hauteur de 70 cm, accompagnée de chais...

Gorgeous and bright set of Herman Miller Eames dining chairs and table. All authentic Herman Miller. Chairs are vintage but have been color coated in fun colors. New Eiffel bases fin...

Post modern Gem 10’ long curved oval dining table with (2) leaves. High gloss acrylic top with a beautiful taupe tan color with 2 dark red maroon stripes. Very nice arched base with ...

Unique opportunity to acquire a complete Herman Miller dining set, which includes four Caper Chairs, designed by Jeff Weber and dated 2006 , plus the iconic Eames design dining table...

An Original & Rare Black Ash & Aluminium Arkana Circular Dining Table With Three Black & Orange Matching Tulip Model 115 Dining Chairs Engraved with mak...

Designed by the legenday Charles and Ray Eames, this dining set was produced in the 1970s by Herman Miller. This set consists of 4 DSX chairs with bright orange shells and metal base...

Rare special Orbit dining set of five chairs and a dining table. Designed by Farner & Grunder for Herman Miller and produced by Vitra 1965. All original with the original uphol...

Wonderful 1960’s vintage Mid-Century Modern spun fiberglass forest green painted outdoor or patio dining table & four armchairs on casters. Beautiful condition, keeping in mind that these are vintage and not new so will have signs of use and wear. New paint but not done by us. Needs cushions. Please see photos and zoom in for details. We attempt to portray any imperfections, circa, Mid-20th Century. Who needs to go to a fancy restaurant for dinner when you can stay home and have fine dining like this? This is a fabulous spun fiberglass outdoor dining set comprised of a table with a cinched pedestal base and a round top with a glass insert and four armchairs on casters. So often pieces like this are Attributed to Russell Woodard, and throughout the design community there are debates and discussions as to what in fact defines a Russell Woodard piece, but in fact he never produced spun fiberglass furniture...

Magnificent fully original tulip dining set designed by Eero Saarinen and produced by Knoll International in the 1960s. The set consists of 6 original marked tulip armchairs and the ...

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This five-piece set of spun fiberglass patio furniture by Russell Woodard has been lovingly restored and exudes both sculptural elegance and durable charm. The pieces have been fresh...

A unique mid-century Italian chinoiserie dining table and six dining chairs, designed by Umberto Mascagni for Harrods. Circa 1960s. Image numbers 6 and 7 show original photographs...

An original 1970 vintage tulip dining set by Eero Saarinen for Knoll. Saarinen's tulip design combines grace with practicality. The rare Rio...

Set of Four Clean Lined Italian Dining Chairs, designed by Gianfranco Frattini for Lema S.P.A., Italian, circa 1960s. The chairs are currently being reupholstered and can be complete...

Set of 5 mod. 783 “Kentucky” dining chairs, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Structure made from oak and walnut timber. Seats and backrest made from cognac leather. Excellent vintage condition. Carlo Scarpa designed this chair for the “Scuderia” series., the last project he made for Bernini. The architect took inspiration from the “shaker” movement. He designed the chair slightly inclined at the front. This feature allows you to swing backward (until you lean on a wall) and remain in balance. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. A year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity. From 1927, Carlo Scarpa began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building that stands on the Grand Canal banks, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, all worth mentioning. One of his key works, despite its relatively modest diminished proportions, was the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and clearly shows Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his most significant ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of: – Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) – Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on the renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions, working on the Carlo Felice Theatre in Genoa and another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa started building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem,” [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure.” Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded eight years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana,” “Quatour,” and “Orseolo.” While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

A Classic design, beautifully executed, in walnut. The finish is original. The chairs are upholstered in the original fabric.

Iconic mid-century Moorish style café table with two small chairs, upholstered in aqua Sunbrella. Perfect set for a balcony or other tight space. The two petite chairs...

Beautiful vintage Herman Miller Eames dining set. Featuring 48 inch diameter round dining table with four matching fiberglass chairs. Table and chairs...

Transport yourself back to the sleek and sophisticated 1970s with this exquisite dining set. The ultra rare dining set exudes an air of history and refinement. Outstanding design is ...

This gorgeous dining set is manufactured by Chromcraft from USA. It is a beautiful example of the space age era. The beautiful tulip swivel chairs are beautiful sculptured with a thin body shape. The shell of the chair is made of Lucite opak acryl and the base of aluminium and acryl. The seati g is made of aniline black leather. The dining table is made of glass and leather and the feet is in acryl and aluminium. It contents 4x dining chairs...

Very rare vintage, untouched and weathered dining set designed by Preben Fabricius and designed for Interplast. We offer 4 stackable chairs and a dining table. This cool space age ...

The tulip dining set designed by Eero Saarinen for Knoll in the 1960s is a true masterpiece of mid-century modern design. The set includes a stunning tulip dining table and four matc...

Space age vintage white plastic dining room set designed by Maurice Burke 1960s United Kingdom and produced by Arkana Great Britain. The dining room set consists of 1 white enameled ...

extrem rare and early set by Eero Aarnio. Cognac Chairs and Kantarelli table. 5 x chairs 1 x table

Rectangular table in Brazilian rosewood veneer with high gloss polyester finish. Fixed top with base in bronzed stain- less steel. Sunburst veneer to...

Elegant 1940s Lucite dining table with four matching chairs by Grosfeld House. This 1940s dining set features a table framed in tubular Lucite with an inset glass top and embellishe...

A spectacular set including a large dining table and 4 chairs, Post-Modernist, Space-Age, Shabby-Chic, table structure in thick and heavy chrome-plated metal, ovoid fiued glass top, ...

Mid-Century Modern, 1960s spun fiberglass Russell Woodard table & 4 chairs. Table: 42 diameter 29 high.

On offer on this occasion is one of the most stunning lucite table set you could hope to find. This is an ultra-rare opportunity to acquire what is, unequivocally, the best of the be...

Original Spaghetti Patio chairs and matching rectangular table with reversible top in all Black by Giandomenico Belotti for Alias Made in Italy. Gorgeous Minimalist Italian design fr...

Fabulous 8pc indoor outdoor dining set of spun fiberglass by Russell Woodard. Set includes table with a glass top, not pictured, glass is per...

Spun Fiberglass 5 Pieces Round Dining Table 4 Chair Russel Woodard Outdoor Set MINT! Table measures: 48 diameter by 29H

Mid-Century Modern; Italy; 1970s; Hugonet; Dining Set; Modernist; Paris; France; Plexiglass; Bamboo; Hugonet "Sea Side" dining set - a beautiful embodiment of midcentury modern eleg...

Russel Woodard spun fiberglass oval racetrack glass top dining table 4 chairs outdoor set Stunning grayish blue and white colors spun fiberglass design frames. Table measures: 43 x 62...

Set of Iconic Gerd Lange Table and 4 Lacquered Thonet Stools. Gerd Lange 'Flex 2000' Table for Thonet, 1973 & a wonderful set of Thonet style stools in lacquered wood and webbing. ...

For FULL item description click on More Details below. Shipping Quote Information The shipping quote stated in the listing was from 1st Dibs and they normally set all the costs and handle all the shipping details. However, if you let us know what 1st Dibs is quoting you and give us your zip code, we can sometimes ship it for less and get it to you faster. For a shipping quote, click on "ASK THE SELLER" under the purchase button and provide your zip code. Offering One Of Our Recent Palm Beach Estate Fine Furniture Acquisitions Of A 1970s MCM RUSSELL...

This handsome dining set features six hand-sculpted clear lucite side chairs. The six chairs are rendered in thick Lucite and are inset with back and seat cushions in royal blue velv...

A rare wall-mounted folding table by Anonima Design, designed in 1970 as part of the Aggregabili series for Bonetto. Crafted in pale birch plywood, this version features a versatile ...

The Arch line was created after Charles started working with the owner of the Raiders, Al Davis while designing a set of chairs for his executive office in Beverly Hills with the feeling of a football helmet, and the silhouette of a dome. The most creative arch that Charles has designed is the arch of the Le Dome table...

Mid Century Modern Set of Six Dining Chairs and Table in Lucite Chrome Glass Table 42"(D) x 60"(W) x 30"(H), chair 23"(D) x 21"(W) x 45"(H)

Vintage Hollywood Regency Clear Lucite Acrylic Mid Century Sculptural Dining Table & 4 Chairs - 5 Pc Set. Item features (4) high back sculptural dining...

Scuderia dining room set, designed by Carlo Scarpa for the Italian manufacturer Bernini in 1977. Composed of 5 mod. 783 “Kentucky” dining chairs...

Solanas Outdoor Dining Set by Daniel Germani for Gandía Blasco Table: 55" diameter x 30" height Chair: 23" W x 22" D x 29" H, seat height 19" Designed with both durability and refi...

An incredible rare dining set designed by Nanna Ditzel for Domus Danica, circa 1969 A set of 4 untouched dining chairs with a rare vinyl upholstery and a large dining table. M...

The Saucer Dining Set by Brent Warr unites sculptural expression with refined functionality. Featuring the signature stacked-ball motif, both the table and chairs strike a bold yet b...

Introducing the Minuscule Table & Chair set by Fritz Hansen, a stunning addition to any modern home. Crafted with high quality materials, this set features a sleek and minimalist des...