Crowd Scene

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

His large output includes Civilisation 37 (1937), Refugees from St-Dié (1944), Sunday in the Great Courtyard (1956), Breakfast (1957), Venetian Bedroom (1958), Bosphorus in December ...

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

Moonrise in Mumbai depicts an bustling evening scene at a market. People and cars crowd the street, filling the scene with abundant energy.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

In Withoos exaggerated scenes, the figures crowding the images become archetypes, and the viewer is overcome by a sense of alienation.

It was not until the first decade of the 20th century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from...

Joan Lowndes in 1963 noted fewer flower pieces and more bustling cityscapes, outdoor activities and scenes with crowds of people in her work and linked her in this way to Pegi Nicol ...

"Rowlandson's Dance of Death, the only series on the subject since Holbein's to rival that master, is the perfect complement to his Microcosm of London, for here the artist is concer...

Joan Lowndes in 1963 noted fewer flower pieces and more bustling cityscapes, outdoor activities and scenes with crowds of people in her work and linked her in this way to Pegi Nicol ...