Daum Freres

Lorrain Nancy is a brand created by the Daum Frères & Cie glassworks in Nancy to market pressed-molded glassware intended for a broader, less prestigious commercial market than the h...

Pierre d’Avesn’s work is increasingly sought after for its exceptional sculptural quality, technical mastery, and timeless Art Deco elegance. Daum Frères, founded in Nancy in the la...

The narrow neck vase, also known by the term 'Berluze' shape, created and made popular by Daum Frères Nancy was also produced since the beginning of the 1920's by the André Delatte G...

The narrow neck vase, also known by the term 'Berluze' shape, created and made popular by Daum Frères Nancy was also produced since the beginning of the 1920's by the André Delatte G...

This exquisite thistle (Le Chardon) lamp by Daum Freres and Maurice Bouval depicts an asymmetrical thistle sprig, with one bud closed and the other in bloom, the flower rendered in a...

Daum Freres Nancy; Edgar Brandt, Table light, circa 1925, Daum Nancy shade is variegated and mottled art glass with powder fusions of, white, orange, red and violet.

In 1903, Ernest Schneider (1877-1937) was hired by the commercial management of the Daum frères factory. His younger brother Charles, trained in sculpture at the École des Beaux-Arts...

The same techniques used by Daum Frères, André Delatte and Muller Frères in this period.

He then worked for himself creating his own designs, as well as working for Daum Freres beginning in 1930 as art director of their molded glass department.

The Cristallerie de Saint-Rémy was manufacturing the D'Avesn pieces. In 1930, Daum Frères asked him to take charge of the artistic direction of their molded glass department at their...

His technique was similar to that of prominent glassmakers like Daum Frères, André Delatte, and Muller Frères. Noverdy also produced molded glass vases and shades, as well as acid-e...

Initially producing romantic-style pieces with lightly enameled landscapes, the company evolved significantly during the 1920s under the directorship of Paul Daum. From 1923 to 1926,...

His glassworks Johann Loetz Witwe was awarded the Grand Prix in Paris in 1900 and thus found itself virtually overnight on the level of traditional companies such as Louis Comfort Ti...

His pieces were made by Cristallerie de Saint-Rémy. In 1930, Daum Freres asked him to take the artistic direction of their molded glass department in their glassworks in Croismare, w...

The same techniques used by Daum Frères, André Delatte and Muller Freres in this period.

Manufactory: Verreries Schneider, Epinay-sur-Seine, France The brothers Ernest (1877-1937) and Charles Schneider (1881-1953) both started out at Daum Frères & Cie, Verreries de N...

Manufactory: Verreries Schneider, Epinay-sur-Seine, France The brothers Ernest (1877-1937) and Charles Schneider (1881-1953) both started out at Daum Frères & Cie, Verreries de N...

Manufactory: Verreries Schneider, Epinay-sur-Seine, France The brothers Ernest (1877-1937) and Charles Schneider (1881-1953) both started out at Daum Frères & Cie, Verreries de N...

Blank glass forms were supplied by Daum Frères and subsequently richly hand-enameled at Leune after Heiligenstein’s designs.

The same techniques used by Daum Frères, André Delatte and Muller Freres in this period.

Unusual French Mid-Century Modern Glass Vase with Art Deco Influence, 1950s An exceptional French glass vase from the 1950s, showcasing a rare blend of Mid-Century Modern design wit...

Born in France, he began his career as a designer for Daum Frères in Nancy, where he acquired a deep knowledge of glassmaking and Art Nouveau aesthetics.

His works include vases, bowls, and lamps. Daum Frères – The Daum brothers founded their own glassworks in Nancy and became known for their innovative techniques and artistic abiliti...

Often collaborating on lamp designs with the Daum Frères glassworks of Nancy, he helped make the city one of the European centers of Art Nouveau.

In 1903, Ernest Schneider (1877-1937) was hired by the sales department of the Daum frères factory . He got his younger brother Charles, who had trained as a sculptor at the School o...

The glassmaking adventure of the two Schneider brothers began in Nancy, at the heart of a prestigious art glassworks: Daum Frères since 1878. In 1902, Ernest was hired by the commer...

He fabricated engraved glass objects of the kind which was also sold by Daum and Muller Frères. Delatte’s cameo vases and bolws  incorporated two to three layers of glass, with motiv...

A sophisticated decorative piece for collectors of André Delatte, Nancy glass, French Art Deco, Daum, Muller Frères and early 20th-century European decorative arts.

His work shares technical affinities with major French glassmakers such as Daum, André Delatte, and Muller Frères, while retaining its own decorative identity.

His glasswork was often inspired by masters like Daum and Muller Frères, blending innovation with classic influence.

His creations became known for their expressive colors, technical quality, and distinctive Art Deco forms, placing his work alongside that of renowned Nancy glassmakers such as Daum,...

About André Delatte André Delatte (1887–1953) was one of the foremost figures of the Nancy School of glassmaking, alongside Daum and Muller Frères. Originally a banker from Châtenoi...

Similar pieces from Muller Fréres and Daum inspired this wonderful and unique French art Glass vase.

This lamp stands alongside other legendary makers of the era such as Daum, Muller Frères, Schneider, and Degué, representing the finest in French Art Deco lighting design.

Made from glass and wrought-iron, it shares the same artistic pedigree as works by Muller Frères, Daum, Schneider, and other renowned glassmakers of the period.

After early artistic training at the École des Beaux-Arts in Nancy and Paris, Schneider worked with Daum before founding the Schneider Frères & Wolf glassworks in 1913 with his b...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

Gueron was also guilty of copying designs of other successful French glass artists like Daum, Galle, Muller Freres and Schneider. One can see imitation as the highest form of flatter...

It should not be forgotten to mention that De Feure was nominated Chevalier de la Légion d'honneur for having created his designs of the decorative arts. made by ANTONIN DAUM (1864...